Our apologies: your internet browser is not yet fully supported by our Schmap online guides. If you continue, pages in this guide may display or function incorrectly.

Would you like to continue anyway?

Schmap.com supports the following browsers:

PC

• Internet Explorer 6 and above
• Firefox 1.5 and above
• Safari 3 for Pc

• Safari version 1.3 and above
• Firefox 2 and above

• Browse this Schmap Guide on your PC, online or offline.
• View Schmap Guides for 200 worldwide destinations.
• Bookmark places of interest, plan trips and take virtual tours.
• Custom print your own full-color travel guides.
• Publish and share schmapplets with your favorite places
• Enjoy many more unique Schmap features.

Florence Home

Alberto della Ragione Collection Contemporary art collection

Piazza della Signoria, 5 Florence 50122 Italy

Over the course of his life the engineer Alberto della Ragione collected a series of works of contemporary art which were donated to the Florence council in 1970. The engineer was not only passionate about art but came into direct contact with the artists of the period, supporting them in their most difficult moments. He helped to organize exhibitions to help them gain recognition, and acquired many works himself. His collection gathers together works from the period 1930-45 ,the generation of artists who participated in the renewal of Italian culture between the two wars. There are the landscapes and the still-lifes of De Pisis and Mafai, the group of canvasses by Risai and the works of Gottuso, Morandi, Carra' and Casorati, passing through cubism, abstract and futurist art. Furthermore there are several sculptures, one of The horses of Marino Marini and the famous Paulette of Lucio Fontana. Review © 2007, Wcities

 

All Saints Florentine Baroque

Piazza Ognissanti Florence 50123 Italy +39 55 239 8700

The Church was built in the middle of the thirteenth century and largely reconstructed during the Baroque period. Entering behind the third altar, notice the fresco by Sandro Botticelli of St. Augustine in His Study (1480) and, in the same partition, the second chapel. This belongs to the Vespucci family and contains frescoes by Domenico Ghirlandaio as well as other frescoes in which one can recognize members of the same family, probably including Amerigo Vespucci. From the cloister next to the church it is possible to enter the Refectory where there is the exemplary fresco by Dominico Ghirlandaio of Last Supper. This church is also the burial site of the great Renaissance artist, Sandro Botticelli. Admission: Free. Review © 2007, Wcities

 

 

Archaeological Museum Collection of archaeological finds

Via della Colonna, 38 Florence 50121 Italy +39 55 2 3575

Like other collections, the Archaeological Museum has its origins in the collections of the Grand Dukes, both Medici and Forensi, whose works of art were initially, kept in the Uffizi. The museum is divided into three sections: the topographical museum of Etruria, the Etrusco-Helletian-Roman Antiquarium and the Egyptian collection. The collection, which has Etruscan civilization at its heart, was begun by Cosimo the Old (15th Century), but was enlarged particularly by Cosimo I and in the 18th Century by Cardinal Leopold. The Egyptian section was created by Lorena and is mostly made up of archaeological finds which were recovered during a Franco-Tuscan expedition at the beginning of the 19th Century. The Austrians increased the size of the Etruscan collection and it was studied in its entirety by their experts. The museum also contains glass, gems, Greek ceramics and a numismatic collection. In the garden, Etruscan tombs and funeral monuments are reconstructed. Admission: EUR 4 (without reservation), EUR 3 (with reservation). Review © 2007, Wcities

Photo: J. C. Cuesta

Photo: Giorgio Verdiani

 

 

Badia Belltower The Badia belltower

Via del Proconsolo, 3 Florence 50122 Italy

The Badia belltower is one of the main reference points in the panorama of the city. Under restoration for some time now, the Badia is part of the monastery which was the home of the Benedettini. It was founded in 978 by the mother of a famous Florentine figure, Ugo of Tuscany. The Pandolfini chapel, which is in front of the 15th Century atrium, was restructured on the remains of the previous smaller church of San Stefano. There are lectures of Dante given here in memory of the first public reading by Giovanni Boccaccio of Dante's Divine Comedy which happened in 1373. Inside the Badia, there are two works in particular which should be noted: the marble tomb of the Marquis Ugo of Tuscany (which was made by Mino of Fiesole), and the Apparition of the Madonna to St. Bernard by Filippino Lippi. Admission: Free. Review © 2007, Wcities

Photo: Fabio Venni

Photo: Luis Manuel Guaida Escontría

Photo: Irene Ferrando

 

 

Baptistry Roman baptistery

Piazza San Giovanni Florence 50129 Italy +39 55 230 2885

Although the Baptistery's precise origins remain unclear, its foundations are known to date back to Roman times. The central doors are stunning works of art, depicting scenes from the Old and New Testament and they have been called The Gates of Paradise. Lorenzo Ghiberti who worked on them from 1403 to 1424 designed these ornate doors. Inside, the octagonal structure is richly decorated with Roman columns and gilded column heads. The floor's marble inlay features Islamic-style patterns and the apse is decorated with 13th-century mosaics. Coppo di Marcovaldo and Cimabue were among those involved in the cupola's decorative mosaic work. Admission: EUR 3. Review © 2007, Wcities

Photo: Nick Richards

Photo: Shannon Savage

Photo: aewolf

Photo: Moira Richey

Photo: Bill Tyne

Photo: Benjamin E. Wood

Photo: Jake Gamage

Photo: Fran Fran

Photo: mark stephenson

Photo: Rebecca Billings

Photo: smackfu

Photo: eheathers

Photo: AmyArtisan

Photo: cxroguy

Photo: SexiMexi

Photo: Michael Parker

Photo: Eric Michael Veal

Photo: Maria Ilina

Photo: Howard Walfish

Photo: Anand Bhagwat

Photo: Matthew Woodruff

Photo: Veronica Ramshaw

Photo: Matt Lee

Photo: Jeanine Burkhalter

Photo: tim_cornell2010

Photo: Chris Garrity

Photo: glhaider

Photo: FJ60SMB

Photo: bkemerley

Photo: clockworkbluejay

Photo: William Polk

Photo: Katie Schenk

Photo: NealAlex

Photo: moss_1

Photo: Ivan Kovpak

 

 

Bardini Museum Antiquarian treasure trove.

Piazza de' Mozzi, 1 Florence 50125 Italy +39 55 234 2427

The building was constructed by an antiques dealer, Stefano Bardini, at the end of the 19th century and was left to the city council in 1922, together with his wide ranging collection. (sculptures, paintings, furniture, ceramics, tapestries, weapons, carpets, musical instruments, sarcophagi, tombstones, and funeral monuments.) The construction is unique in its use of doors, windows, and arches from churches or ruined villas and with Venetian and Tuscan wooden ceilings. As well as the Roman sarcophagi and column-heads there are sculptures by Della Robbia and works of art attributed to Donatello. One crypt-like room has a collection of tomb stones and funeral monuments in it. The collection of ancient musical instruments is also of note. Closed at present for works.Admission: EUR 6 and includes entry to the Museo delle Porcellane, Giardino di Boboli, Museo degli Argenti and the Galleria del Costume. Review © 2007, Wcities

Photo: Marius Kleiner

 

 

Bargello Museum Paintings and sculpture

Via del Proconsolo, 4 Florence 50122 Italy +39 55 238 8606

The building which contains the Bargello dates back to 1255. In the 16th century it became the residence of the Bargello (head of police) and doubled as a prison. Then halfway through the 19th century it was given to the National museum. A visit begins with the splendid courtyard and the ground floor room where some of Michelangelo's masterpieces are exhibited, including the bust of Brutus and the David-Apollo statue. There are several of the early works of Donatello on the first floor, amongst them statues of David in marble and of St George and David in bronze. Also here are terracottas, glazed by Luca della Robbia, of the Virgin Mary with Child. The museum bought some minor decorative art including ivories from the Roman and the Byzantine periods, medieval enamels, German and French goldsmith's art and Renaissance jewelery. It also has an important collection of small bronzes and weapons. Admission: EUR 4. Review © 2007, Wcities

Photo: julia jackson

Photo: julia jackson

Photo: santacroce

Photo: Nicole McCann

Photo: B Fenske

Photo: Josh Glessner

Photo: Alexandre G.

Photo: Nicole McCann

Photo: Sean Browne

Photo: Melissa Mertz

Photo: bourgeoisie

Photo: Adam Tart

Photo: Emil Bove

Photo: ef60four

Photo: D. Drake

Photo: Jackie Messineo

Photo: Cate Copenhaver

Photo: sea breezes

Photo: Carina Jensen

Photo: Jordana Heaton

Photo: Adrienne Serra

Photo: David Stevenson

Photo: Carolyn Feliciano

Photo: Jeanette Mumford

Photo: john_f_reddington

Photo: Emily E. Creech

Photo: G. Melissa Ince

Photo: Tom Randelt

Photo: m@e78

Photo: John Mancuso

Photo: meganthemegan

Photo: E Baxter S

Photo: pepe_scott

Photo: Mike Winnick

Photo: jrpictures

Photo: agenoty

Photo: Gerry Betsy and Alex Bannan

 

 

Biblioteca Medicea Laurenziana Medici Family Library

Piazza San Lorenzo 9 Florence 50123 Italy +39 055 211 590 http://www.bml.firenze.sbn.it/

Biblioteca Medicea Laurenziana (Laurentian Library) could be considered the Medici's family's library. Located to the left of San Lorenzo church (entrance on second floor through San Lorenzo cloister), the library was founded by Cosimo il Vecchio but it was Lorenzo the Magnificent who consistently enlarged the book collections. The monumental vestibule was designed by Michelangelo, with a large staircase, grey sandstone framework of columns, pilasters, and corbels standing out against whitewashed walls. He also designed the beautiful wooden ceiling and carved benches/reading desks of the Reading Room. The library contains thousands of manuscripts, especially relating to Florentine Renaissance including autographs of Petrarch and Boccaccio, illuminated codices, and an uncommon collection of about 2,500 papyri. Admission: Free. Maria Frullini Review © 2007, Wcities

 

 

Bigallo Lodge House for orphans in the 15th century

Piazza del Duomo Florence 50122 Italy

At the start of via Calzaiouli stands this Loggia. It was named by Bigallo when he transferred his confraternity, bearing his name, and merged it with the Misericordia confraternity, the first owners of the Loggia which had been built between 1353 and 1358 by Alberto Arnoldi. The confraternity mainly gave a home to orphans who were housed in the Loggetta so they might be recognized, if by some chance they had merely been lost. The arches are carefully decorated and closed with iron gates. High up on the side of the Piazza del Duomo, the statues in tabernacles were moved from the previous site of the Confraternity in Orsanmichele and depict the Madonna and Child, Santa Lucia and San Pietro Martire, the founder of the Confraternity in 1244. Review © 2007, Wcities

Photo: Peter Ferne

Photo: Miles Berry

 

 

Boboli Gardens A haven south of the Arno

Piazza de` Pitti Florence Italy

To escape the crowds and late summer heat on the Florentine tourist trail, head south of the river Arno to the calming and charming environs of the Boboli Gardens. This wonderful retreat was laid out by the Medici after they bought the Palazzo Pitti in 1549 and they were opened to the public in 1766. As well as formal gardens there are wilder groves of cypress and ilex and many fine statues. At the summit of the Forte di Belvedere there is an open area where you can sun yourself and relax whilst enjoying the stunning views of the city and Tuscan countryside. Review © 2007, Wcities

Photo: Eugenia and Julian

Photo: John Keogh, jv21.com

Photo: Robin Taylor

Photo: Joe Yeager

Photo: Valentina Powers

Photo: Kerry Moorhouse

Photo: Christina Holland

Photo: John Keogh, jv21.com

Photo: Kerry Moorhouse

Photo: Francesco

Photo: Pete Thompson

Photo: Jess Peters

Photo: Colin Wilson

Photo: Jessica Jensen

Photo: Amyesq

Photo: Marissa Hiruma

Photo: Nancy Metcalf

Photo: GeertVG

Photo: Darren Rungasamy

Photo: Peter and Mary Jo Dawe

Photo: janeyb

Photo: Stefan Hoogeveen

Photo: Steve Corlew

Photo: Nick Alvarado

Photo: batesy70

Photo: Willem Schipper

Photo: Mary Anne Clark

Photo: Aurora M. Suarez

Photo: Olga Sawicka

Photo: Eithne O Hanlon

Photo: shelly

Photo: Conor Mc Nally

Photo: Suzanne Gailey

Photo: Craig Thomas

Photo: G. Tiao

Photo: Sarah Roos

Photo: Pedro Couto e Santos

Photo: Jo Copsey

Photo: The Olsens

Photo: Marg. Voulgaropoulou

Photo: Gonzatravel

 

 

Botanical Gardens 6000 different kinds of plants!

