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 16th-19th century paintings |
Largo Pertini, 4 Genoa 16121 Italy +39 1 058 1957 |
This museum is situated on the first floor of the building which hosts the Academy of the same name, built in 1751 by a group of nobles, scholars, and artists. The museum exhibits various paintings and drawings by great 16th-19th century painters, including Perin del Vaga, L. Cambiaso, B. Strozzi, D. Fiasella, and il Grecchetto. The paintings are not on permanent display, due to lack of space they are exhibited in turn. There is also an interesting plaster casts gallery. Conferences and temporary exhibitions also take place here. Review © 2007, Wcities |
 Photo: mentelocale.it  |
 Photo: annalisa |
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Theatre museum |
Viale IV Novembre, 3 - Villetta Serra - Genoa 16121 Italy |
This museum was set up in 1966, and occupies the circular tower in the villetta Serra, an eclectic building from the mid-nineteenth century. This museum is dedicated to the study of the figure of the actor and the scenic arts in Italy between the 19th and 20th century. During its thirty years of existence it has built up a huge collection of relics which belonged to many of the greatest Italian theatre actors, including Ermete Zacconi, Sergio Tofano, Silvio D'Amico, Virgilio Marchi, Tommaso Salvini, Romolo Valli, and Ruggero Ruggeri. It also houses thousands of iconographic documents and a vast historical archive. The Library, specialized in theater and cinema, possesses around 400,000 books. Shows, conventions, conferences, book presentations, and meetings with important theatrical figures also take place here. Review © 2007, Wcities |
 A port filled with things to do and see |
Ponte Spinola Area Porto Antico Genoa 16128 Italy |
The layout of the whole area and the various architectural constructions in the Old Port, among which is the now famous Aquarium which was built by Renzo Piano for the international Expo of 1992 in commemoration of the 5th centenary of the discovery of America, have now become a perfect example of the coexistence of old buildings and modern edifices. The salvaging and refurbishment of the historic port and of the old town centre nearby, have all helped in the re-establishment of the tourist trade within the city. The new "marinaro" area is constantly brought to life through sound, light and color and has various attractions dedicated to free time and culture. Therefore, Genoa is no longer solely a city of art, but also a seaside town offering child-size fun and relaxation. If one enters from the main entrance in piazza Caricamento, the first thing to be seen is the large profile of the Acquario di Genova, the largest one in Europe, which resembles a large ship moored on the dock at Ponte Spinola, from which extends a splendid pathway, the Via del Mare, which leads straight to the "floating" Piazza del Mare. Other places of interest are the Galleon (used by Roman Polansky in the film "the Pirates"), the buildings of the Cotton Stores (Cineplex, modern multiscreen, Cinemotion in 3 D, Video games, the great Music Store, the Città dei Bambini, la De Amicis Library, the Padiglione del Mare e della Navigazione), the original Museo Nazionale dell'Antartide "Felice Ippolito", housed in the Millo, and even the imposing Porta Siberia (o del Molo), with the nearby pool-theatre, the Mandraccio and various commercial outlets, as well as the cafés and the restaurants. During the winter months the Piazza delle Feste has an ice-skating rink, while during the summer various concerts and plays are held there. A must is a trip on the Bigo, the rotating panoramic lift which offers a view over the entire city. The 16th and 17th century buildings of the Deposito Franco have been carefully restored and are now the headquarters for Porto Antico S.p.A, the management and operating company for the whole complex. They also house the Tourist Information Office, where one can obtain up to the minute news of events being organized within the area where the expo was once held. Review © 2007, Wcities |
 Photo: Rachael&Andrew |
 Photo: Fabrizio Fazzari |
 Photo: Mia aiM |
 Photo: Ciccio Pizzettaro |
 Photo: Luca Caridà |
 Photo: Yonker |
 Photo: James Manners |
 Photo: Luca - Italy |
 Church of England |
Distacco di Piazza Marsala, 3 Genoa 16122 Italy |
This Neo-medieval church stands a short way from the Parco di Villetta di Negro and from Piazza Corvetto. For entry into the English Church of the Holy Ghost it is advisable to call. Review © 2007, Wcities |
 Examinations under the frescoes |
Via Balbi, 4 Genoa 16126 Italy +39 0102099705 |
Built between 1618-20 to the designs of the architect Bartolomeo Bianco, this building houses several of the departments of the University's Faculty of Literature and Philosophy. The palazzo was planned with two floors of equal elegance, frescoed by D. Piola, V. Castello, G. and L. De Ferrari, D. Fiasella, since the two investors, Giacomo and Pantaleo Balbi, wanted to express the same level of prestige and opulence. The garden was established in the mid 17th century, finished off by the addition of a beautiful pond full of water lilies, which has been recently restored. Review © 2007, Wcities |
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A terrace overlooking the city |
Piazza Portale (via public lift) Genoa 16125 Italy |
This is the best picture-postcard view of Genoa to be had. This extraordinary vantage point 80m above ground is situated in the elegant Castelletto area. From this ruin of the "castelletto" which was demolished in the middle of the last century one can have a view over the rooftops, the bell towers, the hanging gardens, the old port and the Lanterna. The best way to reach it is via the public lift in piazza Portale, which was described as the best route "verso il Paradiso" - to heaven- by the poet G. Caproni. The lift's terminal is an elegant art-nouveau tower, which is one of the loveliest examples of this style in the city. It is a little known fact that the old reservoirs, which collected the water deriving from the ancient aqueduct crossing the Valbisagno, can be found underneath this ruin. Review © 2007, Wcities |
 Photo: wcities |
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A modern library within an old seminary |
Via del Seminario, 16 Genoa 16121 Italy +39 10 557 6010 / +39 10 557 6020 |
This is Liguria's central public library, which has recently moved premises into the old seminary, which was refurbished by the architects P. Gambacciani and G. Franchini to obtain a more appropriate environment. This bare, severe building was built in the mid seventeenth century for the seminarians. It was badly damaged during the war and left derelict until Italia Nostra stepped in and saved in from demolition, transforming it into a haven for bookworms and researchers alike. The library as an institution was founded in the eighteenth century by the abbot C.V. Berio for a select few intellectuals. At the time it boasted 15 thousand publications and this number rose to 100 thousand before the Second World War. Despite the fact that two thirds of the library's books were destroyed in 1942 during the bombing, it still houses 200 thousand publications, among which are several rare editions, incunabulum, codex and a sixteenth century bible. The library also has multimedia resources. The Franzoniana library within the same set-up also has a collection of art history and religious volumes and manuscripts dating back to the 17th and 18th centuries. Review © 2007, Wcities |
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A revolving view of the city |
Area Porto Antico Genoa 16128 Italy |
This magnificent construction emerges from the ancient dock in the Mandraccio area of the Area del Porto Antico. It was devised as a derrick for the ships from which it takes the name Bigo, and became the symbol for the 1992 Expo. The Bigo is made up of several arms stretching out over the sea from a platform. The longest arm holds the panoramic lift, which rises up to 40 meters altitude, above the roofs of the city. The view from here is one only usually achievable from the ships at sea, and is unique as the other vantage points in the city look outwards over the sea rather than inland. Several of the arms support the solid frame of the Piazza delle Feste that houses the ice-skating rink from Nov to Apr, as well as musical concerts and plays in the summer. Review © 2007, Wcities |
 Photo: Daniele |
 Photo: Federico Fasce |
 Photo: Giuseppe Frigiola |
 Photo: Katja Aquino |
 Photo: Leo@??? |
 Photo: Alberto D'Ottavi |
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 Photo: Fabrizio Ghini |
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 Photo: Andrea Masala |
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Exotic plants among the tiled roofs |
Corso Dogali, 1c Genoa 16136 Italy |
This garden was established in 1803 at the wishes of Domenico Viviani, the cardinal of the cathedral of Botany and Natural History at the university of Genova, in the gardens of the ancient Jesuit college there is a large collection of medicinal plants, interesting species of trees, including many cypresses, a large sequoia and a Lebanese cedar. The Botanical garden currently extends over an area of around a hectare, spreading its exotic vegetation over six terraces, while in the greenhouses diverse natural habitats have been recreated with examples of aquatic and tropical plants as well as many other varieties. Different routes through the garden are suggested according to what you wish to discover among the varied aspects of this plant kingdom. Guided tours are organised through the Coop. Progetto Gias. (booking required); they run every day for groups of 18-30; for smaller groups book on the first or second Sunday of the month. Review © 2007, Wcities |
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A walk on the ancient walls |
Corso A. Podestà Genoa 16128 Italy |
This walkway was built during the 19th century above the bastions of the city walls which were restored in the 16th century. There are beautiful views all along this pathway which connects the Parco dell'Acquasola with the ring-road to the sea. It is a pathway which offers interesting views over the east of the city with the modern Corte Lambruschini buildings in the foreground, the beautiful villas of the Albaro and Monte Fasce districts in the background and the Portofino promontory in the distance. Review © 2007, Wcities |
 Photo: wcities |
