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 A port filled with things to do and see |
Ponte Spinola Area Porto Antico Genoa 16128 Italy |
The layout of the whole area and the various architectural constructions in the Old Port, among which is the now famous Aquarium which was built by Renzo Piano for the international Expo of 1992 in commemoration of the 5th centenary of the discovery of America, have now become a perfect example of the coexistence of old buildings and modern edifices. The salvaging and refurbishment of the historic port and of the old town centre nearby, have all helped in the re-establishment of the tourist trade within the city. The new "marinaro" area is constantly brought to life through sound, light and color and has various attractions dedicated to free time and culture. Therefore, Genoa is no longer solely a city of art, but also a seaside town offering child-size fun and relaxation. If one enters from the main entrance in piazza Caricamento, the first thing to be seen is the large profile of the Acquario di Genova, the largest one in Europe, which resembles a large ship moored on the dock at Ponte Spinola, from which extends a splendid pathway, the Via del Mare, which leads straight to the "floating" Piazza del Mare. Other places of interest are the Galleon (used by Roman Polansky in the film "the Pirates"), the buildings of the Cotton Stores (Cineplex, modern multiscreen, Cinemotion in 3 D, Video games, the great Music Store, the Città dei Bambini, la De Amicis Library, the Padiglione del Mare e della Navigazione), the original Museo Nazionale dell'Antartide "Felice Ippolito", housed in the Millo, and even the imposing Porta Siberia (o del Molo), with the nearby pool-theatre, the Mandraccio and various commercial outlets, as well as the cafés and the restaurants. During the winter months the Piazza delle Feste has an ice-skating rink, while during the summer various concerts and plays are held there. A must is a trip on the Bigo, the rotating panoramic lift which offers a view over the entire city. The 16th and 17th century buildings of the Deposito Franco have been carefully restored and are now the headquarters for Porto Antico S.p.A, the management and operating company for the whole complex. They also house the Tourist Information Office, where one can obtain up to the minute news of events being organized within the area where the expo was once held. Review © 2007, Wcities |
 Photo: Rachael&Andrew |
 Photo: Fabrizio Fazzari |
 Photo: Mia aiM |
 Photo: Ciccio Pizzettaro  |
 Photo: Luca Caridà |
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 Examinations under the frescoes |
Via Balbi, 4 Genoa 16126 Italy +39 0102099705 |
Built between 1618-20 to the designs of the architect Bartolomeo Bianco, this building houses several of the departments of the University's Faculty of Literature and Philosophy. The palazzo was planned with two floors of equal elegance, frescoed by D. Piola, V. Castello, G. and L. De Ferrari, D. Fiasella, since the two investors, Giacomo and Pantaleo Balbi, wanted to express the same level of prestige and opulence. The garden was established in the mid 17th century, finished off by the addition of a beautiful pond full of water lilies, which has been recently restored. Review © 2007, Wcities |
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A revolving view of the city |
Area Porto Antico Genoa 16128 Italy |
This magnificent construction emerges from the ancient dock in the Mandraccio area of the Area del Porto Antico. It was devised as a derrick for the ships from which it takes the name Bigo, and became the symbol for the 1992 Expo. The Bigo is made up of several arms stretching out over the sea from a platform. The longest arm holds the panoramic lift, which rises up to 40 meters altitude, above the roofs of the city. The view from here is one only usually achievable from the ships at sea, and is unique as the other vantage points in the city look outwards over the sea rather than inland. Several of the arms support the solid frame of the Piazza delle Feste that houses the ice-skating rink from Nov to Apr, as well as musical concerts and plays in the summer. Review © 2007, Wcities |
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 Exotic plants among the tiled roofs |
Corso Dogali, 1c Genoa 16136 Italy |
This garden was established in 1803 at the wishes of Domenico Viviani, the cardinal of the cathedral of Botany and Natural History at the university of Genova, in the gardens of the ancient Jesuit college there is a large collection of medicinal plants, interesting species of trees, including many cypresses, a large sequoia and a Lebanese cedar. The Botanical garden currently extends over an area of around a hectare, spreading its exotic vegetation over six terraces, while in the greenhouses diverse natural habitats have been recreated with examples of aquatic and tropical plants as well as many other varieties. Different routes through the garden are suggested according to what you wish to discover among the varied aspects of this plant kingdom. Guided tours are organised through the Coop. Progetto Gias. (booking required); they run every day for groups of 18-30; for smaller groups book on the first or second Sunday of the month. Review © 2007, Wcities |
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Child size city |
Città dei Bambini Genoa 16128 Italy +39 10 247 5702 http://www.cittadeibambini.net |
This is the only organization in Italy which provides games and teaching activities and which is open to visitors from 3-14 years old. The Children's city is divided into various sections. It was inspired by the Citè des Sciences at Villette in Paris. There is an area which is dedicated to pre-school children. It has two sections: building a house and discovery. Here, children can let their imagination run wild and all work together in the building yard or experiment with physical phenomenon, using different sensory devices.(listening to the wind, recognizing smells and flavors) There is an unconventional way of introducing children to computers by allowing them to interact creatively with the machine, drawing with their fingers. For the bigger children, there three other sections: techniques of communication, with a production studio for the TV news, the living world which shows the ways of life of different animals, You and Others which looks at the reality of those around us. There is play and learn which aims to let them acquire knowledge whilst playing and the Scientific archipelago- islands in the science of life which is a thematic area for the children to explore the world of genetics and biology. It is also possible to arrange supervised activities with the specially trained staff. They can arrange games (which change throughout the year) with the children. It should take around 60 minutes for small children and 80 minutes for the older children to finish all the activities. Small children should be accompanied by an adult. Review © 2007, Wcities |