Via Pier Antonio Micheli, 3 Florence 50121 Italy

The creation of the Giardino dei Semplici or Botanical Gardens (Orto Botanico), was ordered by Cosimo I de'Medici in the mid 16th century and planned by Niccolo Tribolo. It was one of the first of its kind in the world. The Gardens were planted by famous botanists, one of whom, Pier Antonio Micheli, made additions in the following century. Today the collection comprises 6,000 plants of different kinds from all over the world. Review © 2007, Wcities

Photo: Karolina Krzyzanowska

Photo: Anne Welsh

Photo: Mark Lloyd Dobson

Photo: Maxime Bogaert

 

 

Botanical Museum Botanical gardens

Via La Pira, 4 Florence 50121 Italy +39 0552757471

The Botanical museum is one of the youngest museums of Florence. It was created by the wish of the Lorena through a collaboration with the famous botanist, Filippo Parlatore. He contributed not only his private collection, but also made exchanges and international acquisitions which made the museum the richest of its kind in Italy and one of the most renowned in the world. Only a small part of this enormous collection is open to the public. It includes prize-winning vegetables, plant models, old herbariums and botanical manuscripts. The rare and valuable collection of wax models by Calamai and Tortori (before 1800) and a herbal code (painted at the end of the 15th century) are recommended. Next to the museum there is the "Garden of simple things", made from the old Medici vegetable garden created by Cosimo I and now one of the oldest in the world. Review © 2007, Wcities

 

 

Cenacolo di Foligno Fresco designed by Perugino

Via Faenza, 42 Florence 50123 Italy

The refectory is the only part of this vast convent complex which can be visited, that belongs to the Nuns of Foligno, from whom it takes its name. The fresco of the Last Supper seems to be a work by a number of artists who were linked to Perugino to whom the design is attributed. It was realized at the end of the fifteenth century, with a typical Umbrian style, above all in the landscape detail at the top. There are also other frescoes on display here, which were originally located in other parts of the convent, and were made by Bicci di Lorenzo in the first half of the 14th Century. Review © 2007, Wcities

 

 

Cenacolo di Sant'Apollonia Castagno's ‘Last Supper'

Via XXVII Aprile, 1 Florence 50129 Italy

No doubt inspired by his trip to Venice in 1444, Andrea del Castagno probably painted the Last Supper in the refectory of the former Convent of Sant'Apollonia on his return. The top part of the fresco depicts three scenes from the Passion of Christ: the Crucifixion, Entombment and Resurrection. Now a museum,(opened at the end of the 19th century) the former convent also exhibits other work by the same artist. Review © 2007, Wcities

 

 

Chiostro dello Scalzo The monochrome fresco of Andrea del Sarto

Via Cavour, 69 Florence 50129 Italy

The cloister was called 'Scalzo' or 'Barefoot' because of the custom of carrying the cross with bare feet in the processions, observed by the Disciples of S. Giovanni Battista. Andrea del Sarto painted the fresco as did Franciabigio in his absence from 1518-19. It was painted from 1507 to 1526 with stories depicting the life of S. Giovanni Battista, the protector of the company. Review © 2007, Wcities

Photo: Britta Hershman

 

 

Corridoio Vasariano Path Along the River

Piazzale degli Uffizi Florence 50122 Italy +39 055 238 8651 http://www.polomuseale.firenze...

When Cosimo de'Medici, Grand Duke of Florence, addressed his commute to work in Palazzo della Signoria (Palazzo Vecchio) from his home one mile away in the Palazzo Pitti, he worried about the dangerous, dark trek he had to endure. Because the Medici already had assassination attempts, his architect, Giorgio Vasari, designed the elevated skyway so he could travel back and forth without being seen. The corridor became known as the Vasari Corridor and is now a gallery of self-portraits from Renaissance era to present day. Access is only available for groups of 15 or more and booking is a must. Admission: EUR 28.50. Review © 2007, Wcities

 

 

Dante's House House built to commemorate the poet

Via Santa Margherita, 1 Florence 50122 Italy +39 55 21 9416

This is actually not Dante's house - it was built in 1910 to commemorate the poet who did live in this area. The house holds a museum of Dante relics (including various editions of the Divine Comedy), and some of the rooms are used for temporary exhibitions. Review © 2007, Wcities

Photo: Christopher McVey

Photo: Graceanne Bello

Photo: Julie Goloski

Photo: Jon & Sarah Rinella

Photo: lisaschnack

 

 

Duomo Museum An interesting museum

Piazza Duomo 9 Florence 50122 Italy

This museum has been totally renovated and is located behind the Duomo. The museum shelters many works of art from the Duomo (cathedral), Campanile (bell tower) and Battistero (Baptistery), such as the statue of Boniface VIII, the work of Arnolfo di Cambo, or Donatello's Saint John and Magdalene. The furnishings are also important, for example, the silver altar from the Battistero and the restored panels of the "Gates of Paradise". Admission: EUR 6. Review © 2007, Wcities

Photo: Paul Villafuerte

Photo: Alex Mace

Photo: Incemobile

Photo: Deborah Baumfeld

Photo: Kim Unertl

Photo: Shelley A

Photo: Nina Meigs

Photo: Joanne

Photo: mary roberts, usa

Photo: Kathlyn Ehret

Photo: Randy Sukow

Photo: Mark Bradford

Photo: kepart

Photo: Van Abad

Photo: Pete Mauro

Photo: Michele & Tim

Photo: Christopher John SSF

Photo: lindamacdonald

 

 

English Cemetery Florence's Protestant cemetery

Piazzale Donatello, 38 Florence 50132 Italy +39 55 58 2608

This Protestant cemetery was built in 1828 in what was a quiet corner of the city. Today, however, the roads encircling the site have isolated the hill, and surrounded it by daily traffic. Some famous people are buried here, including Elizabeth Barrett Browning, the art historian Robert Davidson and Gian Pietro Vieusseux. It was closed in 1878, and another Protestant cemetery was built, the Cimitero degli Allori in Via Senese. Review © 2007, Wcities

Photo: Giulia Fedel

Photo: Giulia Fedel

Photo: Matteo Oberti

Photo: paultrekker

 

 

Evangelical Lutheran Church In the old garden of Palazzo Torrigiani

Lungarno Torrigiani, 11 Florence 50125 Italy

This church, the only Lutheran one in Florence, was built in 1901 in the garden which once belonged to the Torrigiani family. The Palazzo Torrigiani, to which the garden is annexed, was built in the sixteenth century by Baccio d'Agnolo. It is not only the building that has been changed as the garden has been made public, allowing the church to be built. Review © 2007, Wcities

 

 

Florence Tourist Office Centrally located tourist office

Piazza Stazione 4/a Florence 50123 Italy +39 55 21 2245

Florence's tourist information office is located outside Santa Maria Novella railway station. There you can obtain information on accommodation, train and flight times, maps of the city, museum opening times and an updated list of exhibitions and cultural events in Florence. Leaflets and pamphlets are available on various places and public institutions worth a visit, both in and around Florence. Review © 2007, Wcities

 

 

Florence Tourist Office City centre tourist information office

Borgo Santa Croce, 29r Florence Italy +39 55 234 0444

This is one of two tourist information offices located near the Piazza Santa Croce. Here you will find notices with addresses of hotels, opening hours of various museums, information on historic monuments, transport timetables (trains, planes and so on), as well as leaflets which show the opening hours of private institutions which can be visited. Review © 2007, Wcities

 

 

Florentine History Museum Museum of Florentine History

Via dell'Oriuolo, 24 Florence 50122 Italy +39 55 261 6545

The museum occupies the site of what used to be the convent of the Pious Sisters of the order of Oblates. The core exhibition, in the house of Buonarroti, obtained collections of drawings and paintings from the Uffizi and showed Florence when it was the capital of Italy. The transformation of Florence can be seen through its documentation in paintings, prints and plastics from the Renaissance to the end of the last century. The most important piece is the "Map of the succession", which is a large 19th century reproduction of a 1740 etching which showed Florence at the height of its Renaissance splendour. There are also views of Florence and lunettes which show the main Medici residences. Review © 2007, Wcities

 

 

Florentine Museum and Institute of Prehistory Prehistory

Via S. Egidio, 21 Florence 50125 Italy

This collection brings together the Prehistoric remains of Florence. The time-line goes from the stone-age up to the dawn of the historic age and shows the various phases of human evolution, from subsistence economies to pastoral economies and metal working. Objects taken from these times include implements made of stone, bone, ceramics, weapons made of copper and bronze as well as human, animal and plant remains found during archaeological digs which have taken place in Italy and abroad since the 19th century. The museum exhibition goes in chronological order starting from the Palaeolithic and ending at the Iron Age. There are zones dedicated to Africa, Asia and the Americas. The museum is closed on Sundays. Review © 2007, Wcities

 

 

Fondazione Romano Sculpture Collection

Piazza Santo Spirito 29 Florence 50125 Italy +39 55 287043 http://www.comune.firenze.it/s...

