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Ancient Ostia


Ancient Roman port ruins
717 Via dei Romagnoli
Rome, Rome 00119
+39 6 5635 8099
http://www.itnw.roma.it/ostia/...
ostia@arti.beniculturali.it
For at least 600 years this was a busy port, but the area declined suddenly following a reduction in commerce, and the onset of malaria. Covered by sand and mud that accumulated over the centuries, it was perfectly preserved and has therefore survived intact. The Baths of Cisiarii and the Baths of Neptune can be seen, with their lovely black and white mosaic floors. The theatre has been restored, a series of large masks having been set on to blocks of rock that originally adorned the building. Leaving the main street, you reach the areas where the inhabitants used to live, the style of the homes differing according to whether the residents were workers, or traders and shippers. Workmen and sailors lived in "insule", like present day blocks of flats, while the richer classes had fine homes decorated with colourful mosaics and statues. The remains that have been discovered are exhibited in the museum nearby, which also displays bas-reliefs and objects connected to the cult of Mithra, very popular in Imperial Rome. Admission: EUR 5

Review © 2007, Wcities
Ancient Ostia photo by Robert Grant
Photo: Robert Grant
Ancient Ostia photo by Linda Lukasiewicz
Photo: Linda Lukasiewicz
Ancient Ostia photo by Vincenzo Fiore
Photo: Vincenzo Fiore
Ancient Ostia photo by N. A. Johnson
Photo: N. A. Johnson
Ancient Ostia photo by Vittoria Bernardini
Photo: Vittoria Bernardini
Ancient Ostia photo by Rossella64
Photo: Rossella64
Ancient Ostia photo by Clare Forster
Photo: Clare Forster
Ancient Ostia photo by Sophie Jongeneel
Photo: Sophie Jongeneel
Ancient Ostia photo by Scott T.
Photo: Scott T.
Ancient Ostia photo by Austin
Photo: Austin
Ancient Ostia photo by Rebecca Negron
Photo: Rebecca Negron
Ancient Ostia photo by _MrC_
Photo: _MrC_
Ancient Ostia photo by Patrick Daley
Photo: Patrick Daley
 

 
Ancient Port


A port filled with things to do and see
Ponte Spinola
Area Porto Antico
Genoa 16128
The layout of the whole area and the various architectural constructions in the Old Port, among which is the now famous Aquarium which was built by Renzo Piano for the international Expo of 1992 in commemoration of the 5th centenary of the discovery of America, have now become a perfect example of the coexistence of old buildings and modern edifices. The salvaging and refurbishment of the historic port and of the old town centre nearby, have all helped in the re-establishment of the tourist trade within the city. The new "marinaro" area is constantly brought to life through sound, light and colour and has various attractions dedicated to free time and culture. Therefore, Genoa is no longer solely a city of art, but also a seaside town offering child-size fun and relaxation. If one enters from the main entrance in piazza Caricamento, the first thing to be seen is the large profile of the Acquario di Genova, the largest one in Europe, which resembles a large ship moored on the dock at Ponte Spinola, from which extends a splendid pathway, the Via del Mare, which leads straight to the "floating" Piazza del Mare. Other places of interest are the Galleon (used by Roman Polansky in the film "the Pirates"), the buildings of the Cotton Stores (Cineplex, modern multiscreen, Cinemotion in 3 D, Video games, the great Music Store, the Città dei Bambini, la De Amicis Library, the Padiglione del Mare e della Navigazione), the original Museo Nazionale dell'Antartide "Felice Ippolito", housed in the Millo, and even the imposing Porta Siberia (o del Molo), with the nearby pool-theatre, the Mandraccio and various commercial outlets, as well as the cafés and the restaurants. During the winter months the Piazza delle Feste has an ice-skating rink, while during the summer various concerts and plays are held there. A must is a trip on the Bigo, the rotating panoramic lift which offers a view over the entire city. The 16th and 17th century buildings of the Deposito Franco have been carefully restored and are now the headquarters for Porto Antico S.p.A, the management and operating company for the whole complex. They also house the Tourist Information Office, where one can obtain up to the minute news of events being organised within the area where the expo was once held.