 An old refuge for crusaders and pilgrims |
Piazza della Commenda, 1 Genoa 16126 Italy +39 10 26 5486 |
This building was founded around 1000AD as a hospital, or as a refuge for the crusaders who had been sent to the Holy land. Afterwards, it became a shelter for pilgrims going to Jerusalem or Santiago di Compostela. It is attached to the neighbouring Church of Giovanni di Pre'". The three level open gallery gives the building its character. The "Commenda" has kept some of its medieval features. There are spherocubical headbands on the ground floor. On the middle floor there is 15th century wooden flooring which is decorated with prints. On the third floor there are wonderful frescoes with battle insignia and coats of arms from the nobility, as well as the part of the building which belonged to the apartment of the Knight commander. It's interesting to note that up until 1731 people could only go into the two churches of S.Giovanni through the Commenda. This was administered by the Jerusalemite Knights (and from 1420 by the Knights of the Order of Malta). It has never been understood however what criteria were needed to be allowed admittance into each of the churches. (perhaps it was divided by gender, or, more probably, according to the wealth of the pilgrim). Visits are possible on special occasions and by appointment. Review © 2007, Wcities |
 Photo: wcities |
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The prince has returned to Genova |
Via San Benedetto, 2 Genoa 16126 Italy |
This palazzo, one of the most magnificent in the entire city, was built for Andrea Doria in the 16th century; interestingly, his descendants have recently taken up residency once more. It was built outside the city walls as an autonomous estate, endowed with its own private port, and a vast terraced garden spreading behind it. The palazzo was conceived as a celebration of the greatness of Andrea himself and Carlo V of Spain, with whom the admiral had close ties. Thanks to the artwork of Perin del Vaga, a painter of Roman extraction, and to the sculptures of T. Carlone and G. A. Montorsoli, this residence-museum, which still retains its original furnishings and paintings as selected by Doria and his heir, Giovanni Andrea, this palazzo represents one of the greatest achievements of 16th century architecture in Genova. It is a must-see for any visitor to the city. Not to be missed are the entirely frescoed Gallery of the Heroes, the Room of the Giants with its splendid fireplace, the Zodiac Room and above all the Gallery, where the rich tapestries depicting the Battle of Lepanto (1571) hang, commissioned by Giovanni Andrea from the Brussels school, based on cartoons prepared by L. Cambiaso and L. Calvi. Review © 2007, Wcities |
 Photo: wcities |
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A view of the port |
Strada Sopraelevata Genoa 16126 Italy |
This busy road, built in the 1970's is the main and easiest way to cross the city, along the lower port from the Lanterna to the Fiera del Mare. Although it is far from beautiful, it is essential to regulate the chaotic genovese traffic. For the visitor arriving by bus or car it represents the first views of the city: the port, the cruise ships, the Pirates galleon, and the Acquario di Genova on one side, the grey slate rooves, the churches and the monuments on the other. It yields glimpses of a city waiting to be discovered. Review © 2007, Wcities |
 Photo: Eddie Sullivan |
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Genoa's high tower |
Piazza Embriaci Genoa 16123 Italy +39 10 247 1831 |
Built in the twelfth century in the area of the powerful Embriaci family residences, this is the only city tower to have escaped the height reduction enforced by a community law in 1296 to abate the arrogance of the aristocratic families, expressed through ever higher towers. In memory of Guilgielmo Embriaco, known as "Hammer head", the hero of the First Crusade, the Republic conceded to his descendants the honour of conserving 80 hands over the regulated height for a tower, and a stone can still be seen today at the base of the tower confirming the mayor's concession. The tower, right next to the Palazzo Brignole Sale, is made in ashlar-work stone, and is hardly even crumbling. In 1923, the upper part was treated to a period of restoration, and the topmost stones were replaced with tiles. Not open to the public (private residence). Review © 2007, Wcities |
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Study in a old monastery |
Stradone S.Agostino, 37 Genoa 16123 Italy +39 10 20 9 5904 |
The modern building, inaugurated in 1992, is in one of the oldest areas of the entire city. This area is known as the Castle hill and it was perhaps the site of a ancient "castrum". The new building incorporates the ruins of the monastery of S.Silvestro which was the home to the Dominican monks of Pisa. It also has remains from the preceding religious buildings on that site. This area was devastated by aerial bombardment during the last war and had suffered the same sort of deterioration as Genovas old town. A university has been founded in the complex upon the daring initiative of I.Gardella and L.Grossi Bianchi. The final results are really pleasing: The thesis lecture theatre has been created from the old refectory in the monastery. The Dean's office is in the base of the church bell tower. The cloisters surround a small green lawn and a series of terraces which have a splendid view of the city. This the students' favourite place to have "lengthy and involved discussions" on long sunny summer afternoons. The Aula Magna has been formed out of the deconsacrated church of S.Salvatore in Piazza Sarzano. This has been a practical use of a building which was otherwise destined to abandonment. Admission: Free. Review © 2007, Wcities |
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The gate to the old city |
Via del Campo Via delle Fontane Genoa 16124 Italy |
This gate corresponds in appearance to the Porta Soprana or of S.Andrea (XII secolo), (12th century). It was the main western access to the city, near the now destroyed St. Faith's church. Built at the same time as the walls to defend the city from invasion by the Barbarossa forces, it consists of two semi-circular towers, linked by a crenellated arch with sharp curves. In the eighteenth century these features were incorporated into the neighboring buildings. The name "Vacca" (cow) has a determined origin: it refers to the family who once lived there. Review © 2007, Wcities |