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A piazza in a theatre |
Passo E. Montale, 4 Genoa 16121 Italy +39 10 5 3811 http://www.carlofelice.it |
Built between 1826 and 1831, designed by the architect Carlo Barabino, it is an example of the traditional Italian horseshoe shaped, development. It has a capacity of 2,000. It was badly damaged by bombing in the Second World War, and almost completely rebuilt at the beginning of the 1990's by the architects I. Gardella and A. Rossi. The original neo-classical features of the pronaus and the portico were incorporated into the new building, whose imposing triangular tower, visible from many parts of the city, hides a sophisticated scenic mechanism which places this theatre among the most advanced in Italy. It has provoked both great amazement and furore among the Genovese on account of the internal design, including balconies, shutters and slate coverings, as if it were several houses in the historic centre facing onto a typical Ligurian piazza. Review © 2007, Wcities |
 Photo: carolina1954 |
 Photo: Danilo Paissan |
 Photo: terralance |
 Photo: chiara modotti |
 Photo: simone d'aumiller |
 Photo: Barbara Sgarzi |
 Photo: Franco Forni |
 Photo: bia.hvid |
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Japanese art |
Piazzale Mazzini, 1 Genoa 16122 Italy |
The building which houses this museum was built specifically by the architect Mario Labò in 1971. It stands in a splendid panoramic position inside the Parco di Villetta di Negro. This is the most important Italian collection of its kind, and it includes almost 15,000 items. The collection was put together by the engraver and patron Edoardo Chiossone during his 23 years in Japan. While there he witnessed the fall of the feudal regime after 700 years of rule and the start of the process of the modernisation of the country. With an unusual amount of attention for that period he began to study and eventually acquist many works of art, accumulating a huge collection of historically and artistically valuable works of art. The exhibition, which is probably visited more by Japanese tourists than the Genoese, is displayed in two large rooms dedicated to Buddhist sculpture from Eastern Asia and in five galleries linked by stairs forming a contiuous path. On exhibition you can see armour, weapons, Samurai equipment, archeological finds from Japan, wooden sculptures, theatre masks, varnishes, ceramics, porcellain, paintings, and prints. Review © 2007, Wcities |
 Photo: wcities |
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America discovered via Genoa |
Vico Dritto Ponticello Genoa 16121 Italy |
The building said to be the house where the great seafarer spent his youth is close to the Chiosro di S.Andrea and to the Porta Soprana o di S.Andrea. In fact it is a seventeenth century reconstruction after this and other buildings in the area were bombed by the Roi Soleil in 1684. It is interesting that this house was the only one left standing during the fascist period when the whole Ponticello area was demolished and replaced by the current buildings. Review © 2007, Wcities |
 Photo: stebox@gmail.com |
 Photo: Beachhousehawaii.com |
 Photo: Duma Alexandru |
 Photo: Michael Simons |
 Photo: Johnny Shaw |
 Photo: Kris Resellmo |
 Photo: Hillary Davey |
 Photo: R. Pettit |
 Photo: ThePolyglot |
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An old refuge for crusaders and pilgrims |
Piazza della Commenda, 1 Genoa 16126 Italy +39 10 26 5486 |
This building was founded around 1000AD as a hospital, or as a refuge for the crusaders who had been sent to the Holy land. Afterwards, it became a shelter for pilgrims going to Jerusalem or Santiago di Compostela. It is attached to the neighbouring Church of Giovanni di Pre'". The three level open gallery gives the building its character. The "Commenda" has kept some of its medieval features. There are spherocubical headbands on the ground floor. On the middle floor there is 15th century wooden flooring which is decorated with prints. On the third floor there are wonderful frescoes with battle insignia and coats of arms from the nobility, as well as the part of the building which belonged to the apartment of the Knight commander. It's interesting to note that up until 1731 people could only go into the two churches of S.Giovanni through the Commenda. This was administered by the Jerusalemite Knights (and from 1420 by the Knights of the Order of Malta). It has never been understood however what criteria were needed to be allowed admittance into each of the churches. (perhaps it was divided by gender, or, more probably, according to the wealth of the pilgrim). Visits are possible on special occasions and by appointment. Review © 2007, Wcities |
 Photo: wcities |
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The city in a courtyard |
Largo Eros Lanfranco, 1 Genoa 16121 Italy |
Located on the corner of Via Roma and St Catherine's hill, this was built between 1541 and 1543 for the Admiral Antonio Doria, cousin of Andrea, presumibly designed by B Cantone and G. B. Castello, known as 'il Bergamasco'. The frescoed façade, today barely discernible, was painted by the Calvi school (16th century), while the splendid internal decorations are the work of F Calvi and the two Cambiasos: Giovanni and his son Luca. A visit to the split level courtyard is a must: it is one of the best examples of 16th century Genovese architecture, interestingly frescoed with the topographical plans of the major cities of the time. There are magnificent depicitions of Venice, Milan, Florence, Jerusalem, Anversa, Genova and Naples. Admission is free Review © 2007, Wcities |
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Colombus and Paganini in town |
Via Garibaldi, 9 Genoa 16124 Italy +39 10 55 7111 |
Located midway along the Via Garibaldi, this building outdoes all the other palazzi on the Strada Nuova in terms of its monumentality and size, occupying a space three times as large as all the rest. It is a great example of a Renaissance Genovese palazzo, designed by G. and D. Ponzello in the mid 16th century for Niccolò Grimaldi, known as the "Monarca" on account of his immense fortune. After Grimaldi's financial ruin, the palazzo was acquired by Giovanni Andrea Doria, the Duke of Tursi, and nephew to the great Admiral. The interesting facade, with stonework by Finale and grotesques by T. Carlone, the impressive entrance stairway, the galleried hall, the two side hanging gardens have all made this a wonderful location for the Genovese town council. Inside, in the Syndicate Office, there are several letters signed by Colombus: the "Codice dei privilegi" conceded to the explorer by Spanish royal command, and an urn containing some of his ashes, found in Santo Domingo in 1887. In addition, there is the famous Paganini violin, a Guarnieri del Gesù from 1742, which is played once a year by the winner of the competition for young violinists, the "Premio Paganini", which takes place in October along with the celebrations for Colombus. Review © 2007, Wcities |
 Photo: Frances Forsyth |
 Photo: Alex Gambaro |
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The Doge's former residence |
Piazza Matteotti, 5 Genoa 16123 Italy +39 10 557 4000 http://www.palazzoducale.genov... |
Founded in the 14th century as the first city council, this palazzo was expropriated from the Grimaldi family, and susbequently underwent its first series of extensions at the end of the sixteenth century under the supervision of A. Vannone. After a fire that destroyed the roofing, it was retored between 1778 and 1783 by Tagliafichi, who designed the imposing neo-classical façade that faces onto Piazza Matteotti, one of the first of its kind to be built in Italy. From the double galleried ground floor entrance hall you may ascend to the first floor to visit the beautiful chapel, decorated by G.B. Carlone, as well as the Room of the Two Councils, the Greater and the Lesser, which constituted the government of the time, when the Republican nobles decided the fate of the city. Recently restored, the Palazzo Ducale is today a multi-purpose cultural centre in which, as well as antique shops, bookshops, fitness centres, bars, restaurants and nightclubs, you can find the Historical Archives of the City of Genova, the Ligurian Society of National History (which boasts a library containing 27,000 volumes), the Ligurian Academy of Science and Literature, the Society of Literature and Scientific Discourse and the Youth Information Centre. Important international exhibitions also take place there. Review © 2007, Wcities |
 Photo: Marianna Martindale |
 Photo: Carly Lutzmann |
 Photo: Sergio Savoia |
 Photo: Joe Boschi |
 Photo: Joe Boschi |
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Genoa's high tower |
Piazza Embriaci Genoa 16123 Italy +39 10 247 1831 |
Built in the twelfth century in the area of the powerful Embriaci family residences, this is the only city tower to have escaped the height reduction enforced by a community law in 1296 to abate the arrogance of the aristocratic families, expressed through ever higher towers. In memory of Guilgielmo Embriaco, known as "Hammer head", the hero of the First Crusade, the Republic conceded to his descendants the honour of conserving 80 hands over the regulated height for a tower, and a stone can still be seen today at the base of the tower confirming the mayor's concession. The tower, right next to the Palazzo Brignole Sale, is made in ashlar-work stone, and is hardly even crumbling. In 1923, the upper part was treated to a period of restoration, and the topmost stones were replaced with tiles. Not open to the public (private residence). Review © 2007, Wcities |
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Study in a old monastery |
Stradone S.Agostino, 37 Genoa 16123 Italy +39 10 20 9 5904 |
The modern building, inaugurated in 1992, is in one of the oldest areas of the entire city. This area is known as the Castle hill and it was perhaps the site of a ancient "castrum". The new building incorporates the ruins of the monastery of S.Silvestro which was the home to the Dominican monks of Pisa. It also has remains from the preceding religious buildings on that site. This area was devastated by aerial bombardment during the last war and had suffered the same sort of deterioration as Genovas old town. A university has been founded in the complex upon the daring initiative of I.Gardella and L.Grossi Bianchi. The final results are really pleasing: The thesis lecture theatre has been created from the old refectory in the monastery. The Dean's office is in the base of the church bell tower. The cloisters surround a small green lawn and a series of terraces which have a splendid view of the city. This the students' favourite place to have "lengthy and involved discussions" on long sunny summer afternoons. The Aula Magna has been formed out of the deconsacrated church of S.Salvatore in Piazza Sarzano. This has been a practical use of a building which was otherwise destined to abandonment. Admission: Free. Review © 2007, Wcities |