This small but interesting museum is housed in the ancient refectory of the Augustinian Church of Santo Spirito. Decorated with frescoes by Andrea Orcagna depicting the Last Supper and the Crucifixion, the museum takes its name after Salvatore Romano, a collector and antique dealer who donated his sculptures to Florence's City Council. Featuring works of Tino da Camaino, Donatello, Jacopo della Quercia and others, the collection includes antique furnishings, detached frescoes, architectural reliefs and sculptures dating from Romanesque to Renaissance ages. -Maria Frullini Review © 2007, Wcities

 

 

Fort Belvedere Also known as Forte San Giorgio

Costa San Giorgio Florence 50125 Italy +39 55 234 2425

Commissioned by grand duke Ferdinando I, this unusual fort (also known as Forte San Giorgio) was built by Buontalenti and Don Giovanni de' Medici at the end of the 16th century to defend the city from enemy attack. It could be reached - and still can be today thanks to restoration work carried out during the 1950's - from the east side of the Boboli gardens. The pathway around the perimeter of the fort gives visitors breathtaking views of Florence's skyline as well as the Tuscan hills beyond and overlooks nearby Palazzina del Belvedere. Built by Bartolomeo Ammannati a few decades before the fortifications, the Palazzina is a popular art exhibition venue. The fort holds temporary exhibitions on a regular basis (for which it charges an admission fee), while access to the lawns surrounding it is usually free. Review © 2007, Wcities

Photo: Rachel Mascetta

Photo: Zoe Briault

Photo: Christopher Holland

Photo: Rachel Mascetta

Photo: C. Leconte

Photo: barbarahsnyder

Photo: E Hoogesteger

Photo: Eivind Fjeld

Photo: whitney_blount1

Photo: jeethang

Photo: mary-ann & andrew

 

 

Fratelli Alinari Museum of the History of Photography Photographic collection and instruments

Largo Alinari, 15 Florence 50123 Italy +39 55 2 3951

This museum was the first national institution dedicated exclusively to exhibiting photography. It keeps around 350,000 vintage prints, including those printed with albumen, bromide, on salted paper, calotypes, ambertypes and stereoscope. It unites the collections of Malandrini, Palazzoni, Zannier, Gabba and holds copies of the signatures of the greatest photographers of the 19th century including Alinari, Primoli, Peretti Griva and foreigners like MacPherson, Fenton and Von Gloeden. There are also many cameras, lenses and other objects from the history of photography including an impressive collection of both foreign and Italian photographic albums. The museum organises temporary exhibitions, normally in collaboration with the Alinari archives. Review © 2007, Wcities

 

 

Geology and Paleontology Museum Natural history museum

Via La Pira, 4 Florence 50121 Italy +39 55 275 7536

This museum is the most important of its kind in Italy and gathers together some 300,000 examples of fossilized vertebrates, invertebrates and plants as well as rock samples. Visitors should also take note of the anthropoid monkey of the Maremma, the imprints of Mesozoic reptiles and the non-aviatory birds from New Zealand. Review © 2007, Wcities

 

 

Giotto's Belltower Decorative bell tower

Piazza Duomo Florence 50122 Italy +39 55 230 2885

Designed by Giotto, the bell tower to the right of Santa Maria del Fiore was begun by the artist in 1334 but continued by Andrea Pisano (who modified part of the design) following Giotto's death in 1337. Francesco Talenti finally completed it in 1359. Originally the tower was linked to the Duomo via a passageway situated at the level of the first cornice but this was demolished before 1437. Reliefs carved on the side where the passageway once existed are later works by Luca della Robbia; Andrea Pisano's original stone reliefs can be seen in the Museo dell'Opera del Duomo. The concepts of universal order and redemption are recurrent themes; hexagonal tiles on the tower's lower level (now replaced by copies) portray scenes from daily human life whilst diamond-shaped reliefs on the upper level illustrate more ethereal subjects in the form of the Planets, Virtue, Liberal Arts and the Sacraments. There's no lift, but climbing the 414 steps to the top of the 85m tower is well worth the effort! Admission: EUR 6. Review © 2007, Wcities

Photo: Chelsea Keefer

Photo: Owen McConnell

Photo: Tim Dobbelaere

Photo: Keith O'Conor

Photo: Linda Whang

Photo: Eugenia and Julian

Photo: Erin Willett

Photo: Lyric Kinard

Photo: Eugenia and Julian

Photo: Tim Dobbelaere

Photo: rachel mooney

Photo: Ken Schwarz

Photo: © Sam Seyffert

Photo: Tiffany Dumas

Photo: Mar Seow Hwei

Photo: starisea

Photo: Keith & Andrea Bilin

Photo: Andrew Shields

Photo: Sara DeGroot

Photo: Steven Ballegeer

Photo: Amber Lim

Photo: Kenny Schmitt

Photo: aislingeach1

Photo: kplewish

Photo: Judy Knesel

Photo: Jonathan Damian

Photo: Donal Mountain

Photo: Donna F. Ekart

Photo: Tom Hoye

Photo: joeartdotcom

Photo: pellegrino17

Photo: J_Klitzke

Photo: donnieonu14

Photo: keys_amanda

Photo: Eustaquio Santimano

 

 

Grain Market The former grain market, now a multi-ethnic market

Via dei Neri Florence 50123 Italy

Today the Loddia del Grano is the place where you will find stalls with art and craft products from countries such as Senegal, Mali and India. It was originally planned by the architect Parigi in 1619 under the auspices of Grand Duke Cosimo II as a market for grain and various other cereals. The stores were above the vaulted roof and the market below it. Today the Loggia is a building which still has the front of a cinema long since closed. Before it became a cinema the building was a theatre ordered by Tommaso Salvini, an actor who lived during the second half of the 19th Century. Review © 2007, Wcities

Photo: wcities

 

 

History of Scienece Museum History of science collection

Piazza dei Giudici, 1 Florence 50112 Italy +39 55 239 8876

The heart of the collection centers on the natural, physical and mathematical sciences which so interested the Medici and Lorena Grand Dukes. It was thanks to Abbot Felice Fontana that the existing Museum of Physical and Natural sciences at the Palazzo Pitti was strengthened. One part of the museum is dedicated solely to the Medici collections, this includes the quadrants, astrolabes, sun dials, compasses and calipers and all the works of art which were created by the great craftsmen of Tuscany and Europe. One of the other wings is dedicated to mechanical, electrostatic and pneumatic instruments which were prevalent in the Lorena period. Admission: EUR 7.50 (adults), EUR 4 (youth, 7-18 years). Review © 2007, Wcities

Photo: Markle1

Photo: Jonathan Frazier

 

 

Holy Spirit Church in lively Florentine square

Piazza Santo Spirito Florence 50125 Italy +39 55 21 0030

The church can be found in one of the most lively piazzas in the Oltrarno. The scrolled plaster facade is from the 18th Century, but is only the last phase of the building. The building was started in 1444 by one of the greatest creators of the Renaissance in Florence: Filippo Brunelleschi. Brunelleschi's geometric measurements are visible in the line of perspective that exists in the church's foundation, with its three naves which run down into the transept. The internal perimeter wall is punctuated with apses in which there are aristocratic family chapels which are decorated with architectural motifs, altar pieces or paintings from different periods. Out of the many works, the ones which stand out are the decoration of the Corbinelli Chapel by Andrea Sansovino (1492) in the left transept and in the right transept there is the Altar piece of the Madonna on the Throne with Saints (1493-94) by Filippino Lippi. On the altar there is the wooden crucifix which is attributed to Michelangelo. Admission: Free. Review © 2007, Wcities

Photo: Antonio Acuña

 

 

Horne Museum Personal collection

Via de' Benci, 6 Florence 50122 Italy +39 55 24 4661

This museum contains works of art by Herbert P. Horne (1864-1916) which he left to the Italian state together with the 15th century palazzo where he had collected them. The museum has kept the same order and style as the collector and it includes works of art, furniture and furnishings that give the house a lived-in quality. It is interesting to see the series of domestic objects: pocket mirrors, firedogs for the fireplace and other objects characterize the tastes of Horne and his search for refinement. There are also several 15th and 16th century paintings and a group of works from Florentine and Sienese artists. Review © 2007, Wcities

Photo: Neil Hawke

Photo: Neil Hawke

 

 

Horticultural Society Garden Beautiful glass pavilion

Via Bolognese, 17 Via Vittorio Emanuele II , 4 Florence 50134 Italy +39 55 48 6743

Situated between Via Vittorio Emanuele and Via Bolognese near the Ponte Rosso, these gardens created in 1859 are home to one of Florence's more unusual architectural treasures. Built by Giacomo Roster in 1879 for the Società Toscana di Orticoltura (the Tuscan Horticultural Society), this impressive steel and glass pavilion is used on a regular basis for gardening exhibitions. A modern fountain built in 1990 features in the pine tree-filled upper part of the gardens. Delightful. Tickets: Free. Review © 2007, Wcities

 

 

Jewish Cemetery A hidden corner of the city

Viale Ariosto, 16 Florence Italy +39 55 234 6654

This cemetery is located in a hidden corner of the city, just outside the San Frediano door. Built in 1777, it was in use up until 1870, when a new Jewish cemetery was built in Via Caciolle in the Rifredi quarter. Amongst the tombs there are three monumental chapels: two of these have a pyramid formation while the third seems to have been designed by the architect Treves, who also participated in the construction of the synagogue in Florence. Review © 2007, Wcities

Photo: Tommaso Baldovino

 

 

La Specola Zoological Museum Scientific and natural history collection

Via Romana, 17 Florence 50125 Italy +39 55 228 8251

The museum's oldest core collection, like all of the Florentine museums, comes from the Medici collections. The Medici collected many natural treasures like fossils, animals, minerals and exotic plants. It was Pietro Leopoldo of Lorena who acquired the buildings and who created the Natural History Museum complete with its own library. At present the museum is more of a research institute, exhibiting to the public only a small part of the collection with examples of taxidermy and the prestigious collection of anatomical wax works. The most important parts of this collection come from an exponent of Florentine wax working, Clemente Susini (1754-1814). Review © 2007, Wcities

Photo: Jane Irwin

Photo: Jane Irwin

 

 

Lanzi Lodge The lodge of Duke Alessandro de'Medici

Piazza della Signoria Florence 50122 Italy

Also called the Loggia della Signoria, the Loggia was named the Loggia dei Lanzi when the Duke Alessandro de' Medici made it the camp of the Lanzichenecchi after the fall of the Florentine Republic. It was the Signoria which commissioned a great Loggia for public use in 1350. The job was started by Orcagna, but continued and finished by Benci di Cione and Francesco Talenti only in 1382. Made in Serena stone with acute pointed arches and bricks decorated by sculptures designed by Agnolo Gaddi, this taste for a clasical style is what characterises Florentine art of the time. Benvenuto Cellini's famous Perseus was installed under the Loggia, and in the central arch Giambologna's marble Rape of the Sabine Women, which can be found next to Hercules with Nessus also in marble. The other statues at the back near to the walls came from the Medici villa in Rome. Review © 2007, Wcities

Photo: Randy Holder

Photo: Trent Strohm

Photo: Samir Mirza

Photo: Robert Emery Smith

Photo: Paul Stevenson

Photo: Vyacheslav Stepanyuchenko

Photo: Mark Fogle

Photo: Mary Harrsch

Photo: Aurora Rimblas de Rivera

Photo: William

Photo: Christopher Mar

Photo: Yuen-Ping aka YP

Photo: Yuen-Ping aka YP

Photo: Mary Harrsch

Photo: Cory George

Photo: Allison Martin

Photo: Lesley

Photo: Curtis Townson

Photo: Andreas Hartmann

Photo: Janet Brown

Photo: Mindi Maneck

Photo: sammydavisdog - away for a week

Photo: pinkaholic

Photo: Hessee

Photo: Marvin Tam

Photo: Denise

Photo: Filippo Russo

Photo: Mark Harris

Photo: Annamaria Maiello

Photo: Guido de Haan

 