 Photo: wcities |
 The largest marine park in Europe |
Area Porto Antico - Ponte Spinola Genoa 16128 Italy +39 10 248 8011 http://www.acquario.ge.it |
This museum, one of the main tourist attractions in Italy, welcomes millions of visitors each year. Built between 1989 and 1992, it reproduces a coastal atmosphere in 48 basins, four of which are oceanic and have two viewing levels. Continually changing, it also includes the Nave Italia, which was the seat of the Italian Pavilion during the Expo of 1992, and is now home to around 500 different species of fish, reptiles, amphibians, mammals, birds and invertebrates. Entrance fee: adults: EUR11.60; ages 3-12: EUR6.90; children up to three enter free; groups and school parties welcome. Review © 2007, Wcities |
 Photo: Tambu |
 Photo: Roberto Ferrari |
 Photo: Roberto Ferrari |
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 Photo: Minollo |
 Photo: Rich Unger |
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A neoclassical theatre to the west of Genoa |
Piazza Gustavo Modena, 3 Genoa 16149 Italy +39 10 41 2135 / +39 10 46 5921 / +39 10659 2220 http://www.archivolto.it |
This neoclassical theatre, built in 1833 for the rich middle classes, and dedicated to the actor Gustavo Modena, of fervent Mazzinian convictions, was in direct contrast to the Teatro Carlo Felice, dedicated to the king. The elegant original structure of this small nineteenth century style, horse-shoe shaped theatre, with its four tiers of seating, is still clearly visible depite the various modifications it has undergone. Recently restored after decades of neglect, it reopened in 1997 hosting dance and cabaret shows and prose recitals. It is managed by the actors of the Teatro dell'Archivolto, now well-known for their successful television appearances. Review © 2007, Wcities |
 Photo: wcities |
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The history of advertising in a museum |
Piazza Principe, 4/3 sc. B Genoa 16126 Italy +39 10 275 8934 |
Located within the Palazzo Doria Pamphily "del Principe", this collection houses sketches, posters and other material from the second half of the nineteenth century till today, as well as various tools used in the advertising sector, radio and television. From headed paper to posters, and from the carousel to video clips. Admission: Free Review © 2007, Wcities |
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A patron for the poor and the sick |
Piazzale E. Brignole Genoa 16125 Italy +39 10 2 4451 |
The building stands in a dominant position at the top of an impressive stairway and its imposing façade is unmistakable due to the large Genoese coat-of-arms (a red cross on a white background). It was built between the beginning and the middle of the seventeenth century under the patronage of Emanuele Brignole as one of the first charitable institution for the emerging poor in Italy. The quadrangular building has four courtyards which pivot around a church in the shape of a Greek cross. This allowed the various groups of sick people to follow the religious services from every part of the institution as they were divided according to sex and social position. Part of the building is currently used for long-term patients, and another part houses the Faculty of Political sciences. The large extent of land to the rear contains several nurseries and greenhouses. Review © 2007, Wcities |
 Photo: wcities |
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Home of the assassin of the republic |
Piazza Cavour - Varco Mandraccio Genoa 16128 Italy +39 10 21 1496 |
This 13th century building, which now houses commercial offices, is situated at the entrance to via del Molo, the last part of the macabre walk for the condemned prisoners on their way to be hung. Once past the house, the prisoners received the blessing of the Chiesa di S.Marco al Molo, and continued on their way towards the end of the old dock where all public executions were carried out until 1852 in full view of the Porta Siberia (o del Molo). Review © 2007, Wcities |
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The symbol of Genoa |
Via San Benigno Genoa 16149 Italy +39 0102465346 http://www.provincia.genova.it... |
This is known throughout the world as the emblem of Genoa. It is built on a rocky outcrop, the remains of Promontorio Hill which has been quarried for centuries for stone with which to build the city. The Lanterna was built in 1543 on the site of an earlier lighthouse. It has always kept the seafaring people safe, enabling them to direct their boats towards a safe harbour from 33 miles away. Legend has it that the Republic government assassinated the architect by making him jump from the top of the lighthouse so that he couldn't build a similar lighthouse for a rival city. The 120 metre tower is in all Genoese's hearts, and when they see it they know that they are at home. If you can manage to climb the 375 steps to the top of the lighthouse you will be rewarded with a splendid view over the port and the whole bay. After a year of closure the lighthouse is now open to everyone. It is necessary to book in advance. Review © 2007, Wcities |
 Photo: Andrea Beggi |
 Photo: Francesca Grillo |
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 Photo: Ciccio Pizzettaro |
 Photo: Margherita |
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 Photo: Luca Rosacuta |
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A Muslim temple |
Via Venezia, 10 Genoa 16126 Italy |
The local Muslim community always congregates here for its regular prayers on a Friday. However, there are also other places within the historical center where prayers are performed since there is such a large community of Muslim immigrants. Review © 2007, Wcities |
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A medieval tower near the cathedral |
Via Canneto il Lungo, 23 Genoa 16123 Italy |
This is perhaps one of the oldest standing examples of an aristocratic residence, flanked by a graceful tower that dates from medieval times; once every noble family possessed an autonomous residence of this kind, from which they overlooked and surveyed the neighbouring streets and houses. Many of these towers have been knocked down for safety reasons, after an edict from the the Council, apart from the Torre degli Embriaci of the Piccamiglio tower; others have been surrounded by buildings, or converted to other uses, as happened to the tower near the Chiesa di S.Giorgio, which was transformed into a bell-tower. Built of hewn stone, without any crowning arches, the Maruffo tower stands in its original condition, above a loggia that is now closed off and adapted into an appartment. It is interesting to see that the wrought iron stairs still exist, enabling a quick climb to the top. Unfortunately, the palazzo is not open to the public. Review © 2007, Wcities |