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Natural history museum |
Via Brigata Liguria, 9 Genoa 16121 Italy +39 10 56 4567 http://www.comune.genova.it/tu... |
This museum was founded in 1867 by Giacomo Doria, it is housed in a building built specifically for it. It contains important zoological, paleontological, botanical, an mineralogical collection from all over the world - these collections are continually growing. It is estimated that there are more than 3.5 million exhibits today. The museum houses a Library and and Education Center with a multimedia laboratory. It often hosts temporary exhibitions, conventions, and conferences. The most interesting features for the many school children who visit every year are without doubt the large, ancient Italian, elephant skeleton, and the African Savana room which is enlivened with light and sound effects. School children are free (it is necessary to book), as are under 18's, and over 60's. Review © 2007, Wcities |
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The gate to the old city |
Via del Campo Via delle Fontane Genoa 16124 Italy |
This gate corresponds in appearance to the Porta Soprana or of S.Andrea (XII secolo), (12th century). It was the main western access to the city, near the now destroyed St. Faith's church. Built at the same time as the walls to defend the city from invasion by the Barbarossa forces, it consists of two semi-circular towers, linked by a crenellated arch with sharp curves. In the eighteenth century these features were incorporated into the neighboring buildings. The name "Vacca" (cow) has a determined origin: it refers to the family who once lived there. Review © 2007, Wcities |
 Photo: wcities |
 The largest marine park in Europe |
Area Porto Antico - Ponte Spinola Genoa 16128 Italy +39 10 248 8011 http://www.acquario.ge.it |
This museum, one of the main tourist attractions in Italy, welcomes millions of visitors each year. Built between 1989 and 1992, it reproduces a coastal atmosphere in 48 basins, four of which are oceanic and have two viewing levels. Continually changing, it also includes the Nave Italia, which was the seat of the Italian Pavilion during the Expo of 1992, and is now home to around 500 different species of fish, reptiles, amphibians, mammals, birds and invertebrates. Entrance fee: adults: EUR11.60; ages 3-12: EUR6.90; children up to three enter free; groups and school parties welcome. Review © 2007, Wcities |
 Photo: Tambu |
 Photo: Roberto Ferrari |
 Photo: Roberto Ferrari |
 Photo: stereoo |
 Photo: Minollo |
 Photo: Rich Unger |
 Photo: AzucarRebelde |
 Photo: pincopallo |
 Photo: stxanax |
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Tourist information |
Piazza De Ferrari Genoa 16121 Italy http://www.comune.genova.it |
There is a Genovainforma kiosk in the centre's busy Piazza De Ferrari. It's run by the city council carrying out an essential information service. It is not just for the ever increasing amounts of tourists who come to visit our beautiful city but also for the residents of the city themselves. The kiosk distributes pamphlets giving information about the cultural events and free time activities in Genova and nearby as well as maps of the city. Review © 2007, Wcities |
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S. Ambrogio on the Riviera |
Piazza Matteotti Genoa 16123 Italy |
The original Church dedicated to S. Ambrogio was built in the 6th century by a group of Milanese refugees who had come to Genoa to escape the Longobard invasion. However, the present building was built between 1589 and 1637 with the help of the Jesuit priest Marcello Pallavicino who, thanks to his prosperous family background, had the main altar dedicated to him. It was modelled on the Compagnia di Christo and is lavishly adorned with pillars, shrines, pulpit, and floors all made of marble. The walls have frescoes by G. and G.B Carlone. Some valuable works of art have also survived such as the "l'Assunzione" by G. Reni, "la Circoncisione" and "S.Ignazio guarisce un'ossessa" by P.P. Rubens. It is interesting that the highest part of the facade facing piazza Matteotti, was only completed at the end of the nineteenth century using a copy of Rubens' 18th century design, the original of which has gone missing. Review © 2007, Wcities |
 Photo: wcities |
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A sundial cannot be slow |
Salita San Francesco, 4 Piazza della Meridiana Genoa 16124 Italy |
This palazzo was built in the first half of the sixteenth century on the edge of the official 'historic centre', in an area which, after the advent of the nearby Strada Nuova, today the Via Garibaldi, would become extrememly prestigious. The choice of location and the magnificence of the building testify to the extraordinary wealth and foresight of the owner, G.B. Grimaldi, who like his contemporary Andrea Doria, adhered to the architectural models of Rome. Visitors once described it as "fit for a prince". However, the modifications carried out in the eighteenth century changed and deadened the entire building, through both superficial alterations, such as opening of the lower gardens onto the Via Nuovissima (now Via Cairoli), and more structural changes, in particular the addition of a covered terrace, designed by G. Brusco. At the beginning of the twentieth century Coppedé radically transformed the interior, covering the courtyard with a liberty skylight and altering the decoration in several rooms. After having been employed to several different ends (military hospital, Lloyd Sabaudo, College of music and various educational functions) it currently houses several council offices. The intruiging name given to both the palazzo and the piazza comes from the large sundial painted on the façade in the eighteenth century. Review © 2007, Wcities |
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A patron for the poor and the sick |
Piazzale E. Brignole Genoa 16125 Italy +39 10 2 4451 |
The building stands in a dominant position at the top of an impressive stairway and its imposing façade is unmistakable due to the large Genoese coat-of-arms (a red cross on a white background). It was built between the beginning and the middle of the seventeenth century under the patronage of Emanuele Brignole as one of the first charitable institution for the emerging poor in Italy. The quadrangular building has four courtyards which pivot around a church in the shape of a Greek cross. This allowed the various groups of sick people to follow the religious services from every part of the institution as they were divided according to sex and social position. Part of the building is currently used for long-term patients, and another part houses the Faculty of Political sciences. The large extent of land to the rear contains several nurseries and greenhouses. Review © 2007, Wcities |
 Photo: wcities |
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Home of the assassin of the republic |
Piazza Cavour - Varco Mandraccio Genoa 16128 Italy +39 10 21 1496 |
This 13th century building, which now houses commercial offices, is situated at the entrance to via del Molo, the last part of the macabre walk for the condemned prisoners on their way to be hung. Once past the house, the prisoners received the blessing of the Chiesa di S.Marco al Molo, and continued on their way towards the end of the old dock where all public executions were carried out until 1852 in full view of the Porta Siberia (o del Molo). Review © 2007, Wcities |
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A street fit for a palace |
Campetto, 8 Genoa 16123 Italy |
This building, erected by Vincenzo Imperiale before 1560, is one of the greatest examples of self-promotion ever to be achieved in the old city by a Genovese noble at the height of his wealth and influence. To comprehend the importance of this building, with structural and stucco work by G. B. Castello, known as Il Bergamasco, and frescoes by L. Cambiaso, O. Semino and A. Ansaldo, you need only recall that by Royal command all the houses opposite the newly acquired palazzo were bought and destroyed to create a direct link to St. Lawrence's cathedral (today the Via Scurreria la Nuova). On the ground floor, in the entrance, there is an auction house, while on the upper floor there is the Pub Imperiale, decorated with beautiful frescoes and stucco work. Review © 2007, Wcities |
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Information on the EU |
Palazzo Ducale - Ala Est - Piazza Matteotti 72-74 r Genoa 16123 Italy +39 10 53 2086 |
This structure belonging to the local council has the responsibility of giving out community information to the citizens, involving them in the formation of the EU. It offers information and assistance on anything regarding the EU, European politics, official European documents, access to information on the internet and satellite links with the main European television networks. Review © 2007, Wcities |
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A Genovese synagogue |
Via Bertora 6 Genoa 16122 Italy +39 10 839 1513 |
Located in the residential area of Castelletto, near the nineteenth century Via Assarotti, It represents the main point of reference for the genovese Jewish community. The synagogue was built in a byzantine style in 1935, designed by F. Morando, and is only the most recent of the Jewish centres in the city. The first records of a Jewish community in Genoa date infact from Medieval times, as the toponymic "Piazza degli Ebrei", a little corner of the historic centre near the Porta dei Vacca (o di S.Fede), bears witness. To visit the synagogue, or to attend services you should contact the secretary before Friday morning. Review © 2007, Wcities |
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Tourist information for the region |
Palazzo Ducale - Piazza Matteotti 9 Genoa 16123 Italy +39 10 530 8201 http://www.regione.liguria.it |