 

Lodge of San Matteo Hospital The site of the Accademia di belle Arti

Via Ricasoli Florence 50125 Italy

The Loggia is also known as the Loggia di San Matteo is to be found on the corner of Piazza San Marco, just before the turning off to via Ricasoli. The portico was part of the hospital dedicated to San Matteo inaugurated at the end of the 14th century, and becoming the Accademia di Belle Arti in 1785. It is thought that the seven arches inspired Brunelleschi for his Loggia degli Innocenti. The three portals beneath the loggia have been decorated with terracotta windows glazed by Della Robbia's workshop. Review © 2007, Wcities

Photo: wcities

 

 

Lodge of the Fish The Vasarian Loggia

Piazza dei Ciompi Florence 50122 Italy

In times gone by, this lively Piazzetta was the stage for dramatic events in the history of the city; one example is when the workers, excluded from the Arti, revolted in 1378. Today, a flea market is held here. The Loggia, near via Pietrapiana, is decorated with multi-colored terracotta and was built by Giorgio Vasari. It was originally erected in 1567 in the present Piazza della Repubblica, where the old market was once held. It was dismantled in the 19th century to make way for construction work in the Piazza. It was then that Vasari's Loggia was moved to the Piazza dei Ciompi. Review © 2007, Wcities

Photo: wcities

 

 

Marino Marini Museum Sculpture collection

Piazza San Pancrazio Florence 50123 Italy +39 55 21 9432

The museum, which can found in the deconsecrated church of San Pancrazio, contains around 180 works of art by Marino Marini, one of the major sculptors of the 20th century. There are sculptures, pictures, drawings and etchings which have been donated by the artist and his wife Marina. At the center of the exhibition there is the Equestrian group of Aja(1957). Marino believed that light was important to understand his work and this has been taken into account in the museum environment. + Review © 2007, Wcities

Photo: Jennella Young

Photo: Jennella Young

 

 

Medici Chapels Handiwork of Michelangelo

Piazza di Madonna degli Aldobrandini Florence, FI Italy +39 55 29 4883

The Medici Chapels are historical labors that are as grand in their own way as are the pyramids of Egypt. Started in 1605, these shrines were under construction for centuries. 85 years earlier Michelangelo was tasked to design and build the New Sacristy from one of the Medici cardinals Giulio de' Medici, (remembered in history as Pope Clement VII) dedicated to the memory of Giuliano (Duke of Nemours) and Lorenzo (Duke of Urbino). The bodies of several other Medici family members are interred in the Cappelle Medicee, most notably Lorenzo the Magnificent, Giuliano de' Medici (his brother, killed during the Pazzi Conspiracy of 1478) and all of the Grand Dukes of Tuscany. Typical of a spiritual leader he was obsessed with the here-after and the creation of these intricate chapels testifies to that. Of artistic note are actual charcoal sketches by Michelangelo's own hand. Admission: EUR 4. Review © 2007, Wcities

Photo: Noodlefish

Photo: Anuja Byotra

Photo: vanhoy

 

 

Michelangelo's David A Classic of Renaissance Sculpture

Galleria dell'Accademia Via Ricasoli, 60 Florence 50122 Italy +39 55 238 8609 http://www.polomuseale.firenze...

The world-renowned David, sculpted by Michelangelo between 1500 and 1504, is considered, along with the Pietà, the masterpiece of its creator who was only 26 years old at that time. Made out of an irregular block of marble, the statue portrays the biblical hero David before entering his battle against Goliath. It symbolizes the youth and strengh and is known to represent the power of the Florentine Republic. Originally, the statue stood in front of the entrance of the Palazzo Vecchio. For a better preservation, it has been removed from outdoors and is now displayed at the Galleria dell'Accademia. A copy of the statue remains on the Piazza della Signoria. Admission: 6.50. Review © 2007, Wcities

Photo: Stefan Leßmann

Photo: Michael MacLaughlin

Photo: R. Adcock

Photo: Daniel Belatti

Photo: Denys Nevozhai

Photo: Mike Thomas

Photo: Janet Flynn

Photo: Dee Washburn

Photo: Amy Girard

Photo: Josh Kugler

Photo: B.Wills

Photo: wanna be photographer

Photo: Sonia Rego

Photo: rkl4life

Photo: The Ugly One with the Jewels

Photo: Joanne Ho

 

 

Mineral and Carved Stone Museum Natural history museum

Via La Pira, 4 Florence 50121 Italy

It was Ferdinando II who employed a Dane, Niels Stensen, to integrate the Medici family's collections into one mineral collection. The Lorena family added to this, transforming it from a collection of objects to a collection which could be studied, classified and compared. In the museum there are around 35,000 mineral samples. They are divided into five sections: the "General collection" (including a topaz of 151kg and nuggets of gold, platinum and diamond), the "Regional collection of Italy" (containing 5000 minerals from the Elba), the "Meteorites section" , the "Lithological section" and the "Carved Stones". Their value is more historical and aesthetic than mineralogical. . Review © 2007, Wcities

 

 

Museo Diocesano di Santo Stefano al Ponte Artworks & Orchestras

Piazza di Santo Stefano Florence 50122 Italy +39 055 223 205

Owing the latter part of its name to its proximity to the Ponte Vecchio, Chiesa di Santo Stefano al Ponte was first mentioned in recorded history in 1116 although its Romanesque architecture suggest it is actually much older. A mixture of features such as its Roman façade, Medieval entryway, and altars that date to Renaissance times make visible its long and varied history. Now deconsecrated, the church is home to the Orchestra Regionale Toscana and offers a stunningly authentic acoustic and cultural setting to experience some of Italy's best classical music. Review © 2007, Wcities

 

 

Museo Nazionale Alinari della Fotografia (Alinari National Museum of Photography) A Unique Photography Museum

Piazza Santa Maria Novella 14a at the Leopoldine Florence 50123 Italy + 39 55 216310 http://www.alinarifondazione.it

The "Museo Nazionale Alinari della Fotografia" (Alinari National Museum of photography) or MNAF as it is referred to, is a sort of itinerary into the history of photography from 1800 to the contemporary avant-garde. Displays feature not only Alinari, but other Italian and international works as well. The museum contains over three million negatives, about 900,000 vintage prints, and a great number of photographic albums. A collection of cameras and other objects related to photography is also on display, and a special exhibition has been created for visually disabled visitors; a "Touch Museum" consisting of about twenty of the museum's significant photos printed in relief. -Maria Frullini Review © 2007, Wcities

 

 

New Market Lodge Housing the Porcellino market

Via Porta Rossa Florence 50122 Italy

Underneath the Loggia del Porcellino, the marble wheel can be found which commemorates the place where the carroccio was left, an emblem of the Florentine Republic. In medieval times it was used as a pillory for those who dared to dupe the merchants of the city. The Loggia was the work of Giovan Battista del Tasso who built it in the middle of the 16th century as a market place for the sale of fabrics and objects of different kinds. Today the Loggia also houses a market, mainly for tourists. Leather bags, silk scarves, straw hats and other art and craft objects can be found there. The Porcellino is the boar which is part of the fountain on one side of the market. This bronze sculpture was made by Pietro Tacca at the beginning of the 17th century after a marble original of the Hellenistic period (on show at the Uffizi). Review © 2007, Wcities

Photo: wcities

 

 

Orsanmichele Medieval grain market

Via Calzaiuoli, 15 Florence 50122 Italy

Compared to other religious buildings from the same period, this fourteenth-century church is somewhat unusual in design. Rectangular in shape, with two naves, it does look more like a grain store, which was in fact how it started out when first built by Francesco Talenti, Neri di Fioravente and Benci di Cione. After the previous grain store built in 1290 by Arnolfo di Cambio was destroyed, its replacement had to be built on a larger scale, enabling it to contain a marketplace. Arches were later closed off and the structure acquired two floors that were used for shops. At the end of the 15th century the building was converted into a church and became a powerful symbol for the city guilds, which met the cost of decorating the niches situated along the outside walls. For this they commissioned several of the most talented artists of the day to produce magnificent pieces of artwork, including Lorenzo Ghiberti, Donatello, Giambologna, Luca della Robbia and Verrochio. Of particular note are the copies of Donatello's statue of San Giorgio and bas-relief, whose originals are now in the Bargello museum. Review © 2007, Wcities

Photo: Megan Jorgeson

Photo: Manuel F Raposo

Photo: Andrea Gietzen

Photo: Chrysanthe Tenentes

Photo: Manuele Perotti

Photo: Margarita Cecena

Photo: akiermaier

Photo: lydia nichols

Photo: julien_kaufmann

Photo: Elizabeth Bureman

Photo: Daniel Schwabe

Photo: Marcus Guinane

Photo: Maureen McClarnon

Photo: martha tw

Photo: Calvin Parham-Carter

Photo: Carl Berdahl

Photo: Brian Bucknor

 

 

Palazzo Antinori Fine architecture from the 15th century

Piazza degli Antinori, 3 Florence 50122 Italy +39 55 29 2234

This building, an example of 15th-century civil architecture, is in the heart of Renaissance Florence, near the cathedral of Santa Maria del Fiore and opposite the San Gaetano baroque church, which dates from the year 1000AD. Built for Giovanni Boni, it was constructed by Giuliano da Maiano who included a wide, internal courtyard, reflecting the geometric canons and harmonious equilibrium of the architecture of the time. The building is now private property, having passed out of the hands of the Antinori family in 1506. Their name, thankfully, has been preserved. Review © 2007, Wcities

Photo: Tommaso Baldovino

Photo: Nordthy

 

 

Palazzo Bartolini Salimbeni 16th-century palazzo

Piazza Santa Trinita, 1 Florence 50125 Italy

This 16th-century palazzo was one of the first examples of "Roman style" architecture which was brought to Florence by Baccio d'Agnolo. While the prevalent Florentine style of the time involved façades with rustication and plasterwork, between 1520 and 1523 Baccio d'Agnolo brought in an architectonic style using triangular tympana and columns typical of Roman classicism. This was not warmly received in Florence and in response to this the architect put an inscription in Latin on the façade. His family motto, used by the poet d'Annunzio, can instead be found above the entrance to via Porta Rossa: "per non dormire" (lest we sleep). The pictoral contrasts required by the stone facade have been revealed by recent restoration. Review © 2007, Wcities

Photo: Melissa Demos

Photo: Tommaso Baldovino

Photo: paion

 

 

Palazzo Davanzati Museum Typical Florentine house

Via Porta Rossa, 13 Florence 50123 Italy +39 055 238 8610 http://www.sbas.firenze.it/