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Renaissance artefacts |
Via Lomellini, 11 Genoa 16124 Italy +39 10 20 7553 |
This museum is located in Via Lomellini, in the house where Giuseppe Mazzini was born. It is part of the Istituto Mazzianico complex. The museum was set up in 1915, and is spread over three floors, in which thousands of documents and Renaissance relics are displayed in chronological order. These include signatures, manifestoes, prints, paintings, uniforms, flags, and weapons which belonged to famous people. It has a specialised library which collects works from the second half of the 18th century to today, these include the first known portrait of Garibaldi and a printed edition of the national amthem with noted by Mameli. Admission: Free entry for school children (booking is necessary), under 18's, and over 60's. On Sundays it is free for everyone. Review © 2007, Wcities |
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The stock exchange originated here |
Piazza Banchi Genoa 16123 Italy |
Built between 1589 and 1595 following Andrea Ceresola's design, in front of the Chiesa di S.Pietro in Banchi, is one of the most representative buildings of Renaissance Genoa. Nowadays it is used as an exhibition centre. The Genoese proudly remember that the first Italian Stock Exchange began life here in 1855 before being transferred to the Palazzo della Nuova Borsa in Piazza De Ferrari. It is only open to the public when exhibitions are taking place. Review © 2007, Wcities |
 Photo: wcities |
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Church built in 1262 |
Via Brignole De Ferrari, 7 Genoa 16125 Italy +39 10 251 2391 |
This church was built in 1262 not far from the Chiesa della SS.Annunziata del Vastato. It sits, with its adjoining convent, at the centre of a popular suburb, just outside the twelfth century bastions, and belongs to the mendicant Carmelite order. Even though it was extended in the 15th and 16th centuries, this church retains most of its original gothic form, characterized by the pointed arches, the flying buttresses and the square apse. It is the last example in the city of what was a popular style, which was later substituted because of liturgical needs. It has recently been renovated and houses several interesting works of art by G.B. Carlone, B. Castello, and D. Piola, some of which have been recovered from the church of S. Agnese which was destroyed. The Salita S.Bartolomeo del Carmine leads from the apse to the convent and has now been turned into houses. From here one can go back to the church via the Salita di Carbonara, passing through the small village of Carmine. This part of the city has retained the old street names linked with the grocers stalls which used to be situated here, such as piazza della Giuggiola, vico Zucchero, vico Fragola, vico del Cioccolatte. Review © 2007, Wcities |
 Photo: wcities |
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The Antarctic in Genova |
Area Porto Antico - Palazzina Millo Genoa 16126 Italy +39 10 254 3690 http://www.mna.it |
Located in the Area del Porto Antico, in the Millo quarter, this museum was built in 1876 and is today home to both business activities and restoration work. The newly built exhibition wing houses a display of adventurous exploration, of life pushed to the very limits of survival in the polar regions. Next to the panels illustrating the history of Italian exploration in the Arctic and Antarctic, there are accurate reconstructions of the polar environment, examples of animal and marine life, means of transport and base camp equipment. The visitor can join in the thrilling discoveries of the explorers, and experience the difficulties they faced in an extreme, mysterious and fascinating natural environment. Review © 2007, Wcities |
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A sea-front rotonda |
Via Infermeria Cappuccini 3 Genoa 16128 Italy |
A panoramic rotonda terrace facing onto the Corso Aurelio Saffi, in the residential area of Carignano. It stands at the end of the tree lined via Corsica, an important nineteenth century route, once frequesnted by elegant strolling Genovese. From this semi-circular piazza there is a beautful view ranging from Portofino to the Maritime Alps. Review © 2007, Wcities |
 Photo: silvia marchesin |
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A crowded 18th century church |
Via Lomellini, 12 Genoa 16123 Italy +39 10 246 5426 |
This church was begun in 1674 with a donation from the nobleman Camillo Pallavicino and was completed in 1725, Pallavicino wanted to facilitate the entry into Genova of the Priests of the Oratory. Together with the adjoining convent and the Oratorio di S Filippo Neri, it is an extremely important Baroque construction which lays testimony to the emergence of late borromean culture in Genoa. The façade is concave and only the portal, decorated by the sculptor P Bocciardo, was entirely finished: the rest was left with rather rough and ready finish. The internal walls are entirely covered in frescoes by various artists such as A M Haffner, J A Boni, M Franceschini. It must be said that this is one of the most visited churches in the historical city centre because of the charismatic approach and high moral example that many of the priests, mostly Polish, here have. It is not rare to have to queue up in the afternoons to have a one to one talk with them. Open: 8a-noon, 3p-7p M-Su. Service times: Sa 6:30p, Su 8a, 9a, 11a. Review © 2007, Wcities |
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Concerts under the frescoes |
Via Lomellini 10 Genoa 16123 Italy |
Next to the Chiesa di S.Filippo Neri, the oratory can be accessed from either number 10 Via Lomellini or directly from the sacrestry of the church. Built between 1749 and 1755 as a place for quiet meditation, it is incorporated into the convent of the Padri Filippini, the façade of which was moved. It was perhaps designed by G B Montaldo: the floors are elliptical with choir pews around the walls, banisters, and finely crafted walnut arches which, together with the doors and the large shutters at the windows, constitute admirable examples of Genovese baroque. The ceiling is completely covered in golden stucco with a coloured background. Both this and the frescoed apse are the work of J. A. Boni, with paintings by G. Diavolo. Not to be missed is the painting of St. Philip in ecstasy, by the Flemmish artist S. Dubois, and above all the magnificent statue of the Immaculate Conception (1670) by P. Puget, who also created the famed altar of the nearby Abbazia di S.Siro and many other works in Genova. In addition to its role as a convent, the oratory once functioned as a Public Institute of Music, then as a school, but today is a much loved auditorium for classical concerts. Review © 2007, Wcities |