This regional body co-ordinates all the activities of the individual APTs in order to promote the image of the whole of Liguria. It supplies tourists and tourist industry workers alike with a coherent interpretation of the "Prodotto Liguria" or products from the region. Tours are provided in Genoa and through the entire province. Review © 2007, Wcities |
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Tourist information |
via Roma 11/3 1° piano Genoa 16121 Italy +39 10 57 6791 http://www.apt.genova.it |
Located within a late 19th century building in the elegant setting of via Roma is the main office of the Azienda Promozione Turistica, which co-ordinates the running of tourist information centres. Review © 2007, Wcities |
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A medieval tower near the cathedral |
Via Canneto il Lungo, 23 Genoa 16123 Italy |
This is perhaps one of the oldest standing examples of an aristocratic residence, flanked by a graceful tower that dates from medieval times; once every noble family possessed an autonomous residence of this kind, from which they overlooked and surveyed the neighbouring streets and houses. Many of these towers have been knocked down for safety reasons, after an edict from the the Council, apart from the Torre degli Embriaci of the Piccamiglio tower; others have been surrounded by buildings, or converted to other uses, as happened to the tower near the Chiesa di S.Giorgio, which was transformed into a bell-tower. Built of hewn stone, without any crowning arches, the Maruffo tower stands in its original condition, above a loggia that is now closed off and adapted into an appartment. It is interesting to see that the wrought iron stairs still exist, enabling a quick climb to the top. Unfortunately, the palazzo is not open to the public. Review © 2007, Wcities |
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Renaissance artefacts |
Via Lomellini, 11 Genoa 16124 Italy +39 10 20 7553 |
This museum is located in Via Lomellini, in the house where Giuseppe Mazzini was born. It is part of the Istituto Mazzianico complex. The museum was set up in 1915, and is spread over three floors, in which thousands of documents and Renaissance relics are displayed in chronological order. These include signatures, manifestoes, prints, paintings, uniforms, flags, and weapons which belonged to famous people. It has a specialised library which collects works from the second half of the 18th century to today, these include the first known portrait of Garibaldi and a printed edition of the national amthem with noted by Mameli. Admission: Free entry for school children (booking is necessary), under 18's, and over 60's. On Sundays it is free for everyone. Review © 2007, Wcities |
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The stock exchange originated here |
Piazza Banchi Genoa 16123 Italy |
Built between 1589 and 1595 following Andrea Ceresola's design, in front of the Chiesa di S.Pietro in Banchi, is one of the most representative buildings of Renaissance Genoa. Nowadays it is used as an exhibition centre. The Genoese proudly remember that the first Italian Stock Exchange began life here in 1855 before being transferred to the Palazzo della Nuova Borsa in Piazza De Ferrari. It is only open to the public when exhibitions are taking place. Review © 2007, Wcities |
 Photo: wcities |
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The great arch |
Corso Andrea Podestà Via XX Settembre Genoa 16121 Italy |
The wide arch straddles the Via XX Settembre, offering an interesting view of the nineteenth and twentieth century city from its summit. Built by C. Gamba and R. Haupt in around 1895, it stands on the site of a previous city gate, the sixteenth century Porta dell'Arco or of St. Stephen, now relocated near the Galliera hospital. Underneath the bridge is a shrine to the resistance fighters, with inlaid stones recording the reasons why the city of Genoa was awarded the gold medal for valour (1947), the names of the fallen partisans and the circumstances of the surrender by the German troops (25 April 1945). It is interesting to recall that during its construction, there were some structural problems, which aroused the suspicions of the genovese as regards the arch itself. When it was finished, Gamba actually had to sit under the bridge for several hours to convince sceptics that it was safe to pass under the arch. Review © 2007, Wcities |
 Photo: wcities |
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The memory |
Piazza Matteotti, 5 Genoa 16123 Italy +39 10 557 4808 |
Situated on the main floor of the Palazzo Ducale, this archive houses all documents relating to the republic's administrative activities from the 15th century until the end of the eighteenth century. It also houses the Administration Acts of the Government of the city and of the suburban councils from 1805, a number of manuscripts detailing the history of Genoa from the sixteenth century till the 18th century, the private archives of the Brignole Sale family and the De Ferrari family, and the historical archives of the civil state (nineteenth century). A cataloguing system on optical disk allows for easy access by the many visitors, among which are a large number of university students, to even the oldest and most valuable original documents. Review © 2007, Wcities |
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Sculpture and architecture in a 13th century convent |
Piazza Sarzano, 35r Genoa 16128 Italy +39 10 251 1263 |
This museum is located in Piazza Sarzano, in the ancient Convento di S. Agostino. It houses the most important sculptural, architectural, and artistic accounts of Genoa from the 10th to the 18th century. The museum exhibition is laid out in chronological order on various floors, and allows visitors to observe important sculptures—lions which came from the Abbazia di S. Siro, the notable Funeral monument of Margherita di Brabante, by G. Pisano, and the Penitent Madonna by A. Canova, among others. Admission: EUR4. Free for those under 18 and over 60. Free admission for all on Sundays. Review © 2007, Wcities |
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Church built in 1262 |
Via Brignole De Ferrari, 7 Genoa 16125 Italy +39 10 251 2391 |
This church was built in 1262 not far from the Chiesa della SS.Annunziata del Vastato. It sits, with its adjoining convent, at the centre of a popular suburb, just outside the twelfth century bastions, and belongs to the mendicant Carmelite order. Even though it was extended in the 15th and 16th centuries, this church retains most of its original gothic form, characterized by the pointed arches, the flying buttresses and the square apse. It is the last example in the city of what was a popular style, which was later substituted because of liturgical needs. It has recently been renovated and houses several interesting works of art by G.B. Carlone, B. Castello, and D. Piola, some of which have been recovered from the church of S. Agnese which was destroyed. The Salita S.Bartolomeo del Carmine leads from the apse to the convent and has now been turned into houses. From here one can go back to the church via the Salita di Carbonara, passing through the small village of Carmine. This part of the city has retained the old street names linked with the grocers stalls which used to be situated here, such as piazza della Giuggiola, vico Zucchero, vico Fragola, vico del Cioccolatte. Review © 2007, Wcities |
 Photo: wcities |
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The Antarctic in Genova |
Area Porto Antico - Palazzina Millo Genoa 16126 Italy +39 10 254 3690 http://www.mna.it |
Located in the Area del Porto Antico, in the Millo quarter, this museum was built in 1876 and is today home to both business activities and restoration work. The newly built exhibition wing houses a display of adventurous exploration, of life pushed to the very limits of survival in the polar regions. Next to the panels illustrating the history of Italian exploration in the Arctic and Antarctic, there are accurate reconstructions of the polar environment, examples of animal and marine life, means of transport and base camp equipment. The visitor can join in the thrilling discoveries of the explorers, and experience the difficulties they faced in an extreme, mysterious and fascinating natural environment. Review © 2007, Wcities |
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An eclectic city stock exchange |
Piazza De Ferrari Via XX Settembre Genoa 16121 Italy |
This was designed by D. Carbone, and built between 1907 and 1912 as a substitute for the former site of the Loggia dei Banchi. The building retained its original function until 1998, when the glorious Genovese stock exchange, the oldest in Italy, closed its doors. It is characterised by its curved façade facing onto Via XX Settembre and Via Dante, as well as the very central Piazza De Ferrari. It still retains its decorative ornamentation created by A. Coppedé, dubbed "neo-baroque" due to the care taken in both the minute details and the monumental dimensions of the whole. The splendid eliptical trading room, with its adorned sky light, is worth seeing, as are the groups of sculptures outside, and the picturesque domes on the top, which today are the premises of an exclusive club. Review © 2007, Wcities |
 A park with a terrifying secret |
Viale IV Novembre Genoa 16121 Italy |
This public park, with views ranging over the Bisagno valley, covers the area where the sixteenth century fortifications, linked with Saint Catherine, once stood. It lies over the pits where the victims of the plague which raged through the city in 1656-7 are buried. The remains of ten or perhaps fifteen thousand victims are still visible today during underground explorations. A group of investigators ventured within the walls in 1989 and found themselves, in what might have been a scene from a horror film, face to face with a mountain of perfectly conserved skeletons. The park was established in 1821 by C. Barabino, as an area for strolling and sporting competitions. The park is adorned with tree-lined walkways and a central lake where swans and ducks are to be found. As well as a children's play park, there are areas for skating and cycling, football pitches, table tennis tables, bowling greens and even an athletics track. Review © 2007, Wcities |
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A waterfall in the heart of Genova |
Piazzale Mazzini Genoa 16122 Italy +39 10 54 2285 |