The museum is found in a narrow and characteristic side-street which connects Piazza Santa Trinità with Via dei Calzaiuoli. The building is one of the most beautiful and best conserved of the 14th century. It was built halfway though the 14th Century by the Davizzi family and was passed over to the Davanzati at the beginning of the 16th Century where it remained until 1838. It then was divided up and it was only at the beginning of the 20th Century that it was bought and restored to the style of the old Florentine building. This was due to the efforts of the new owners, the antiquarian Elia Volpi and Leopoldo Bengujat. The interior has three floors and all the areas of the building have the original fired brick flooring and wooden ceilings. Some of the painting is original and the walls have been frescoed to the taste of the typical 14th Century Florentine house. The furniture and furnishings are from the 14th to the 19th Centuries. The Nuptial room has 14th Century frescoes and contains two shrines and a chest filled with linen from the period. They have tried to reconstruct the work which the women did around the house. In the kitchen there is not only the household equipment of their daily life, but also the work tools, for example, the loom and the spinning wheel. The area under the building is used for antiques exhibitions and has been the site of archaeological finds. The museum is temporarily closed for renovation, but it is possible for groups to access the second floor upon request. Admission: Free. Review © 2007, Wcities

Photo: Abuja

Photo: Andrea Hankinson

Photo: Andrea Hankinson

Photo: Monika Rogalska

Photo: Giorgia Meschini

 

 

Palazzo Gondi Aristocratic Florentine residence

Piazza San Firenze, 3 Florence 50122 Italy

This palazzo is modeled on the most successful 15th-century palazzi. It was built in 1490 by Giuliano da Sangallo and remains today one of the most important examples of its period. Giuliano did not succeed in finishing the project and Giuseppe Poggi finished it in 1874 by developing the structure towards the Palazzo Vecchio, adding an opening and constructing the lateral prospect. The story goes that Leonardo da Vinci was working on the Mona Lisa while he was living in one of the dilapidated houses in Via de'Gondi. As well as taking decorative elements from typical local architecture, such as the rusticated facade and the stone street bench, Sangallo innovated with the halo of rustication around the windows. The palazzo still belongs to the same family today and on the ground floor there is also a flower shop. Review © 2007, Wcities

Photo: Tom Wilkinson

 

 

Palazzo Medici Riccardi Historical residence

Via Cavour, 1 Florence 50129 Italy +39 55 276 0340

This building was constructed between 1444 and 1460 by Michelozzo Michelozzi on the orders of Cosimo il Vecchio. It represents the prototype of the Florentine Renaissance style, characterized by mullioned windows of every size. Halfway through the 17th century it was sold to the Marchesi Riccardi family who enlarged it, adding the gallery which has Baroque frescoes by Luca Giordano. The Riccardi family held onto the palazzo until 1814 when it became the site of the Ministry of the Interior and, from 1871, the Prefecture. Inside there is a beautifully porticoed courtyard where there are many Roman remains gathered as well as various sculptures. The Chapel which was designed by Michelozzi is also noteworthy. There you will find frescoes by Benozzo Gozzoli which show the journey of the Magi to Bethlehem (1459). Within them, there are various famous people of the period including Lorenzo the Magnificient and Galeazzo Maria Sforza. Go early - only 8 guests permitted in at once! Admission: EUR 5. Review © 2007, Wcities

Photo: Laleanne Stanbery

Photo: Riccardo Innocenti -

Photo: Robert Scarth

Photo: Nicole McCann

Photo: Robert Scarth

Photo: vanvos

Photo: Jim Gourley

Photo: Riccardo Innocenti -

Photo: Joanna Karanikas

Photo: Jeremy Knight

Photo: Shelley Naylor

Photo: Alastair Dunning

Photo: Ciaran McGrath

Photo: UncleVinny

Photo: Mark & Shannon Major

Photo: Kevin S. Armstrong

Photo: Jarrett Lantz

Photo: FaP ;-)

Photo: Kelly Hartley

Photo: Ricardo Fernandez Fe

Photo: maria adeyanova

Photo: john embow

Photo: mxj77x

 

 

Palazzo Pazzi Grand Congiura palazzo

Via del Proconsolo, 10 Florence 50122 Italy

The grandness of this Palazzo reminds one of the important position held by the Congiura family in Renaissance Florence. The family tried to seize economic and political power from the Medicis, as others did before them. This palazzo was where the conspiracy against the Medici's was hatched and planned in 1478. Giuliani de' Medici was killed, although Lorenzo il Magnifico managed to escape by hiding away. The Pazzi conspiracy led to the palazzo being renamed the Palazzo della Congiura, or "The Palace of Conspiracy". The architect, Giuliano da Maiano is thought to have finished the building, designed in the style of Brunelleschi, between 1558 and 1569. The façade was built with a rusticated lower part which contrasts with the plastered upper floor. In the corner the family crest - decorated by Giuliano with symbolic paintings of family members - is a copy of the original, which today is in the entrance courtyard. Review © 2007, Wcities

Photo: Matteo Borgnolo

Photo: Alessio Siega

Photo: Jason M

Photo: Ivan Muller

Photo: Bethany

Photo: nealaway

 

 

Palazzo Rucellai Albertian Renaissance classicism

Piazza de Rucellai, 1 Florence 50125 Italy

This palazzo is the model described in the refined 15th-century text by Giovan Battista Alberti, De re aedificatoria. It was built in the Piazza of the same name where a Loggia with three wide arcades was built for Giovanni di Paolo Rucellai, the same person for whom Alberti built the façade of Santa Maria Novella. The architectural model demands a Renaissance reading. There are three classical orders on three levels, and there are symbols and family crests which commemorate the Rucellai family, such as diamonds, feathers and sails, which can also be found in Santa Maria Novella. Construction began in 1455 while the Loggia was erected between 1463 and 1466. Until a few years ago it was the site of the Archivio Alinari and on the first floor there was the Alinari Museum of Photography, which was transferred to Piazza Alinari. Review © 2007, Wcities

Photo: J. C. Cuesta

Photo: Ann Silver

Photo: Keye Ratley

Photo: bronnygee

 

 

Palazzo Strozzi Filippo Strozzi's palace

Piazza Strozzi, 1 Florence 50122 Italy

This Palazzo was commissioned by Filippo Strozzi and the job was undertaken by Benedetto da Maiano, who began work in 1489. He enlisted the help of Simone del Pollaiuolo (most commonly known as Il Cronaca), who made the splendid jutting cornice in 1502, and who finished the large internal courtyard with porticoes on all sides. Even though it was inhabited from 1504 the building was never fully completed, leaving the cornice and the southern façade unfinished. The rustication is present on three sides of the façade, which features many iron embellishments, including torch holders, hooks for horses or standard bearers. Some of these were substituted in the 19th century with exact copies of the designs by Benedetto da Maiano. Today the Palazzo is a famous site for temporary exhibitions which take place in the first-floor rooms, while in other rooms accessible from the courtyard are based certain cultural organizations such as the Gabinetto Vieusseux, and the Instituto Nazionale di Studi sul Rinascimento. Admission to Special Exhibits: EUR 10. Review © 2007, Wcities

Photo: Paolo Pan

Photo: Nick Wright

Photo: Renee R West

Photo: Renee R West

Photo: paula moya

Photo: Stephanie et Bruno

Photo: Ramon Rosati

Photo: Chiara Barbucci

Photo: Anthony White

Photo: boisderose

Photo: michaelrmclaughlin

Photo: Christine Haley

Photo: Nicola Barbato

Photo: Sara Marzocchi

Photo: kevioen

 

 

Palazzo Vecchio Museum Historical building

Piazza della Signoria Florence 50122 Italy +39 55 276 8224

The Palazzo's construction began in 1299 and it was enlarged repeatedly - in 1343, 1495 and lastly in the 16th century by Giorgio Vasari and Buontalenti. It has been the symbol and the political centre of the city for centuries. The Great room of the Cinquecento stands out: it was designed as a reception area and decorated with frescoes celebrating Florentine victories against the other Tuscan cities and with sculptures depicting the deeds of Hercules by De Rossi. On the upper floors the Quarters of the elements are noteworthy as are those of Eleonora of Toledo who was the wife of Cosimo I and to whom the little chapel by Bronzino is dedicated. The Sala dei Gigli and the Sala dell'Audienza, which has a marble entrance, are sumptuous. On the Mezzanine there is the Loeser collection of painted sculptures. It is recommended that you visit the upper balcony where you can enjoy a fabulous view of Florence. In front of the museum, you'll find a copy of Michelangelo's David. Admission: EUR 6 for adults, EUR 4.50 for young people (18-25 years old) and seniors (65 and up). Review © 2007, Wcities

Photo: John Clark

Photo: Richard White

Photo: Oxtay Azarmanesh

Photo: ritacranestudio.com

Photo: Felicia Folinazzo

Photo: Eric Ahlberg

Photo: Jacqueline Cullimore

Photo: Kenneth DeGraff

Photo: Natasha Sandmeier

Photo: Kenneth DeGraff

Photo: Richard White

Photo: Phil

Photo: Oscar

Photo: Josh Clark

Photo: Mayas Samir-Ovidiu

Photo: Jonathan Schellack

Photo: Christopher Maubach

Photo: William

Photo: Marta Savina

Photo: Derek Elmore

Photo: FoodMike

Photo: Marco Tozzini

Photo: Mary Thornhill

Photo: Juan Carlos Matute

Photo: Theo Haberbusch

Photo: Corinne

Photo: Layheon

Photo: psr47can(Robert)

Photo: Angelo Oliviero

Photo: Kennera Mullin

Photo: Nibbio4

Photo: Nicola Pacini

Photo: Carlos Quandt

Photo: Ceri Lewis

Photo: Colby Blaisdell

Photo: Armen Tiraturyan

Photo: aboraq

 

 

Piazza D'Azeglio A 19th-century piazza with handsome gardens

Piazza D'Azeglio Florence 50121 Italy

This piazza was formed in the Mattonaia quarter of the city, inside the city walls, at the end of the 19th century as a result of the development plan devised by the architect Giuseppe Poggi in the 1870s. Once established, the bourgeoisie then considered the area both residential and desirable. The area then saw the creation of Prince Umberto's theatre. Sadly, though it was destroyed two decades later. Another building appeared on the piazza at the beginning of the 20th century but today, this remains one of the few green spaces in the city center. There are amusements for young children including a merry-go-round, slides and a wooden castle in a cordoned-off area; and there are also areas for older children such as a basketball court. Review © 2007, Wcities

Photo: wcities

 

 

Piazza del Duomo Square with important landmarks

Via della Canonica, 1 Next to Piazza San Giovanni Florence, Florence 50122 Italy +39 (0)55 21 2245 (Tourist Information Office)

Piazza del Duomo is one of the most-visited landmarks in Florence. Various events including the Cornetto Music Festival are periodically held here, and the grand cathedral of Santa Maria del Fiore is the chief attraction. The beautiful frescoes within will fascinate those who have an eye for art. Meanwhile history buffs will love the Museo dell'Opera del Duomo, which houses a fine collection of sculptures. For better photo opportunities get on top of the Campanile di Giotto — the view of the piazza will take your breath away. Review © 2007, Wcities

Photo: cohlherman

Photo: Liz Lazo

Photo: Tom & Elena Seniuk

Photo: Carlo Delumpa

Photo: Ingrid

Photo: brett.mayfield

Photo: Mark Becker

Photo: Samuel Ethan Fox

Photo: vanessapage

Photo: Gary Lake

Photo: Eli badichi

Photo: Benjamin Stein

Photo: Amy McManus

Photo: David` Piesas

Photo: crawfordfam5

Photo: Davidè

Photo: Stelleconfuse

Photo: xxmarijexx

Photo: dolfiro

Photo: sugarpaperhotmailcom

Photo: Marco Ponti

Photo: Christina Gleason

Photo: Heather Raiden

Photo: silverdrops

Photo: Peter Bryan

Photo: MarinaG.