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The pilgrims' oratory |
Mura delle Grazie Genoa 16123 Italy +39 10 246 5083 |
This oratory, stands on the sea wall, is one of the devotional buildings to be found along the pilgrim's route towards Santiago di Compostella in Spain. It was built atop the rocks in around 1453, and was subsequently rebuilt between the end of the 16th and mid-point of the 17th centuries, when the Confraternity commisioned some important works from the best known painters of the time (V. Castello, O. De Ferrari, il Grechetto, D. Piola). Inside, there is a single nave, frescoed in the 18th century, as well as several paintings depicting scenes from the life of St. James. There are valuable furnishings like the walnut pews where the Prior and the members of the confraternity sit, a beautiful precessional box made by H. Pellé, and several crucifixes (one made by the scholl of Maragliano). It is interesting that in the 18th and 19th centuries, this very oratory was selected as the head office for the famous "camalli" and "calafati" dockers and unloaders, as well as those who carried out repairs on the ships, who met here to pray. Review © 2007, Wcities |
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The old resting place of the ensign of Genova. |
Via dei Giustiniani, 1 Genoa 16123 Italy |
The church was built on the site of the ancient Salt market, next to the noble church of St Torpete. The first building was constructed in 964AD and was dedicated to one of the patron saints of the city. It was rebuilt in its present circular form at the end of the seventeenth century by the Teatini fathers. The exterior was redesigned towards the middle of the nineteenth century. The Veronese hold the church very dear because it used to look after the city ensign. This was carried into battle to protect the troops and to spur them on. According to tradition, no one in Genova ever throws anything away. Typically, the Genovese transformed this tower into one of the noble houses which faces onto the piazza around the church's bell-tower. Review © 2007, Wcities |
 Photo: wcities |
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Beautiful frescoes in 13th-century palace |
Piazza Caricamento Via Frate Oliverio Genoa 16124 Italy |
The palazzo was the seat of the city's power at the time it was built, between 1260-62. It was then transformed into a customs office, housing the powerful St. George's Bank for four centuries, before it moved to its current location at the Autorità Portuale. It consists of two distinct parts, of which the medieval element was restored by d'Andrade in the 19th century, while the lively frescoes in the 16th-century wing have been only recently cleaned and restored, according to the original designs. Inside, apart form the beautiful 17th-century statue of the Virgin Mary in the courtyard, it is worth noting the momument to Francesco Vivaldi, the rich 14th-century merchant who invented the moltiplico (modern cumulative interest) and the five marble chests (one for each bank office) in which the so called lettere orbe, or anonymous indications of the malfunctioning of the various offices, were put. The Venetian Marco Polo was a prisoner of the Republic of Genova, dictated his famous "Milione" here, to Rustichello form Pisa. Review © 2007, Wcities |
 Photo: Massimo Strazzeri |
 Photo: www.locomotivagroup.net |
 Photo: Tim Brown |
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A pilgrim church |
Piazza della Commenda, 1 Genoa 16126 Italy |
This church is connected to the neighbouring Pre' insignia building. Building work was begun in 1180 with pre-Lamica masters, a fact which is commemorated by a plaque on the wall. It has recently been restored by the Ministry for cultural heritage. There are two churches, one of which stands over the other which are mutually independent from one another. The smaller church, with three naves, occupies the central nave of the larger one. This has a splendid Romanesque belltower with three levels of three-light windows and a pyramid-shaped spire. There has been an entrance in the apse of the larger church since 1731 when the Knights of the Order of Malta allowed entry to the more civilised members of the public. The inner church is intimate and quiet. It contains the remains of an important series of frescoes that have recently been brought to light. Review © 2007, Wcities |
 Photo: Francesca Albini |
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Genoa's Cathedral |
Piazza San Lorenzo Genoa 16123 Italy |
This church, dedicated to S. Lorenzo became the city's cathedral in the 10th century AD after it was deemed to be safer than the more primitive S. Siro cathedral, as it was situated inside the fortified walls built in 864 AD. 1099 saw the start of the construction of a better-suited building. The apsidal part was consecrated by the pope Gelasio II in 1118, while 1160 saw the building of the lateral walls with their beautiful sculpted portals dedicated to S. Giovanni and S. Gottardo. The three black and white striped marble portals on the front are sculpted with stories of the Virgin Mary and are similar to those on the Cathedrals in Chartres and Rouen. They can be traced back to 13th century Franco Norman craftsmanship, providing the most interesting example of the French gothic style in Italy. The construction of the cathedral, which can be said to have lasted for centuries thanks to artists from Pisa, Lombardy and France, gave rise to an interesting mixture of styles, especially visible in the black and white facade. The statue of a saint with a sundial called the Arrotino is French gothic, the column-bearing lions are nineteenth century, the rose window is 15th century, the two towers, one of which is unfinished are 15th and 16th century. The inside is made up of three naves flanked by columns and reclaimed roman capitals, and owes its current appearance to the refurbishment carried out after the fire in 1296. During the refurbishment props were used to rebuild the lower part using pointed gothic arches, maintaining the overhead round Roman arches. In general, however, the church is mostly characterised by the bare medieval style enhanced by the lack of wall decoration, except for the important fresco in the lunette on the internal front wall (Giudizio Universale, fourteenth century). The largest of the side altars is dedicated to S. John the Baptist, patron of the city, whose relics are thought to have been brought to Genoa after the crusades and now sit in a valuable 14th century urn made by Norman craftsmen. The fifteenth century sculptor G. Gaggini was very involved in the adorning of the chapel with several statues of Sansovino. The Lercari chapel at the end of the left-hand nave dates back to the 16th century. The frescoes were done by L. Cambiaso and G.B. Castello il Bergamasco. The sober dome by G. Alessi and the presbytery are also from the same period. The bronzes on the altar in the presbytery are interesting. Everyone from Genoa knows the story of the bomb that sits at the beginning of the right hand nave. On 9th February 1941 it hit the cathedral destroying part of the casing, but remaining miraculously unexploded. The sacristy leads to the valuable Museo del Tesoro di S.Lorenzo. Review © 2007, Wcities |