The rich vegetation of this green space in the heart of the city once framed the neoclassical villa built there by the Marquis Di Negro, designed by C. Barabino. This villa was renowned for the international artistic coterie of painters and writers by which it was frequented (including D'Azeglio, Manzoni, Stendhal and Dickens), as well as serving as a meeting place for patriots and politicans of the time, in particular Mazzini. The villa, destroyed by bombing in the last war, was replaced in 1971 by a modern building, designed by the architect M. Labò, and it houses the Museo di Arte Orientale E. Chiossone. The park covers about two hectares, and was the site of the city's first botanical garden in 1780, and then of the first zoological garden. The path leading to the top of the hill weaves between imposing specimens of exotic plants, including palm trees, Lebanese cedars, camphors and sequoias, crossing playful fountains, lakes with swans and ducks, aviaries of birds, evocative artificial grottoes and the breathtaking waterfall, a fairytale feature in an urban context, as favoured by the taste of the age. The highest areas of the park, with its well established pine trees and an attractive fishpond yields a memorable view over nineteenth century Genova. Access to the gardens is through Piazza Mazzini (above Piazza Corvetto) from Via Martin Piaggio and the Dinegro hill. Review © 2007, Wcities |
 Photo: Daniele Gallesio |
 Photo: Daniele Gallesio |
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History of Genoa in a coin collection |
Via alla Cassa di Risparmio, 15 - Banca Carige Genoa 16123 Italy +39 10 579 2255 |
The Banca Carige hosts an important coin collection, made up of over 1000 examples minted between 1139 and 1814. In the permanent exhibition a selection of 652 coins tell the story of the Republic of Genoa's mint, and the city's feuds and colonies. These coins allow visitors to follow seven centuries of history through the changing of government, the internal fights, and the affairs of the powerful families. The coins on exhibition are mostly made of gold (from the "ottavino" which weighs 0.45 grams, to the 1636 twenty-five double piece which weighs 167.40 grams), but many are made of silver or copper, which was the most common metal in use in the past. Admission: Free. Review © 2007, Wcities |
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All you need to know about the city and riviera |
Area Porto Antico Palazzina Santa Maria Genoa 16123 Italy |
It is located in the old Palazzina S. Maria at the heart of the Area del Porto Antico, just a few meters from the aquarium. This is the most visited information point in the city. The information available includes museum opening times, tour bookings, excursions on the Riviera and news of all the cultural activities going on in the city. Review © 2007, Wcities |
 Photo: matteogpalmieri |
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Medieval cloister amongst the skyscrapers |
Vico Dritto Ponticello Via Dante Genoa 16121 Italy |
The remains of an important Benedictine convent dating back to the twelfth century can be found near the Dove house. They are only separated from the car traffic by a few olive trees. The remains were moved to this site after the convent was demolished in 1904 and they have recently been restored. They represent the most interesting medieval cloister of the city. There are coupled columns with elegant capitals which have been sculpted with very rich iconographic motifs. They contain stories from the bible (Adam and Eve, the three kings), work scenes, animals, imaginary creatures and more simple floral designs. There is a memorial stone which states that when the demolition was underway, they found an ancient Roman necropolis. Admission: Free. Review © 2007, Wcities |
 Photo: John von Rosenberg |
 Photo: Antonio Manchado |
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The church hidden by the Carmelites |
Piazza S.Anna, 8 Genoa 16125 Italy |
This charming church located in a small hidden square, was built in 1584 for the Barefoot Carmelites. It is not far from Corso Magenta in the elegant Castelletto area. The S. Anna steps leading up to the church with its hut-style roof and its simple facade, once covered in frescoes. From one side it blocks off the row of buildings across the cobbled square, from where the Salita Bachernia (one of the most picturesque trails, which lead along the ridges between the old city and the hills behind) begins. The church has several interesting works of art by F. Schiaffino, T. Orsolino e D. Fiasella. Its convent has recently been restored and still retains the old furniture form the Friars Pharmacy and the old library. Review © 2007, Wcities |
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A crowded 18th century church |
Via Lomellini, 12 Genoa 16123 Italy +39 10 246 5426 |
This church was begun in 1674 with a donation from the nobleman Camillo Pallavicino and was completed in 1725, Pallavicino wanted to facilitate the entry into Genova of the Priests of the Oratory. Together with the adjoining convent and the Oratorio di S Filippo Neri, it is an extremely important Baroque construction which lays testimony to the emergence of late borromean culture in Genoa. The façade is concave and only the portal, decorated by the sculptor P Bocciardo, was entirely finished: the rest was left with rather rough and ready finish. The internal walls are entirely covered in frescoes by various artists such as A M Haffner, J A Boni, M Franceschini. It must be said that this is one of the most visited churches in the historical city centre because of the charismatic approach and high moral example that many of the priests, mostly Polish, here have. It is not rare to have to queue up in the afternoons to have a one to one talk with them. Open: 8a-noon, 3p-7p M-Su. Service times: Sa 6:30p, Su 8a, 9a, 11a. Review © 2007, Wcities |
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Concerts under the frescoes |
Via Lomellini 10 Genoa 16123 Italy |
Next to the Chiesa di S.Filippo Neri, the oratory can be accessed from either number 10 Via Lomellini or directly from the sacrestry of the church. Built between 1749 and 1755 as a place for quiet meditation, it is incorporated into the convent of the Padri Filippini, the façade of which was moved. It was perhaps designed by G B Montaldo: the floors are elliptical with choir pews around the walls, banisters, and finely crafted walnut arches which, together with the doors and the large shutters at the windows, constitute admirable examples of Genovese baroque. The ceiling is completely covered in golden stucco with a coloured background. Both this and the frescoed apse are the work of J. A. Boni, with paintings by G. Diavolo. Not to be missed is the painting of St. Philip in ecstasy, by the Flemmish artist S. Dubois, and above all the magnificent statue of the Immaculate Conception (1670) by P. Puget, who also created the famed altar of the nearby Abbazia di S.Siro and many other works in Genova. In addition to its role as a convent, the oratory once functioned as a Public Institute of Music, then as a school, but today is a much loved auditorium for classical concerts. Review © 2007, Wcities |
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The pilgrims' oratory |
Mura delle Grazie Genoa 16123 Italy +39 10 246 5083 |
This oratory, stands on the sea wall, is one of the devotional buildings to be found along the pilgrim's route towards Santiago di Compostella in Spain. It was built atop the rocks in around 1453, and was subsequently rebuilt between the end of the 16th and mid-point of the 17th centuries, when the Confraternity commisioned some important works from the best known painters of the time (V. Castello, O. De Ferrari, il Grechetto, D. Piola). Inside, there is a single nave, frescoed in the 18th century, as well as several paintings depicting scenes from the life of St. James. There are valuable furnishings like the walnut pews where the Prior and the members of the confraternity sit, a beautiful precessional box made by H. Pellé, and several crucifixes (one made by the scholl of Maragliano). It is interesting that in the 18th and 19th centuries, this very oratory was selected as the head office for the famous "camalli" and "calafati" dockers and unloaders, as well as those who carried out repairs on the ships, who met here to pray. Review © 2007, Wcities |
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The old resting place of the ensign of Genova. |
Via dei Giustiniani, 1 Genoa 16123 Italy |
The church was built on the site of the ancient Salt market, next to the noble church of St Torpete. The first building was constructed in 964AD and was dedicated to one of the patron saints of the city. It was rebuilt in its present circular form at the end of the seventeenth century by the Teatini fathers. The exterior was redesigned towards the middle of the nineteenth century. The Veronese hold the church very dear because it used to look after the city ensign. This was carried into battle to protect the troops and to spur them on. According to tradition, no one in Genova ever throws anything away. Typically, the Genovese transformed this tower into one of the noble houses which faces onto the piazza around the church's bell-tower. Review © 2007, Wcities |
 Photo: wcities |
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Beautiful frescoes in 13th-century palace |
Piazza Caricamento Via Frate Oliverio Genoa 16124 Italy |
The palazzo was the seat of the city's power at the time it was built, between 1260-62. It was then transformed into a customs office, housing the powerful St. George's Bank for four centuries, before it moved to its current location at the Autorità Portuale. It consists of two distinct parts, of which the medieval element was restored by d'Andrade in the 19th century, while the lively frescoes in the 16th-century wing have been only recently cleaned and restored, according to the original designs. Inside, apart form the beautiful 17th-century statue of the Virgin Mary in the courtyard, it is worth noting the momument to Francesco Vivaldi, the rich 14th-century merchant who invented the moltiplico (modern cumulative interest) and the five marble chests (one for each bank office) in which the so called lettere orbe, or anonymous indications of the malfunctioning of the various offices, were put. The Venetian Marco Polo was a prisoner of the Republic of Genova, dictated his famous "Milione" here, to Rustichello form Pisa. Review © 2007, Wcities |
 Photo: Massimo Strazzeri |
 Photo: www.locomotivagroup.net |
 Photo: Tim Brown |
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A pilgrim church |
Piazza della Commenda, 1 Genoa 16126 Italy |