Photo: - @ndr3 -

Photo: hmerinomx

Photo: kevin denham

Photo: rod74【ツ】

Photo: Omar Ortiz

 

 

Piazza della Signoria Civic and Political Center

Piazza della Signora Florence 50122 Italy

Piazza della Signora has been the hub of Florence's political life since the Republic at the end of the 15th Century. This L-shaped square is surrounded by its most famous buildings. Among them, the Palazzo Vecchio, head of the Florentine government, the Galleria degli Uffizi and the Ponte Vecchio. Look around you to see reproductions of Michelangelo's David and the original fountain of Neptune by Bartolomeo Ammannati. Enjoy a full view of the Piazza from the terrace of the Loggia dei Lanzi. The place is a good starting point to begin your tour of the city. Review © 2007, Wcities

Photo: Scott C. Webster

Photo: Jon and Michele

Photo: Tom Antos

Photo: kassy humphreys

Photo: Matt Chester

Photo: Anthony Powis

Photo: Ryan Berry

Photo: SwatiM

Photo: Peggy Chan

Photo: Gregg Einhorn

Photo: Marty Portier

Photo: bengal*foam

Photo: Steven Hutchison

Photo: valentina volavia

Photo: Andrew Black

Photo: Sue L. Chan

Photo: Rose Croix

Photo: Christine Pulgar

Photo: Xipeteon

Photo: Chris McGuire

Photo: Woodlawn School

Photo: Kenneth Lu

Photo: Ray Sorin

Photo: meghan collins

Photo: gingi0

Photo: Susanna Venisti

Photo: Mark Barlow

Photo: Laura Garlando

Photo: Gemma Zapata

Photo: Mateusz 'Matt' Fogel

Photo: Bernardo Ribeiro

 

 

Piazzale Michelangelo Fantastic view over the city

Piazzale Michelangelo Florence 50100 Italy

Renowned for its panoramic views of Florence and the Arno valley, this terrace is a popular spot with locals and tourists. Created as part of major restructuring of the city walls, Giuseppe Poggi's sumptuous terrace is typically 19th century. In 1871, Poggi designed a monument base dedicated to Michelangelo. The monument itself was to be composed of copies of Michelangelo's works, including David and the Medici chapel sculptures from San Lorenzo. When the terrace was finished, Poggi designed the hillside building, now a restaurant, as a museum for Michelangelo's works. Review © 2007, Wcities

Photo: Lorenzo Lazzeri

Photo: J. C. Cuesta

Photo: Elisabeth Rinaldi

Photo: Elisabeth Rinaldi

Photo: Raphael Borja

Photo: Molly Pierson

Photo: Babet.

Photo: Ben Kattenburg

Photo: Giorgio Castellini

Photo: christine bovig

 

 

Ponte Vecchio Florentine icon

Ponte Vecchio Florence 50125 Italy

Best known of all Florence's treasures, this glorious bridge was the only one of six spared by the retreating Germans on 4 August 1944. Over the centuries flooding unfortunately took its toll; few traces of the 10th-century bridge remain. Today's bridge, built in 1345, was filled with butcher's shops which would routinely discard the carcasses into the Arno causing quite a stench. Grand Duke Fernandino I issued an edict to replace the butchers with goldsmiths to eradicate the smell and gentrify royalty's route to Palazzo Pitti, reached via the Vasari Corridor that passes over the bridge. Also, do not padlock anything to the statue of Benvenuto Cellini, often practiced by lovers who padlock a lock to the gate of the statue and toss the key into the river - otherwise face a fine of EUR 50! Review © 2007, Wcities

Photo: areadeandavid

Photo: Stefano Corso

Photo: RipCurlGal

Photo: Erika Eill

Photo: Jair Ribbeiro

Photo: Kelly Nicoll

Photo: Rich Green

Photo: Jon Thomason

Photo: Jair Ribbeiro

Photo: Scott Templeton

Photo: Ricardo Rmx

Photo: Juha Heikkila

Photo: Mani Varadarajan

Photo: Helge Olav Ramstad

Photo: Tim

Photo: James

Photo: Matthew Orr

Photo: Pat Lindt

Photo: Rossano Russo

Photo: Iain D. Cunningham

Photo: Sheri Bonaglia

Photo: penkoad

Photo: Alessio Capaccioli

Photo: Mikro.

Photo: Carlos Muñoz

Photo: Filippo Seminara

Photo: Cristiano Del Riccio

Photo: :::Veronika:::

Photo: Pode

Photo: Stacy J

Photo: Daniele Granata

Photo: Sanne Houben

Photo: Daniele Davoli

Photo: diegoperez

 

 

Porte Sante Cemetery The tombs of famous Florentines

Salita del Monte alle Croci Florence 50125 Italy

This monumental cemetery was created in the second half of the 19th century, according to the taste of the time for revival architecture that employed neo-Gothic and neo-Renaissance overtones. These styles have been used on the tombs of important Florentine citizens, even in recent times. Amongst the citizens buried here are Giovanni Spadolini, Carlo Lorenzini, Giovanni Papini and the stylist Enrico Coveri. The cemetery, which was designed by Mariano Falcini, extends all along the side of the Basilica of San Miniato, inside the building created for the Grand Duke in the 16th century. Review © 2007, Wcities

Photo: wcities

 

 

Provincial Tourist Office Tourist information for the province of Florence

Via Cavour, 1r Florence 50129 Italy +39 55 29 0832

This centre is managed by the province of Florence in collaboration with the city authorities. It provides information on hotels and train, aeroplane and other transport timetables as well as information and brochures about museums and their opening times, Medici villas, agritourism addresses in the Chianti area and much more. This is the place to go to for help with problems or difficulties, and the staff also offer a publication outlining Tourist Rights. Review © 2007, Wcities

 

 

Rucellai Chapel The temple of San Sepolcro

Via della Spada Florence 50123 Italy

The small temple of San Sepolcro is at the center of the 14th-century chapel which is annexed to the church of S. Pancrazio, the current home of the museum Marino Marini. It was designed by Giovan Battista Alberti, the architect who was also commissioned to build the family palace. The harmonious proportions of the temple and its antique style make it one of the most important examples of Florentine renaissance architecture. The work was finished in 1467, and was based on the size of the Santo Sepolcro in the Holy Land. The interior frescoes represent the Death and Resurrection of Christ, and Alberti, inspired by the writings that covered the ancient Roman monuments, has inscribed a verse from the Evangelism of St. Mark, dedicated to the Virgin. Review © 2007, Wcities

Photo: Marie-France

 

 

Russia Orthodox Church Florence at the beginning of the 20th century

Via Leone X, 8 Florence 50129 Italy

The presence of this church is representative of an international and cosmopolitan period in Florence, right at the beginning of the 20th century. The design, which is a square plan with polychrome domes, is the work of two architects, Preobrashenskij and Boccini, who designed it in 1902 to the style of Byzantine orthodox tradition. The interior is sumptuously decorated with icons and paintings by Lolli. The holy liturgy is orthodox and is in the Russian language. Review © 2007, Wcities

Photo: Maurizio Biagiotti

 

 

SS. Annunziata Basilica and sanctuary

Piazza SS. Annunziata Florence 50122 Italy +39 55 239 8034

This basilica is also a sanctuary because one of its chapels contains the picture of the Annunciation. According to legend, this appeared on the wall at the time of the Virgin Mary. The devotional chapel was decorated with precious marble columns through the wishes of Piero di Cosimo, the father of Lorenzo the Magnificent. The church is entered from the Piassa SS.Annunziata. At the entrance there is a portico which dates back to the seventeenth century. Past the portico, one enters the Chiostrino dei Voti which is frescoed by Masters of the Florentine school over two centuries: Andrea del Sarto, Franciabigio, Pontormo and Rosso Fiorentino. The "Chiostro dei Morti" (Cloister of the Dead) can also be visited on request. Admission: Free. Review © 2007, Wcities

Photo: nieos

Photo: paula moya

Photo: VoronoV

Photo: Geert JM Vanderkelen

Photo: Alexander Robinson

Photo: nieos

Photo: Gombási Andrea

Photo: Fredrik Alkdal

Photo: Lorenzo Batacchi

Photo: andrew.evdokimov

Photo: somegoodgoing

Photo: Cyril GUICHARD

Photo: Steve Horton

Photo: Mihr1

Photo: endurance@ITA

Photo: Dominik Zauber

Photo: Stefano Bacci

 

 

SS. Apostoli Romanesque Basilica

Borgo SS. Apostoli, 3 Florence 50123 Italy +39 55 29 0642

The architectural history of this church began in the Romanesque period in the 11th Century. The foundation of the Basilica is maintained on the inside, where the space is arranged into three naves divided by green marble columns from Prato, typical of decorative Florentine architecture, and bare columns which come from the ancient Roman baths of the first century. In the side chapels (15th-16th Century) the late baroque decorations are still visible, while at the far end of the left nave there is the Sepulchral Monument of Oddo Altoviti which was made at the beginning of the 16th Century by Benedetto da Rovezzano. Admission: Free. Review © 2007, Wcities

Photo: Nicole McCann

Photo: jessiespress

 

 

Salvatore Ferragamo Museum Shoe museum

Piazza S. Trinità, 5r Florence 50123 Italy +39 55 336 0456

Salvatore Ferragamo, born in a small town near Naples and immigrated to the United States, could not possibly foresee his fortune in the shoe industry. From a small shop in Santa Barbara, California, he started to repair and then create his own shoes for the most famous stars in Hollywood. When he returned to the country of his birth, this time to Florence, he opened his first store in 1927, exporting his unique Italian to the rest of the world. Some of his famous clients were Audrey Hepburn, Marilyn Monroe, Rodolfo Valentino and Greta Garbo. The museum can be found in the beautiful Spini Ferroni building. It contains thousands of shoes which are the evidence of what was produced by Ferragamo from 1927 until his death in 1960. Admission: EUR 5. Review © 2007, Wcities

Photo: wcities

 

 

San Felice in Piazza Church with works of art

Piazza S. Felice Florence 50125 Italy +39 55 22 1706

It seems that the creator of this fifteenth century facade was Michelozzo but that the structure of the church dates back to the roman period. Inside, the first part of the church is divided into three naves whilst the second has been restored so that the roof trusses are visible as they would have been in the fourteeth and fifteeth centuries. At the far end, in another area designed by Michelozzo, there is the main Chapel in which a wooden crucifix painted by Giotto and his workshop (1307-08) is displayed. Review © 2007, Wcities

 

 

San Filippo Neri Complex of churches in Baroque style.