 Photo: Wong Hau Keong |
 Photo: Wong Hau Keong |
 Photo: Marcus Puschmann |
 Photo: Donna J Belfield |
 Photo: Federico Perola |
 Photo: Pedro |
 Photo: Andrea de Poda |
 Photo: Levente Toth |
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A small church for two big families |
Piazza S.Luca Genoa 16124 Italy |
The church was built in 1188 as the family chapel of the Spinola and Grimaldi families. It stands on the lively Via S.Luca. This was the main western point of entry to the city in the fourteenth century. The church's importance and its strategic position has been emphasised by the fact that the dispute between the two rival families for the exclusive control of the building had to be settled by the King of Aragon in the middle of the fourteenth century. The church was rebuilt in its present form between 1626 and 1650. It was a project of Carlo Mutone. One of the few pure Baroque style churches in the city, it is decorated with a single series of frescoes by D.Piola which date back to the end of the seventeenth century. It contains a valuable wooden Christ figure by F.Parodi which was painted by D.Piola. There are other works of art including an important piece by Grechetto of a creche. The parish has started a nice new initiative which aims to help people to get to know the old city. As well as the normal church services, it now celebrates a special "Tourist and City visitor Mass". Review © 2007, Wcities |
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The church of the damned |
Via del Molo, 18 Genoa 16128 Italy |
This church is hidden amongst the houses on Via del Molo. It was built in a Romanesque style from 1173. However it underwent serious reconstruction in the sixteenth and seventeenth centuries and the entrance was inverted. Today, the main entrance is in the apse. The church has three naves, lined with columns with cubic black stone headbands. It was dedicated to St.Mark to displease the Venetians because St.Mark is the patron saint of Venice. After the sacking of Pola, allied with Venice, the Genovese built a bas-relief into the external wall of the building which showed the lion of St.Mark. This actually came from Pola, an Istrian town(1380). The church of St.Mark had a sad aspect to it; it was known as the "church of those condemned to death". These unlucky souls came here from the Casa del Boia to receive the last blessing before they were taken to Porta Siberia (or del Molo), where, for many centuries, hangings took place. Review © 2007, Wcities |
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The church in the King's vineyards |
Piazza delle Vigne, 1 Genoa 16124 Italy +39 10 247 4761 |
The church was renovated in 1640 and lost much of its original character because of a new neoclassical façade. However, it still has its splendid square bell tower with mullioned windows, octagonal spires and pinnacles. The quadrangular cloisters next to it were also built at the end of the eleventh or beginning of the twelfth century. At that time this area had no other buildings. The cloisters were made with very ancient square capitals. They have now been modified into private housing. The tomb of Incisa Vivaldi has been there since 1304. It is underneath the arch to the left hand side of the church. It has been embellished by a second century sarcophagus. On the other side of the church, there is a beautiful late gothic gateway. In the lunette there is a Madonna with child by D.Piola. The 17th century interior has coupled columns which copy the nearbyAbbey of S.Siro. It has a decorative series of frescoes which are by a line of painters each who continued the work of art over some two centuries. (G.Palmieri, P.G.Brusco, G.Passano, L.Gainotti). Future mothers should stop a moment in front of the nursing Madonna which has been painted on one of the Romanesque columns. This picture is venerated by women expecting a baby. Review © 2007, Wcities |
 Photo: sipierdi |
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The church of the knights of Malta |
Piazza S Pancrazio Genoa 16124 Italy |
Small noble church of the Pallavicini family. It was already in existence in the eleventh century and was rebuilt in a late baroque style by A.M.Ricca after it suffered naval bombardment by Luigi XIV (1684). It contains many valuable works of art, including rare stuccoes, frescoes in the apse by J.A.Boni and a marble altar piece by G.A. Ponsonelli with an antependium and statue of St.Pancreas by F.Parodi. There is also a statue of the Madonna of Charity by F.M.Schiaffino. The wonderful Flemish triptych is of particular note; painted by A.Ysenbrant, it dates back to the early 16th century and shows the life of St.Pancrea. The complex was entrusted to the Order of Knight of Malta in 1976. They have organised a multipurpose surgery in the adjacent monastic buildings. Open: 4p-6p Sa. By appointment for groups-always telephone first. Service times: Weekdays 5p. Review © 2007, Wcities |
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A church built on top of shops. |
Piazza Banchi Genoa 16124 Italy |
The church is near the ruined city gate which shares its name, at the site of the old grain market. The main entrance to the city was here in the ninth century. What is most interesing about this church is that is was built on a terrace that is above a row of shops. Using bonds, the Genovese built these shops, so that the very expensive rent from them might help pay for the cost of building the church. It was built according to the plans of B. Cantone, G. Ponzello and il Vannone. Work was finished in the second half of the sixteenth century. Il Vannone was also the architect of the Loggia for the Merchants or the bankers. The church also was given the name "S.Maria Immacolata", thanking the Madonna for the end of a plague. In front of the church there is a beautiful flight of steps. The church itself has a central plan with a large octagonal cupola and four spires, one of which is missing. It is a copy of Church of Santa Maria Assunta in Carignano. The outside of the church is decorated with frescoes from the seventeenth century which have been recently restored. Inside, there are precious stuccoes and frescoes by M. Sparzo, A. Semino, A. Ansaldo and P.G. Piola. Review © 2007, Wcities |