This church is connected to the neighbouring Pre' insignia building. Building work was begun in 1180 with pre-Lamica masters, a fact which is commemorated by a plaque on the wall. It has recently been restored by the Ministry for cultural heritage. There are two churches, one of which stands over the other which are mutually independent from one another. The smaller church, with three naves, occupies the central nave of the larger one. This has a splendid Romanesque belltower with three levels of three-light windows and a pyramid-shaped spire. There has been an entrance in the apse of the larger church since 1731 when the Knights of the Order of Malta allowed entry to the more civilised members of the public. The inner church is intimate and quiet. It contains the remains of an important series of frescoes that have recently been brought to light. Review © 2007, Wcities |
 Photo: Francesca Albini |
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Genoa's Cathedral |
Piazza San Lorenzo Genoa 16123 Italy |
This church, dedicated to S. Lorenzo became the city's cathedral in the 10th century AD after it was deemed to be safer than the more primitive S. Siro cathedral, as it was situated inside the fortified walls built in 864 AD. 1099 saw the start of the construction of a better-suited building. The apsidal part was consecrated by the pope Gelasio II in 1118, while 1160 saw the building of the lateral walls with their beautiful sculpted portals dedicated to S. Giovanni and S. Gottardo. The three black and white striped marble portals on the front are sculpted with stories of the Virgin Mary and are similar to those on the Cathedrals in Chartres and Rouen. They can be traced back to 13th century Franco Norman craftsmanship, providing the most interesting example of the French gothic style in Italy. The construction of the cathedral, which can be said to have lasted for centuries thanks to artists from Pisa, Lombardy and France, gave rise to an interesting mixture of styles, especially visible in the black and white facade. The statue of a saint with a sundial called the Arrotino is French gothic, the column-bearing lions are nineteenth century, the rose window is 15th century, the two towers, one of which is unfinished are 15th and 16th century. The inside is made up of three naves flanked by columns and reclaimed roman capitals, and owes its current appearance to the refurbishment carried out after the fire in 1296. During the refurbishment props were used to rebuild the lower part using pointed gothic arches, maintaining the overhead round Roman arches. In general, however, the church is mostly characterised by the bare medieval style enhanced by the lack of wall decoration, except for the important fresco in the lunette on the internal front wall (Giudizio Universale, fourteenth century). The largest of the side altars is dedicated to S. John the Baptist, patron of the city, whose relics are thought to have been brought to Genoa after the crusades and now sit in a valuable 14th century urn made by Norman craftsmen. The fifteenth century sculptor G. Gaggini was very involved in the adorning of the chapel with several statues of Sansovino. The Lercari chapel at the end of the left-hand nave dates back to the 16th century. The frescoes were done by L. Cambiaso and G.B. Castello il Bergamasco. The sober dome by G. Alessi and the presbytery are also from the same period. The bronzes on the altar in the presbytery are interesting. Everyone from Genoa knows the story of the bomb that sits at the beginning of the right hand nave. On 9th February 1941 it hit the cathedral destroying part of the casing, but remaining miraculously unexploded. The sacristy leads to the valuable Museo del Tesoro di S.Lorenzo. Review © 2007, Wcities |
 Photo: Wong Hau Keong |
 Photo: Wong Hau Keong |
 Photo: Marcus Puschmann |
 Photo: Donna J Belfield |
 Photo: Federico Perola |
 Photo: Pedro |
 Photo: Andrea de Poda |
 Photo: Levente Toth |
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A small church for two big families |
Piazza S.Luca Genoa 16124 Italy |
The church was built in 1188 as the family chapel of the Spinola and Grimaldi families. It stands on the lively Via S.Luca. This was the main western point of entry to the city in the fourteenth century. The church's importance and its strategic position has been emphasised by the fact that the dispute between the two rival families for the exclusive control of the building had to be settled by the King of Aragon in the middle of the fourteenth century. The church was rebuilt in its present form between 1626 and 1650. It was a project of Carlo Mutone. One of the few pure Baroque style churches in the city, it is decorated with a single series of frescoes by D.Piola which date back to the end of the seventeenth century. It contains a valuable wooden Christ figure by F.Parodi which was painted by D.Piola. There are other works of art including an important piece by Grechetto of a creche. The parish has started a nice new initiative which aims to help people to get to know the old city. As well as the normal church services, it now celebrates a special "Tourist and City visitor Mass". Review © 2007, Wcities |
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The church of the damned |
Via del Molo, 18 Genoa 16128 Italy |
This church is hidden amongst the houses on Via del Molo. It was built in a Romanesque style from 1173. However it underwent serious reconstruction in the sixteenth and seventeenth centuries and the entrance was inverted. Today, the main entrance is in the apse. The church has three naves, lined with columns with cubic black stone headbands. It was dedicated to St.Mark to displease the Venetians because St.Mark is the patron saint of Venice. After the sacking of Pola, allied with Venice, the Genovese built a bas-relief into the external wall of the building which showed the lion of St.Mark. This actually came from Pola, an Istrian town(1380). The church of St.Mark had a sad aspect to it; it was known as the "church of those condemned to death". These unlucky souls came here from the Casa del Boia to receive the last blessing before they were taken to Porta Siberia (or del Molo), where, for many centuries, hangings took place. Review © 2007, Wcities |
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The church in the King's vineyards |
Piazza delle Vigne, 1 Genoa 16124 Italy +39 10 247 4761 |
The church was renovated in 1640 and lost much of its original character because of a new neoclassical façade. However, it still has its splendid square bell tower with mullioned windows, octagonal spires and pinnacles. The quadrangular cloisters next to it were also built at the end of the eleventh or beginning of the twelfth century. At that time this area had no other buildings. The cloisters were made with very ancient square capitals. They have now been modified into private housing. The tomb of Incisa Vivaldi has been there since 1304. It is underneath the arch to the left hand side of the church. It has been embellished by a second century sarcophagus. On the other side of the church, there is a beautiful late gothic gateway. In the lunette there is a Madonna with child by D.Piola. The 17th century interior has coupled columns which copy the nearbyAbbey of S.Siro. It has a decorative series of frescoes which are by a line of painters each who continued the work of art over some two centuries. (G.Palmieri, P.G.Brusco, G.Passano, L.Gainotti). Future mothers should stop a moment in front of the nursing Madonna which has been painted on one of the Romanesque columns. This picture is venerated by women expecting a baby. Review © 2007, Wcities |
 Photo: sipierdi |
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A baroque jewel in the heart of the city. |
Piazza S.Marta Genoa 16121 Italy |
The church is hidden and almost suffocated by the surrounding modern buildings. It was founded in the eighth century in a sacred wood. In the seventeenth century it was rebuilt with the arrival of the Benedictines. From 1826, it was managed by the Evangelist laborers under Abbot Paolo Gerolamo Franzoni. It is divided into three naves, with a rich Baroque appearance thanks to the important series of frescoes by P.G. Piola, V.Castello, G.B. Carlone, D. Fiasella. The spectacular marble group "Saint Martha in Gloria" in the apse is particularly interesting. This was the work of one of the most important Baroque Genovese sculptors, Filippo Parodi. The statue seems to stretch up towards the sky and the face of the Saint is bathed in natural light, creating a fascinating effect. Review © 2007, Wcities |
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The church of the Doria family |
Piazza S.Matteo Genoa 16123 Italy +39 10 247 4362 |
The church was founded in 1125 by Martino Doria. Renovated in a Romanesque-Gothic style in 1278, it represents one of the most interesting noble churches in Genova. It is the center-point of the Doria district; this collection of church, cloisters, houses and squares was where the noble family controlled the city's fate. The church has a black and white façade with carvings showing the feats achieved by family members. The church was renovated inside during the sixteenth century by Admiral Andrea Doria, who wanted to make it his personal mausoleum. The church has rich decoration inside. G.B.Castello, "the Bergamasco" and L.Cambiaso both contributed to the frescoes. The crypt is entirely covered with very valuable stuccoes by Montorsoli and Cosini. An interesting detail is that the adjacent cloister (which you can enter by making a small donation to the sexton) was built by a Venetian artist who had been captured during one of the frequent battles with Venice. They took advantage of his talents whilst he was in prison. Review © 2007, Wcities |
 Photo: wcities |
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The church of the knights of Malta |
Piazza S Pancrazio Genoa 16124 Italy |
Small noble church of the Pallavicini family. It was already in existence in the eleventh century and was rebuilt in a late baroque style by A.M.Ricca after it suffered naval bombardment by Luigi XIV (1684). It contains many valuable works of art, including rare stuccoes, frescoes in the apse by J.A.Boni and a marble altar piece by G.A. Ponsonelli with an antependium and statue of St.Pancreas by F.Parodi. There is also a statue of the Madonna of Charity by F.M.Schiaffino. The wonderful Flemish triptych is of particular note; painted by A.Ysenbrant, it dates back to the early 16th century and shows the life of St.Pancrea. The complex was entrusted to the Order of Knight of Malta in 1976. They have organised a multipurpose surgery in the adjacent monastic buildings. Open: 4p-6p Sa. By appointment for groups-always telephone first. Service times: Weekdays 5p. Review © 2007, Wcities |