Piazza San Firenze Florence 50122 Italy

The church is part of a complex known as San Firenze, on which work began in 1645 after a commission by Filippini, who recieved the old church of San Fiorenzo as a gift from pope Urban VIII. The building was in the area between Borgo de'Greci and Via dell'Anguillara. The project to actually start building from the church of San Filippo Neri which stood to the left side of the complex was conceived by Pietro da Cortona and carried out by Pier Francesco Silvani. The church with seventeenth and eighteenth century decorations and furniture and facade from 1715 (Ferdinando Ruggieri) recalling the architecture of Buontalenti, are amongst the most significant examples of florentine art of the period. The complex was finished by Zanobi del Rosso who built an oratory in the opposite side of the church with a facade which was symmetrical to that of the church, uniting the two buildings into one block in which he developed the convent with a central courtyard. The Oratory and the monastery building are difficult to visit because at present they are used as the Tribunal offices. Review © 2007, Wcities

Photo: wcities

 

 

San Frediano in Cestello Seventeenth century church by Cerruti

Piazza di Cestello Florence 50124 Italy +39 55 21 5816

The cupola of the Cestello stands out in the panorama of the Oltrarno and its bare, unfinished facade is visible from the bank on the other side of the Arno river. The church was built by the architect Cerutti at the end of the 17th Century and completed with the cupola of Antonio Ferri. The church is planned in the shape of a Latin cross with a single nave upon which there are chapels decorated with stucco and frescoes from the 18th century. Admission: Free. Review © 2007, Wcities

Photo: Paul Villafuerte

Photo: Solveig Bang

Photo: Ian W. Smith

Photo: eric

Photo: Betty Carbuncle

Photo: g_u

Photo: Leslie Rodriguez

Photo: Matteo Terzago

Photo: Angela Hunt

 

 

San Marco Cosimo the Elder's monastery

Piazza San Marco, 1 Florence 50121 Italy +39 55 238 8608

This complex was enlarged in 1437 by Michelozzo to accommodate Dominican monks who had moved to the city from nearby Fiesole. Traces of frescoes from the 14th and 15th centuries remain today, although some parts of the structure were modified during the Counter-Reformation and the facade was finally completed in the 17th century. One of the oldest pieces of artwork on display is the crucifix by an artist whose style is similar to Andrea Orcagna's, while at the far end of the church on the main altar is Fra'Angelico's "Crucifix." Review © 2007, Wcities

Photo: Eugenio Contreras

Photo: Eugenio Contreras

Photo: Jasiot

Photo: Gene Ko

Photo: Graeme Churchard

Photo: Nalini Asha

Photo: Alberto Alvarez-Pere

Photo: susan

Photo: Kristy Streefkerk

Photo: Hattie Whiting

Photo: marta_h

Photo: Frank Futral

Photo: travelweezie

Photo: LizBeth1284

Photo: candyfeldt

Photo: Duncan Cook

Photo: J Ted Bell

Photo: nehawashere

Photo: ruth miriam

 

 

San Marco Museum Monastery and collection of work by Angelico

Piazza San Marco Florence 50121 Italy +39 55 238 8608 / +39 55 238 8704 http://www.sbas.firenze.it/

This museum is situated in an old Dominican monastery, restored and enlarged by Michelozzo under the wishes of Cosimo the Old of the Medici family. A visit is divided between the perfectly conserved 15th Century monastery and the museum which dedicates itself to Angelico. There is the famous Crucifixion which was painted in the Great room of the Capital and amongst the tableaux there are the early works of Angelico, notably the altar frontal with Universal Judgment and the Deposition. The museum also has a fresco of the Last Supper which was painted by Ghirlandaio at the end of the 15th Century. It is possible to visit the simple cell where Savonarola lived and where Cosimo il Vecchio retired to meditate. In the cells there are masterpieces like the Annunciation, the Transfiguration and the Crowning of the Virgin. In the library there are a series of finely drawn manuscripts, which were written inside the convent. Underneath the convent, there are precious relics, which were saved from 19th century destruction, as well as a fascinating collection of bells. Admission: EUR 4. Review © 2007, Wcities

Photo: Scott Oldham

Photo: srg3037

Photo: Katie E. Clark

Photo: Carul Mare

 

 

San Niccolò Oltrarno Heritage Building

Via San Niccolò Florence Italy

The building already existed in the Romanesque period and was then restructured into a Gothic style and ultimately was rearranged by Giorgio Vasari (16th Century). Following the restoration after the flood of 1966, remains of frescoes from the 15th Century were found. Other decorations and the altars inside all belong to the 17th Century. Admission: Free Review © 2007, Wcities

Photo: leoplus

Photo: Roberto Gaddi

Photo: lu.foto

Photo: Laura Croci

 

 

Sant'Ambrogio Old Benedictine church

Piazza Sant'Ambrogio Florence 50121 Italy

At the end of the tenth century this was the home of the Benedictines. It was renovated in the Gothic period but it was only in the eighteenth century, with architect Foggini, that substantial modifications were made. The Miracle chapel was built in the fifteenth century and contains a relic (a goblet), inside a marble tabernacle by Mino da Fiesole (1481-83). The miraculous story of this goblet is illustrated in the frescoes by Cosimo Rosselli (c.1486). Many of the famous works of art which once adorned the walls of the church are now kept in the Uffizi gallery (for example "S.Anna" by Masaccio and Masolino), however the splendid altars of the renaissance are still in place. Review © 2007, Wcities

Photo: wcities

 

 

Santa Croce Franciscan basilica

Piazza Santa Croce Florence 50122 Italy

The construction of the Basilica of Santa Croce began in 1294. Giotto's frescoes in the chapels at the head of the transept are considered to be some of the finest examples of 14th century painting, while the 19th-century architect Niccolò Matas is responsible for the church's distinctive green and white marble façade. The church contains the tombs of the intellectual, artistic and religious figures from Italy's past, including Michelangelo, Machiavelli, Gioacchino Rossini, Galileo and Ugo Foscolo. Although exiled from Florence and buried in Ravenna, Dante, father of the Italian language, is honored with a cenotaph. Admission: EUR 5. Review © 2007, Wcities

Photo: bootsintheoven

Photo: Kars Alfrink

Photo: Robert Emery Smith

Photo: Kars Alfrink

Photo: Dan Reynolds

Photo: Joseph Younis

Photo: Martin Belam

Photo: Riccardo Bonuccelli

Photo: Dan Reynolds

Photo: kyle garst

Photo: Greg Avila

Photo: Donna Aceves

Photo: Jason Chong

Photo: gillpoll

 

 

Santa Croce Museum Works of art

Piazza Santa Croce, 16 Florence 50122 Italy +39 55 24 4619

The museum is located in rooms of the Convent of Santa Croce. You can see frescoes by Taddeo Gaddi and Orcagna which were rediscovered under the 16th century plaster. The most important piece is the large gilded bronze of San Lodovio di Tolosa which was made by Donatello in 1423. In the other rooms there are terracottas made by the Robbia family, the remains of the 14th century windows, and works by Bronzino, Vasari and other artists. Admission: EUR 4. Review © 2007, Wcities

Photo: Linda Jones

 

 

Santa Felicita Early Christian church

Piazza Santa Felicita, 3 Florence 50125 Italy +39 55 21 3018

The foundations of one of the city's oldest churches date back to the 4th century, when Christianity was in its infancy. Named after Roman martyr St Felicita, the church gradually took shape during the Romanesque period. In the first half of the 18th century Ferdinando Ruggieri made changes to the building, one of which was the inclusion in the structure of the Vasari Corridor that connected the Palazzo Vecchio to Palazzo Pitti. During the reign of Medici successors the Lorraine family, the church was used as a court chapel. Designed by Brunelleschi for the Barbadori family, little of the original structure of the chapel (later known as the Capponi Chapel) remains due to renovation work carried out during the 18th century. It does however contain two sixteenth-century masterpieces - the Deposition and the Annunciation - by Jacopo Carrucci (also known as Pontormo) that were commissioned by Ludovico Capponi. Admission: Free. Review © 2007, Wcities

Photo: Ettore Timi

Photo: Nikola Eftimov

Photo: Richard De Lancey

Photo: toscanafahrt

 

 

Santa Maria Maddalena de' Pazzi The Sangallo cloister

Borgo Pinti, 58 Florence 50121 Italy

This convent was founded by the Benedictines in the middle of the 13th century. The Carmelites in the 17th century dedicated the church to one of their saints which then assumed that name. The most famous artists of the period such as Perugino, Botticelli and Domenice Ghirlandaio all produced work here that has since left this collection to be preserved in museums all over the world. Inside the church, moving away from the sacristy and crossing other subterranean rooms, we arrive at the famous Crucifixion of the Pilgrim (1493-96), a fresco that decorated the former chapter hall. Review © 2007, Wcities

Photo: B Fenske

Photo: Graeme Churchard

Photo: Steve Krause

Photo: Graeme Churchard

Photo: Trevor Skingle

 

 

Santa Maria Maggiore Church between station and cathedral

Piazza Santa Maria Maggiore Florence 50123 Italy

Founded before 1000 C.E., this church was reconstructed in the 13th Century in Gothic style for the Vallombrosiani family. On entering there is a sober atmosphere which comes from the internal structure with its three naves, broken up into arcades with pointed arches on quadrangular pillars. It was based on the cistercene model from the time of Buontalenti. In the large Chapel, the frescoes contain scenes from Herototus Ordering the Massacre and The Massacre of the Innocents from the end of the 14th Century. Review © 2007, Wcities

Photo: Whitney Swiedler

Photo: Nikola Eftimov

Photo: Pascal Cai

Photo: Alyssa Cabrera

Photo: Robbie McCown

 

 

Santa Maria Novella Italian Architecture with Gothic Strains

Piazza Santa Maria Novella Florence 50123 Italy

This church was built in 1278 by architects (Fra Sisto and Fra Ristoro) who were part of the Dominican order, the work was carried on by Fra Jacopo Talenti and Fra Giovanni da Campi, and was constructed in a Gothic style. The church still bears evidence of the Gothic style in the lower part of the façade in its avelli (grave niches) with its pointed arches, which are clad in green and white marble these colours are to be found in the upper part of the façade elegant with its classical motifs, designed by Leon Battista Alberti in the 1470s at the request of Giovanni Rucellai (whose name is prominently displayed on the façade). The left side of the façade which leads to thecloisters of Santa Maria Novella. The most important and interesting objects of art are to be found in the chapels of the prized and famous families. The Rucellai chapel is on the right of the church, with a marble sculpture of Madonna and Child by Nino Pisano. The Cappella Bardi is the second on the right and was the resting place of the famous Maestà by Duccio, which is in the room of the Uffizi. The chapel adjacent is that of Filippo Strozzi and is decorated with stories of San Filippo by Filippino Lippi in the 1590s, and sculptures by Benedetto da Maiano. The chapel of Giovanni Tornabuoni has wonderful scenes of political and cultural life of the times with illustrious men, humanists and famous Florentines. The frescoes depict the life of the Madonna and Saint John the Baptist and were created by Domenico Ghirlandaio as well as his young apprentice Michelangelo in 1485-90. After the cappella maggiore is the Cappella Gondi with its wooden cross by Brunelleschi framed by Giuliano da Sangallo's architecture, and the Capella Gaddi encrusted with stones and marble. The Cappella Strozzi is to be found on the left side of the church and is decorated with 14th century frescoes of Heaven, Hell, and Judgment Day by Nardo di Cione, the brother of Orcagna, the author of the altar piece with Cristo risorto (Christ risen), completed in 1347. The sacristy and its furnishings can be seen on the left side of the church as you descend the steps from the Capella Strozzi, you can purchase books and religious objects from here. Finally, you can see the glorious fresco of the Trinity by Masaccio (circa 1427), can be found along the left side of the aisle, this is the fresco of the Madonna, St John and the fresco's patrons, the Lenzi family. Admission: EUR 3. Review © 2007, Wcities