 Photo: Harry Mills |
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The main cathedral of the city |
Piazza San Siro Genoa 16124 Italy |
Built in the 4th century as the first cathedral of the city, it was dedicated to the 12 apostles. In 1008 it became a Benedictine Abbey and the current architectural layout dates from the beginning of the 17th century, after a fire in 1580 destroyed a large part of the structure. The neoclassical facade houses a church with three naves, frescoed vaults and stucco which is the work of various members of the Carlone family, including Taddeo, Giuseppe, Tommaso and Giovanni Battista. As well as works by D. Fiasella, G. De Ferrari and D. Piola, there is also the beautiful painting of the Annunciation here by O. Gentileschi and the splendid main altar, in black and bronze marble, which is a baroque masterpiece by Pierre Puget in 1670. The Roman belltower of the cathedral can be spotted in old pictures of Genoa, but it was pulled down as it was deemed to be unstable after the collapse of the belltower of S. Marco in Venice in 1904 and was unfortunately never rebuilt. The old, adjacent cloister, can not be visited and was transformed at the beginning of the century into public baths and sauna, according to art nouveau style. Review © 2007, Wcities |
 Photo: Bernd Zillich |
 Photo: Tim Brown |
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Dominican church |
Salita S.Maria di Castello Genoa 16128 Italy +39 10 254 9511 |
The church was first built around 650 AD in the early fortified area of the city. It was rebuilt by Pre Lamica masters at the beginning of the 12th century. Since 1441, when it was taken over by the Dominican fathers, it has undergone regular redecoration. The Predicatori brothers, who also organised the construction of the adjacent Convent of Santa Maria di Castello, made the complex into one of the most important centres of humanist thought. The church has three naves lined with granite columns with reused Roman headbands. It has valuable vaults, decorated with 15th-century decorations which replace the original medieval trusses. It has numerous frescoes, paintings, altarpieces, sculptures and wooden groups. There are noteworthy canvasses by D.Piola, B.Castello, A.Lomi; a venerable medieval wooden Christ figure and the remains of the holy Jacopo da Varagine (Varazze), who was the author of the Golden legend. The marble entrance of the Sacristry was built in 1452. This graceful room has been made even more precious by the 18th-century walnut furnishings. The museum area in the convent is reached from here. Review © 2007, Wcities |
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A precious Dominican monastery |
Salita S.Maria di Castello, 15 Genoa 16128 Italy |
This is one of the most interesting religious complexes in the city. The Dominican fathers began to build it in 1441 and it is connected to the Church of S.M. di Castello. It's worth a visit both for its numerous works of art and for the wonderful original interiors which surround them. The monk's daily routine took place in the three cloisters of the complex. Here, there were the refectory, dormitories, kitchen, infirmary, main library, private gallery, parlours, and the cistern (which is now an exhibition space). Nowadays, it is possible too visit most of the building. The gallery is particularly impressive with the splendid fresco of the Annunciation by Giusto di Ravensburg, dated 1451. We also recommend the Grimaldi Chapel which was dedicated to the Order's main protectors. The chapel contains both fifteenth and sixteeenth century works of art. Also have a look at the monastery's vegetable garden which is a calm and relaxing green corner of the complex. This has recently been restored to its original form. Don't miss the precious illustrated manuscripts date back to the thirteenth-fourteenth century. They were brought here from the important Monastery of St. Domenico when it was demolished at the beginning of the nineteenth century. It was replaced with the Carlo Felice Theatre. Review © 2007, Wcities |
 Photo: wcities |
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Beauty in Genova |
Piazza della Nunziata, 4 Genoa 16124 Italy |
This church was originally built in late gothic style by the Franciscan monks on the foundations of an earlier church. The noble Lomellini family who made their fortune trading in coral then renovated it between 1591 and 1650. It is built in the shape of a Latin cross and divided into three naves with two rows of lateral altars. This church has been called a 17th century Genoese Gallery because of its lavish interiors of inlayed marble, gilt stucco, and frescoes illustrating the mysteries of the Annunciation, all created by a selection of 23 local artists and 13 sculptors (such as G.and G.B. Carlone, D. Fiasella, A. Ansaldo, G. Assereto and G. Benso). Moreover, there are works of art by D. Piola, G. De Ferrari, L. Cambiaso, B. Strozzi, G.C. Procaccini and others still. The strange name Vastato comes from vastinium, a safety belt within the protective bastions that was left free during medieval times for military purposes. In fact the Barbarossa belt, dating back to 1155-61 sits directly opposite the church. Review © 2007, Wcities |
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Church of the barbers and surgeons |
Vico S.Cosimo, 16 Genoa 16123 Italy |
This 16th century church is probably the one Romanesque Genoese church, which has been well maintained. It has preserved its three shallow apses, the tower similar to that at Chiesa di S.Donato, and the black and white columns. To the side of the portal made from Roman materials, on the façade, is a tomb with a pointed arch and small columns called the Barisone, in memory of the famous man who was a spy in the war between Genoa and Pisa. When his treachery was found out, he was arrested and put under house arrest in the palace adjacent to the church, where he later died. The sepulchre for Barbers and surgeons is particularly interesting. Review © 2007, Wcities |
 Photo: Massimo Strazzeri |
 Photo: Tim Brown |
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A modern city in the West |
Via Cantore Via di Francia Genoa 16149 Italy |