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A church built on top of shops. |
Piazza Banchi Genoa 16124 Italy |
The church is near the ruined city gate which shares its name, at the site of the old grain market. The main entrance to the city was here in the ninth century. What is most interesing about this church is that is was built on a terrace that is above a row of shops. Using bonds, the Genovese built these shops, so that the very expensive rent from them might help pay for the cost of building the church. It was built according to the plans of B. Cantone, G. Ponzello and il Vannone. Work was finished in the second half of the sixteenth century. Il Vannone was also the architect of the Loggia for the Merchants or the bankers. The church also was given the name "S.Maria Immacolata", thanking the Madonna for the end of a plague. In front of the church there is a beautiful flight of steps. The church itself has a central plan with a large octagonal cupola and four spires, one of which is missing. It is a copy of Church of Santa Maria Assunta in Carignano. The outside of the church is decorated with frescoes from the seventeenth century which have been recently restored. Inside, there are precious stuccoes and frescoes by M. Sparzo, A. Semino, A. Ansaldo and P.G. Piola. Review © 2007, Wcities |
 Photo: Harry Mills |
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The main cathedral of the city |
Piazza San Siro Genoa 16124 Italy |
Built in the 4th century as the first cathedral of the city, it was dedicated to the 12 apostles. In 1008 it became a Benedictine Abbey and the current architectural layout dates from the beginning of the 17th century, after a fire in 1580 destroyed a large part of the structure. The neoclassical facade houses a church with three naves, frescoed vaults and stucco which is the work of various members of the Carlone family, including Taddeo, Giuseppe, Tommaso and Giovanni Battista. As well as works by D. Fiasella, G. De Ferrari and D. Piola, there is also the beautiful painting of the Annunciation here by O. Gentileschi and the splendid main altar, in black and bronze marble, which is a baroque masterpiece by Pierre Puget in 1670. The Roman belltower of the cathedral can be spotted in old pictures of Genoa, but it was pulled down as it was deemed to be unstable after the collapse of the belltower of S. Marco in Venice in 1904 and was unfortunately never rebuilt. The old, adjacent cloister, can not be visited and was transformed at the beginning of the century into public baths and sauna, according to art nouveau style. Review © 2007, Wcities |
 Photo: Bernd Zillich |
 Photo: Tim Brown |
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Where the explorer of America was baptised |
Piazza S.Stefano 2 Genoa 16121 Italy +39 10 58 7183 |
Rebuilt between the 12th and 14th centuries on the site of a Benedictine abbey dating from 960, this is the most important religious building from the medieval era in Genoa, together with the San Siro abbey. The beautiful Romanesque apse is of particular interest as is the crypt with five naves, which encircle theremains of a primitive, Longobard church dedicated to S. Michele, who according to tradition was baptised as Christopher Columbus here. His father was a warden of the nearby urban port of Olivella. The Roman-Gothis facade has black and white stripes and is clearly visible from Via XX Settembre. The interior, has an elevated presbytery, and is rather simple and severe. It is dominated by the large painting of the Martyrdom of San Stefano by Giulio Romano, which has slight damage from the bombings of the second world war. Review © 2007, Wcities |
 Photo: Claudio Camanini |
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A church built of bitterness |
Piazza Carignano Genoa 16128 Italy |
The story behind this church is quite amusing as it was built according to a request left by Bendinello Sauli in his will, in order to humiliate the Fieschi family who had committed a grave injustice towards him (they had started mass in their nobleman's church without waiting for the Sauli family!). It took 70 years to collect the money for the construction, which was left in the hands of Galeazzo Alessi, a Perugian architect. Thus the most imposing Renaissance church in Genoa began construction in the mid 1500s, and it was entirely finished in 1602 when the dome was finished. Since then it has undergone very few changes. It is built in the shape of a Greek cross inscribed into a square, with a central dome held by four supports, clearly inspired by the plans of Antonio da Sangallo il Giovane for St. Peter's Basilica in Rome. The decoration is very plain with four statues placed in the niches carved into the support columns. Two of these statues were sculpted by Pierre Puget. There is also a seventeenth century organ and several interesting paintings by Guercino, Aurelio Lomi and G. Cesare Procaccini. Service times: Saturdays 6pm; Sundays 8.30am, 10.30am, 11.30am, 6.30pm. Review © 2007, Wcities |
 Photo: Harry Mills |
 Photo: Sergey Belkin |
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The Maddalena area |
Piazza della Maddalena Genoa 16124 Italy |
At the end of the sixteenth century, this ancient church was completely restructured. Andrea Ceresola, the "Vannone", changed the building and then modified the interior. The name of the church, Maddalena, has also been given to the surrounding street, piazza and district. According to folklore, the name could have other connotations other than those of the name of the church and its saint; the "oldest profession" in the world has always been practiced in this area. There is the monastery of the Somaschi fathers which has been changed into houses. Next to it, the church is fronted by a recently constructed gateway. Inside there are vaults which are frescoed by S.Galeotti and S.Betti. Have a look at the four marble statues of Virtue (c.1300) and the rare fifteenth century wooden crucifix. Review © 2007, Wcities |
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Dominican church |
Salita S.Maria di Castello Genoa 16128 Italy +39 10 254 9511 |
The church was first built around 650 AD in the early fortified area of the city. It was rebuilt by Pre Lamica masters at the beginning of the 12th century. Since 1441, when it was taken over by the Dominican fathers, it has undergone regular redecoration. The Predicatori brothers, who also organised the construction of the adjacent Convent of Santa Maria di Castello, made the complex into one of the most important centres of humanist thought. The church has three naves lined with granite columns with reused Roman headbands. It has valuable vaults, decorated with 15th-century decorations which replace the original medieval trusses. It has numerous frescoes, paintings, altarpieces, sculptures and wooden groups. There are noteworthy canvasses by D.Piola, B.Castello, A.Lomi; a venerable medieval wooden Christ figure and the remains of the holy Jacopo da Varagine (Varazze), who was the author of the Golden legend. The marble entrance of the Sacristry was built in 1452. This graceful room has been made even more precious by the 18th-century walnut furnishings. The museum area in the convent is reached from here. Review © 2007, Wcities |
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A precious Dominican monastery |
Salita S.Maria di Castello, 15 Genoa 16128 Italy |
This is one of the most interesting religious complexes in the city. The Dominican fathers began to build it in 1441 and it is connected to the Church of S.M. di Castello. It's worth a visit both for its numerous works of art and for the wonderful original interiors which surround them. The monk's daily routine took place in the three cloisters of the complex. Here, there were the refectory, dormitories, kitchen, infirmary, main library, private gallery, parlours, and the cistern (which is now an exhibition space). Nowadays, it is possible too visit most of the building. The gallery is particularly impressive with the splendid fresco of the Annunciation by Giusto di Ravensburg, dated 1451. We also recommend the Grimaldi Chapel which was dedicated to the Order's main protectors. The chapel contains both fifteenth and sixteeenth century works of art. Also have a look at the monastery's vegetable garden which is a calm and relaxing green corner of the complex. This has recently been restored to its original form. Don't miss the precious illustrated manuscripts date back to the thirteenth-fourteenth century. They were brought here from the important Monastery of St. Domenico when it was demolished at the beginning of the nineteenth century. It was replaced with the Carlo Felice Theatre. Review © 2007, Wcities |
 Photo: wcities |
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Beauty in Genova |
Piazza della Nunziata, 4 Genoa 16124 Italy |
This church was originally built in late gothic style by the Franciscan monks on the foundations of an earlier church. The noble Lomellini family who made their fortune trading in coral then renovated it between 1591 and 1650. It is built in the shape of a Latin cross and divided into three naves with two rows of lateral altars. This church has been called a 17th century Genoese Gallery because of its lavish interiors of inlayed marble, gilt stucco, and frescoes illustrating the mysteries of the Annunciation, all created by a selection of 23 local artists and 13 sculptors (such as G.and G.B. Carlone, D. Fiasella, A. Ansaldo, G. Assereto and G. Benso). Moreover, there are works of art by D. Piola, G. De Ferrari, L. Cambiaso, B. Strozzi, G.C. Procaccini and others still. The strange name Vastato comes from vastinium, a safety belt within the protective bastions that was left free during medieval times for military purposes. In fact the Barbarossa belt, dating back to 1155-61 sits directly opposite the church. Review © 2007, Wcities |
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The intact body of S. Caterina of Genoa |
Viale 4 Novembre, 5 Genoa 16121 Italy |