Photo: Peter Repetti

Photo: Paul Burani

Photo: Paul Burani

Photo: Boris Vergote

Photo: Natasha Sandmeier

Photo: Melissa Demos

Photo: Wade Lagrone

Photo: Jreese.com

Photo: Bill Strouse

Photo: Rich Gibson

Photo: Francesco Coschino

Photo: Jim Malone

Photo: Luca Gambetti

Photo: Scott Rathbone

 

 

Santa Maria del Carmine Renaissance church and chapel

Piazza del Carmine, 14 Florence 50124 Italy +39 55 21 2331

This 2nd-century church is found in the Oltrarno. It was completely destroyed by a fire and rebuilt in the 18th Century by Ruggieri and then Mannaioni. The Brancacci Chapel is the most precious part remaining from the fire. It was frescoed by Masolino and Masaccio beginning in 1424 and was finished by Filippino Lippi after 1480. Inside, two particular scenes frescoed by Masaccio stand out: "The payment of tribute" and the Purge from Paradise. These constitute an example imitated throughout the renaissance, especially in the ways in which naked bodies were studied at close quarters, both in their proportions and in their volumes. The chapel has a separate entrance where a charge is applicable. Admission: EUR 4. Review © 2007, Wcities

Photo: nieos

Photo: colin houston

Photo: Paul Villafuerte

Photo: Peter Ferne

Photo: Jing Su

Photo: Josée

Photo: Koen Vandendriessche

 

 

Santa Trinita Near to the Santa Trinita bridge

Piazza Santa Trinita Florence 50123 Italy

This building was originally erected in the middle of the 11th Century and after modifications spanning three centuries, the church finally took the form of the plans drawn up by Neri di Fioravante at the end of the 14th century. The façade however was the work of Bernardo Buontalenti. Inside, the only chapel to preserve its original 15th century decorations is the fourth in the right-hand nave. It was Lorenzo Monaco who, between 1420-1425, painted the series of frescoes telling the story of the Virgin Mary and the altar-piece with the Annunciation. The first chapel on the right, in the apse walls, was owned by the Sassetti family who commissioned Domenico Ghirlandio to paint the series of frescoes telling the stories of St Francis of Assisi which depict aspects of 15th century life with particular realism. Ghirlandaio also worked on the altar-piece with the sweet Shepherd's Worship, dated 1485. Admission: Free. Review © 2007, Wcities

Photo: Fulvia Finelli

Photo: Daniele Bassi, Swiss

Photo: Dennis M. O'Malley

 

 

St. Mark's English Church Anglo-Catholic Church

Via Maggio 16 Florence 50125 Italy +39 055 294 764 http://www.stmarksitaly.com/

Built in 1881 on a palazzo thought to have once been owned by the Machiavelli family, this beautiful Anglo-Catholic church is worth checking out. Intricately carved alters, venetian hanging lamps, and the brown watermark left by the flood of 1966 are all of note. From April through November, daily eventing concerts are open to the public, and often feature groups from around the world. Review © 2007, Wcities

 

 

Stone Factory Museum Workshop of the Medicis

Via degli Alfani, 78 Florence 50121 Italy +39 55 265 1357

The museum connected to the opificio (meaning 'factory') contains the Medici collection of carved hard stone. At the beginning of the 19th century the opificio began restoring inlays, mosaics and subsequently sculptures, for which it is now widely renowned. The present site is where the Great Duke's workshops were set up when they were transferred to him from the Lorena at the end of the 18th century. Some of the most important pieces are the Florentine and Northern landscapes, the models and panels for the Chapel of the Princes and the 19th century tables which have been made with an extraordinary eye for detail. Review © 2007, Wcities

 

 

Synagogue The temple

Via Farini, 4 Florence 50121 Italy

In Moorish style, the architecture of this synagogue, somewhat strange by Florentine standards, attracted the original Sephardim of Florence's Hebrew community. In line with the eclecticism at the end of the 19th century, its architecture also contains Christian elements such as the transept, the apse, the pulpit and the dome (which, with its green copper roof, is one of the city's most visible landmarks.) All the internal walls were decorated between 1882 and 1890 by a local painter: Giovanni Panti, who made use of gold-plating to highlight the Moorish designs. Review © 2007, Wcities

Photo: adam perer

Photo: Riccardo Innocenti -

Photo: Masha Rumer

Photo: Mike Noestheden

 

 

The Duomo The Renowned "Duomo" of Florence

Piazza del Duomo Florence 50122 Italy +39 055294514

As the city's skyline symbol, the legendary Duomo is famous above all for its dome: Filippo Brunelleschi's Renaissance masterpiece, completed in 1436, created a double dome shell so that the dome is entirely self-supporting. It still stands as the largest masonry dome in the world, containing over 4,000,000 bricks! Climb to the top (all 463 steps) to get an unforgettable panoramic view of the city which has changed little in the past 500 years. Construction started in 1296 on the site of the Roman basilica of Santa Reparata of which there are still visible remains with a design by the great Florentine architect, Arnolfo di Cambio. The existing neo-Gothic façade was added in the 19th century by Emilio De Fabris. Covering a massive 3,600 square meters, the frescoes inside the dome depict the Last Judgement, painted by Giorgio Vasari and Federico Zuccari. For those interested the two frescoes on the left-hand wall of the nave are dedicated to two of the most famous mercenaries in Florentine history who are buried in the cathedral: Giovanni Acuto (the Italianized name of the Englishman Sir John Hawkwood) by Paolo Uccello and the other Niccolò da Tolentino by the great Andrea del Castagno. If you can stand the throngs of people and get a good spot early, come on Easter Sunday for the Scioppo del carro (Explosion of the Cart) where a oxen-drawn cart stuffed with fireworks comes from Prato to the center of the city and ignited. Admission to Church: Free; Admission to climb the cupola: EUR 6. Review © 2007, Wcities

Photo: Ken Conley (kwc.org)

Photo: Todd Martin

Photo: Mary Harrsch

Photo: Zulpha Dawson

Photo: Simon Goodway

Photo: Elise Robinson

Photo: Lisa M. Benavitch

Photo: Su

Photo: Louise Bell

Photo: Jeremy McNevin

Photo: Dan and Katie

Photo: Emily Schlick

Photo: Jacinta Fitzgerald

Photo: Seymour Pattisson

Photo: T.M. Bartish

Photo: Jared Nelson

Photo: Trystan L. Bass

Photo: Carl Raether

Photo: Kathy Dobbin

Photo: Clark A. Miller

Photo: David Snider

Photo: Raelyn Newton

Photo: Stella Smith

Photo: Karli Brooke

Photo: Frances Taylor

Photo: Jennie Lopez y Canlas

Photo: Kim Hudson- Menozzi

Photo: yametova

Photo: Dalila Caria

Photo: Dominic Eramo

Photo: scott.gosnell

Photo: Thena Beam

Photo: Allen Chen

Photo: Adrian Cherciu

Photo: shriekingviolet

Photo: Yendor Oz

 

 

Torrigiani Garden Park with a neo-Gothic observatory

Via de Serragli, 146 Florence 50124 Italy +39 55 22 5115

The Giardino Torrigiani extends from Viale Petrarca, with the old Arnolfi walls on each side, to Piazza Torquato Tasso. The gardens were designed in the 19th century by Luigi Cambrai-Digny but were finished by Baccani, who also designed the neo-Gothic style tower. Pio Fedi executed the group of neo-classical sculptures for Pietro Torrigiani. Please note that the garden is private and is only open on rare occasions. Review © 2007, Wcities

Photo: alexein74

 

 

Via de' Tornabuoni & Via della Vigna Vecchia Haute Couture in Florence

Via de' Tornabuoni Florence 50123 Italy

This lovely street right in the center of the centro storico is a shopping mecca for those who visit Florence. Named from the famous Tornabuoni family whose palace lines the street and is currently a private apartment complex. Via de' Tornabuoni was once the premier shopping street in the city, but recent development has forced many of the independently operated businesses out, i.e. Seeber International Bookstore, Doney's. Nearby is the Via della Vigna Vecchia, an off-shoot of Tornabuoni which leads down towards the Arno, which also has numerous swanky, luxurious shops. Nonetheless, many major shops line these two streets, such as Loro Piana, Gucci, Salvatore Ferragamo, Emporio Armani and Tiffany's. Review © 2007, Wcities

 

 
Other Schmapplets in this city related to "Florence - Sights & Attractions - Centro Storico"
Florence - All Sights & Attractions
Florence - Sights & Attractions - All Florence
Florence - Sights & Attractions - Bagno a Ripoli
Florence - Sights & Attractions - Campo di Marte
Florence - Sights & Attractions - Coverciano
Florence - Sights & Attractions - Fiesole
Florence - Sights & Attractions - Gavinana
Florence - Sights & Attractions - Il Barco
Florence - Sights & Attractions - Isolotto and Legnaia
Florence - Sights & Attractions - La Pietra
Florence - Sights & Attractions - Out & About
Florence - Sights & Attractions - Poggio Imperiale
Florence - Sights & Attractions - Rifredi
Florence - Sights & Attractions - San Giovanni
Florence - Sights & Attractions - Santa Croce
Florence - Sights & Attractions - Santa Maria Novella
Florence - Sights & Attractions - Santo Spirito
Florence - Sights & Attractions - Scandicci
Florence - Sights & Attractions - Sesto Fiorentino
Florence - Attractions & Landmarks
Florence - Historic Buildings
Florence - Churches & Temples
Florence - Baths, Saunas & Spas
Florence - Breweries & Wineries
Florence - Lakes, Rivers & Beaches
Florence - Parks & Gardens
Florence - Panorama
Florence - Zoos, Farms & Aquaria
Florence - Museums
Florence - Tourist Information Centers

Other nearby cities:
Bologna (94 miles)
Genoa (176 miles)
Verona (193 miles)
Venice (220 miles)
Milan (241 miles)
Rome (242 miles)
Nice (294 miles)
Turin (298 miles)
Cannes (312 miles)
Trieste (313 miles)

Schmap.com
About
News & Reviews
Travel Store
Privacy
Terms of Use
Contact Us
© 2008 Schmap, Inc. All rights reserved.