The new skyscrapers in the San Benigno area in Sampierdarena (WTC tower, Shipping and North Tower), were built on the foundations of the old Cosica area close to the Lanterna, to house the most important maritime companies in Genoa and in the Mediterranean. The eastern most building is known as the Matitone because of its octagonal shape inspired by the Romanesque bell tower of the San Donato church. This seems to be forming a harmony between older forms and modern progress. The restaurant at the top of the World Trade Centre, the largest tower, offers a spectacular view over the port and the city. This building also has a videoconferencing room equipped with the most sophisticated equipment. The building of these skyscrapers caused much concern among the people of Genoa, especially those involved with Italia Nostra, who objected to the dropping of the earlier buildings on the site. Review © 2007, Wcities |
 Photo: wcities |
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Built by Antonio Roderio |
Via del Molo Genoa 16128 Italy |
This gate was built in 1553, in a Doric style by Antonio Roderio, to the designs of Galeazzo Alessi. It completed the walls which closed the city away from the sea, and is an extraordinary example of military architecture. The unusual name 'Siberia' has no geographic references but instead derives from the term 'Cibaria': in fact, the gate stands near the former grain warehouses which replenished the supplied of ships in port. Review © 2007, Wcities |
 Photo: www.locomotivagroup.net |
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Sports museum |
Via Cairoli, 5/3a Genoa 16124 Italy +39 10 553 1281 |
This museum contains documents and testimonies of sporting occasions, as well as relics and trophies dating from the mid-nineteenth century to today. It also houses an interesting archive belonging to the Gymnastic Society Cristoforo Colombo 1864 and audiovisual material. The Library specializes in texts dealing with sports history and culture, it contains around 2000 publications including books and magazines, as well as 1000 photographs. Review © 2007, Wcities |
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Eleven centuries of documents |
Via Tommaso Reggio, 14 Genoa 16123 Italy +39 10 246 8373 |
It is linked to the two most important buildings in Genoa, the Cattedrale di S.Lorenzo and the Palazzo Ducale, by means of hanging bridges. It was built in 1581 as the Palazzetto Criminale, or the predecessor to the modern prisons. 1881 saw the transfer here of the State Archives of the Republic of Genoa, one of the most important and oldest archives in the whole of Italy. Much of the wealth of documents inside remains undiscovered. One of these documents is a manuscript dating back to 952 AD which tells of the of property tax benefits granted to the monks of S. Siro by Teodolfo, Bishop of Genoa. The airy, arched triple portico which opens up into the internal courtyard is especially interesting and unusual when one considers the building's original use. Review © 2007, Wcities |
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Frescoes and books |
Via Balbi, 5 Genoa 16126 Italy +39 10 2 0991 |
Founded as a Jesuit college in 1634, today this is the main University site. It is an extraordinary example of a productive use of the hillside behind, featuring a panorama of stairways, galleries and hanging gardens, like in the Palazzo Doria Tursi on the Via Garibaldi, modelled on the work of the architect Bartolomeo Bianco. The splendid Aula Magna, richly frescoed by G.A. Carlone, is certainly worth a visit. The University Library nearby is housed in the former Jesuit church of S. Francesco Saverio, with frescoes by D. Piola, partially hidden by the bookshelves. Admission:Free. Review © 2007, Wcities |
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Abstract art |
Via Jacopo Ruffini, 3 Corso Aurelio Saffi Genoa 16128 Italy |
This 18th century villa was donated to the country in 1951. It houses temporary exhibitions and the Cernuschi Ghiringhelli Collection of Foreign and Italian Abstract Art (1900-1980), as well as the Sandro Cherchi donation and some sculptures by the most important Ligurian sculptors. The museum was first opened in 1985, and since then it has acquired more than 2000 works of art, including works by Fontana, Licini, and Pollock. There is also a library which specialises in History of Contemporary Art with Archives and a Video Collection. The villa is in the middle of a public park with a view over the sea looking towards the Portofino promontory. Review © 2007, Wcities |
 Photo: wcities |
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The |
Via N. D'Aste, 3 Genoa 16149 Italy |
Built by Vincenzo Imperiale between 1560 and 1563 at Sampierdarena, once the genovese aristocracy's favourite site for building country residences, the villa is actually now a school. It has a large garden behind it, transformed into a public park beyond the new via Cantore. The house is a typically alessian design, characterised by its tripartite facade, and important exterior architectural decoration. There is a series of attractive frescoes, the work of G. Carlone and B. Castello, and stucco work by M. Sparzo, who decorated the sixteenth century Chiesa di S.Pietro in Banchi at around the same time. The villa is known also as "Bellezza", which clearly refers to its magnificence, and links it to the so-called trilogy of Sampierdarena, which includes the Villa Grimaldi ('La Fortezza', on account of its castle-like strcture), and Villa Lercari Sauli ('La Semplicità' on account of the more severe architectural style). Despite undergoing many changes, the park is still an interesting example of a renaissance garden, conserving its monumental stairways and traces of the original landscaping. Review © 2007, Wcities |
 A neoclassical villa by the sea |
Piazza Di Negro, 3 Genoa 16126 Italy |
Currently functioning as a school, this is an interesting example of a sixteenth century villa, which owes its current appearance to the restructuring work by A. Tagliafichi in 1787. Characterised by an elegant ashlar-work façade, with gables and statues, it retains many atmospheric frescoes in its interior, whilst the flourishing public park spreading over the hillside behind is also deserving of mention; it features terraces, several attractive lily ponds, and an English garden with a neoclassical temple. Unfortunately the construction of the railway line nearby and improved public access to the sea front have meant the loss of a large part of the terraced garden which once spread right down to the shore. The villa is recalled by Oscar Wilde in a sonnet he composed whilst staying in Genoa. Review © 2007, Wcities |