This church is located away from the tourist areas in the modern Piccapietra neighbourhood, just behind the courts of Justice which have taken over the remains of the old Pammatone Hospital. It was built in 1556 and dedicate to SS. Annunziata, however, has increasingly become known as Santa Caterina da Genova, especially after her beatification in 1737. The inside has three naves and can be considered as an art gallery for sixteenth century Genoese art. Among the array of frescoes are some by O. and A. Semino, L. and P. Calvi, L. Cambiaso, G.B. Castello, A. Lomi, D. Piola and G. Carlone. The famous Mausoleum of Santa Caterina is attributed to Francesco Schiaffino. It is held aloft by four allegorical statues and is especially dear to the people of the city as it holds the intact body of the patron saint of Italian hospitals. Since 1983 part of the adjacent convent has housed the Museum of Capuchin life, and exhibits works of art, furnishings and objects belonging to the world of the Capuchin monks. Open: 9am-midday; 3pm-6.30pm Mon-Sun. Service times: Saturday 5.30pm; Sunday 8.30am, 9.30am (inv.) 10.30am, 11.30am, 5.30pm. Review © 2007, Wcities |
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Church of the barbers and surgeons |
Vico S.Cosimo, 16 Genoa 16123 Italy |
This 16th century church is probably the one Romanesque Genoese church, which has been well maintained. It has preserved its three shallow apses, the tower similar to that at Chiesa di S.Donato, and the black and white columns. To the side of the portal made from Roman materials, on the façade, is a tomb with a pointed arch and small columns called the Barisone, in memory of the famous man who was a spy in the war between Genoa and Pisa. When his treachery was found out, he was arrested and put under house arrest in the palace adjacent to the church, where he later died. The sepulchre for Barbers and surgeons is particularly interesting. Review © 2007, Wcities |
 Photo: Massimo Strazzeri |
 Photo: Tim Brown |
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The Holy Grail? |
Piazza San Lorenzo - Duomo di San Lorenzo - Genoa 16123 Italy +39 10 247 1831 http://www.museosanlorenzo.it |
The important Museum of Treasure is inside the Duomo, near the sacristy. Set up in the suggestive underground enviroment, coated with the black stone of the Promontorio, and specifically thought up by the architect F. Albini in 1956, today it is considered one of the best examples of a modern museum with a good balance between conservative needs and the necessity of liturgical use. The collection includes silver and jewel works of art from the 9th century to today, reliquaries, processional arks, crucifixes, vestments, jewels, and other sacred objects. The Sacro Catino from the 9th century is of particular historical and artistic relevance. It is made of green glass (once believed to be emerald), and was even identified with the Holy Grail when it was bought to Genoa by a Crusader. The Ark of the Ashes of John the Baptist (15th century) made of gold covered silver is also very important, as is the Piatto di San Giovanni (1st century) which is believed to have held the head of the Saint (patron of Genoa) after he was beheaded. It would also be worth looking at various documents relating to the history of the Cattedrale di S. Lorenzo, which include the papal bull of Pope Gelasio who consecrated the cathedral in 1118. Review © 2007, Wcities |
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Built by Antonio Roderio |
Via del Molo Genoa 16128 Italy |
This gate was built in 1553, in a Doric style by Antonio Roderio, to the designs of Galeazzo Alessi. It completed the walls which closed the city away from the sea, and is an extraordinary example of military architecture. The unusual name 'Siberia' has no geographic references but instead derives from the term 'Cibaria': in fact, the gate stands near the former grain warehouses which replenished the supplied of ships in port. Review © 2007, Wcities |
 Photo: www.locomotivagroup.net |
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A successful example of self-promotion |
Piazza Fontane Marose, 6 Genoa 16124 Italy |
Built by Giacomo Spinola in 1445-59, at the top of Via Luccoli, a noble 14th century residential district, the palazzo faces the Piazza Fontane Marose, once an arena for tournaments, and today an important link between Via Garibaldi and Via XXV Aprile. It is characterised by a black and white façade, an honour reserved solely for the four principal families of the city (Doria, Spinola, Fieschi and Grimaldi). The palazzo anticipated by almost a century the Genovese trait of building up onto the hillside behind, exploiting the slope and giving rise to unexpected internal gardens, ponds and terraces. The opening of the Via XXV Aprile in the nineteenth century and the subsequent lowering of the level of the piazza, as well as the twentieth century restorations, especially the 'medieval revival' cleaning, produced the current building which however retains all the noble characteristics of the original. The five late medieval statues on the facade were intentional self-promotion by the Spinola family. They were made by the Bissoni family, Lombard sculptors active in Genova between the end of the sixteenth and the beginning of the seventeenth centuries. This building is not open to the public as it is the headquarter of a bank. Review © 2007, Wcities |
 Photo: matteo cavallino |
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Eleven centuries of documents |
Via Tommaso Reggio, 14 Genoa 16123 Italy +39 10 246 8373 |
It is linked to the two most important buildings in Genoa, the Cattedrale di S.Lorenzo and the Palazzo Ducale, by means of hanging bridges. It was built in 1581 as the Palazzetto Criminale, or the predecessor to the modern prisons. 1881 saw the transfer here of the State Archives of the Republic of Genoa, one of the most important and oldest archives in the whole of Italy. Much of the wealth of documents inside remains undiscovered. One of these documents is a manuscript dating back to 952 AD which tells of the of property tax benefits granted to the monks of S. Siro by Teodolfo, Bishop of Genoa. The airy, arched triple portico which opens up into the internal courtyard is especially interesting and unusual when one considers the building's original use. Review © 2007, Wcities |
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The Prisoners' Tower |
Piazza Matteotti Via Tomaso Reggio Genoa 16123 Italy |
Built in 1307, and extended upwards at the end of the sixteenth century, this held the historic bell with which, from 1570, the Greater and the Lesser Councils - the Genovese orders of Government- were called to session. Located within what was the Palazzo del Commune, then incorporated into the Palazzo Ducale, the tower's foundations are made of hewn stone, and one of the original capitals, featuring carvings of animals and 'St George killing the dragon' can be found on the first floor. From the 16th century it was a prison for political offenders, like the nearby palazzo which is today the Archivio di Stato: a stone records that in a cell of the Grimalda in 1833, the patriot J. Ruffini slit his wrists so as not to betray the others affiliated with the Youth of Italy movement. The messages of despair carved into the walls by generations of convicts can still be seen today. Walking in the city centre or on the upper slopes of the city, the flag of Genoa can be seen, red cross on white background, flying from the top of the tower. Review © 2007, Wcities |
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Frescoes and books |
Via Balbi, 5 Genoa 16126 Italy +39 10 2 0991 |
Founded as a Jesuit college in 1634, today this is the main University site. It is an extraordinary example of a productive use of the hillside behind, featuring a panorama of stairways, galleries and hanging gardens, like in the Palazzo Doria Tursi on the Via Garibaldi, modelled on the work of the architect Bartolomeo Bianco. The splendid Aula Magna, richly frescoed by G.A. Carlone, is certainly worth a visit. The University Library nearby is housed in the former Jesuit church of S. Francesco Saverio, with frescoes by D. Piola, partially hidden by the bookshelves. Admission:Free. Review © 2007, Wcities |
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A well-hidden church |
Via Assarotti, 21 Genoa 16122 Italy |
It is difficult to find this tiny church. It's hidden inside a nineteenth century palazzo on Via Assorotti. There is also another church, in Sampierdarena, for those who need to pray to the west. (in Via Buranello 42 r). Review © 2007, Wcities |
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Shopping Street |
Via Roma Genoa Italy |
Via Roma is one of best shopping streets and it is near Piazza De Ferrari. The street is lined with boutiques and clothing stores. Make sure to stop by the elegant men's clothing store, Finollo. Although most of the stores are expensive, this elegant street is worth a visit, even if it's just to window shop. Review © 2007, Wcities |
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Parrots in the garden |
Corso Solferino, 25-29 Genoa 16122 Italy |
Built as a country residence by the Dei Mari family in the late sixteenth century, this building, standing on the top of a large public park in the hilly area of Castelletto, was modified by the Grübers in the nineteenth century. Now a museum of Americana, which collects archeological material from the pre-colombian civilizations, especially the Maya people, it incorporates the local police station in its most modern wing as well as a sixteenth century watch tower behind. The nearby family Abbey of S. Maria della Sanità was also a part of the estate. Today it is separated from the villa and open to the public. Review © 2007, Wcities |
 Photo: Andrea Puggioni |
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A lily pond in a secret villa |
Via S.Bartolomeo degli Armeni, 5 Genoa 16122 Italy |
Located in the area of Castelletto near via Assarotti, this splendid sixteenth century villa is perhaps the best kept secret of the work of the Perugian architect Galeazzzo Alessi. It is privately owned, and as such is open to the public only on special occasions. It consists of a compact square, galleried block, situated on a flat space in a wonderfully panoramic location, surrounded by a flourishing terraced garden. The interior is frescoed by L. Cambiaso and G.B. Castello (known as 'Il Bergamasco'), working together in a well-established team. The villa has conserved its attractive sixteenth century lily pond, completely tiled with mosaics and shells, an enormously successful design that was copied in many other aristocratic country residences. Review © 2007, Wcities |