Review © 2007, Wcities
Ancient Port photo by Aube insanité
Photo: Aube insanité
 

 
Appian Way


A walk through history
42 Via Appia Antica
Rome, Rome 00179
+39 6 512 6314 / +39 6 513 0682
http://www.parcoappiaantica.org
info@parcoappiaantica.org
The ancient Appian Way was the most important of the consular roads. It was inaugurated in 312 B.C. by censor Appius Claudius Ciecus after whom it was named. The road was especially important for economic reasons as it connected Rome with the south of Italy. Initially it only went as far as Capua along the Pontine marshes, but was later extended to Benevento and then all the way to Brindisi, which encouraged trade with the eastern Mediterranean. This last stretch lost importance however when the Appia Traia Way was opened that stretched down to Bari. Lined with pines and cypress trees, the road is very attractive, particularly where the original paving can be seen. There are many remains of Roman constructions that testify to its ancient splendour and archaeological importance.

Review © 2007, Wcities
Appian Way photo by Sarah
Photo: Sarah
Appian Way photo by mysterybridgers
Photo: mysterybridgers
Appian Way photo by Kate
Photo: Kate
Appian Way photo by Andrew Johnson
Photo: Andrew Johnson
Appian Way photo by Emily Bristor
Photo: Emily Bristor
Appian Way photo by amy peabody
Photo: amy peabody
Appian Way photo by alan  thomas
Photo: alan thomas
 

 
Ara Pacis


A hymn to peace
Lungotevere in Augusta
Rome 00186
+39 0636003471
The altar, commissioned by the Senate following pacification work launched by Emperor Augustus, dates from 9 BC. The first panels were found in 1500 and ended up in Paris and Florence. Made from marble and beautifully sculpted, probably by Greek artists, the panels formed an enclosure around a base with an altar in the centre. The figures are from the imperial family. Restoration work was begun in 1938. Now the altar is protected by a glass covering.

Review © 2007, Wcities
Ara Pacis photo by marco polimeni Chet4
Photo: marco polimeni Chet4
Ara Pacis photo by Chase Goitia
Photo: Chase Goitia
Ara Pacis photo by Elena Torre
Photo: Elena Torre
Ara Pacis photo by il Quoquo
Photo: il Quoquo
Ara Pacis photo by James Ams
Photo: James Ams
Ara Pacis photo by Marta Pieroni
Photo: Marta Pieroni
Ara Pacis photo by Antonio Caselli
Photo: Antonio Caselli
Ara Pacis photo by Cristian Guizzo
Photo: Cristian Guizzo
Ara Pacis photo by joanna krettek
Photo: joanna krettek
Ara Pacis photo by Stefano Orselli
Photo: Stefano Orselli
Ara Pacis photo by Michael Ericsson
Photo: Michael Ericsson
Ara Pacis photo by Carrah L.
Photo: Carrah L.
Ara Pacis photo by artelis
Photo: artelis
Ara Pacis photo by Sissi 79
Photo: Sissi 79
Ara Pacis photo by Michele Epifani
Photo: Michele Epifani
Ara Pacis photo by Alberto
Photo: Alberto
Ara Pacis photo by Fernando Amutio
Photo: Fernando Amutio
Ara Pacis photo by fotohaus.uk
Photo: fotohaus.uk
 

 
Arch of Constantine


Tribute to Constantine
Via San Gregorio
Piazza del Colosseo
Rome, Rome 00184
+39 6 48 8991 (Tourist Information)
The Arch of Constantine is particularly interesting because it is like a jigsaw made up of other monuments. It was built using material from Trajan's Forum, from where the statues of the Dacian prisoners and the friezes representing Marcus Aurelius were also taken. The Arch was erected at the beginning of the fourth century in honour of Constantine, following the victory over Maxentius. It is considered one of the last great monuments to be constructed by the Romans. It stands beside the Colosseum in the huge square which in summer is the site for one of the events of the 'Estate Romana'. A huge screen is hung from the arch, onto which films and videos are projected.

Review © 2007, Wcities
Arch of Constantine photo by Joyce A Neville
Photo: Joyce A Neville
Arch of Constantine photo by wild children
Photo: wild children
Arch of Constantine photo by Tony Serra
Photo: Tony Serra
Arch of Constantine photo by Amy V. Fountain
Photo: Amy V. Fountain
Arch of Constantine photo by Beth Kelleher
Photo: Beth Kelleher
Arch of Constantine photo by Jessica Drew
Photo: Jessica Drew
Arch of Constantine photo by Jenniy
Photo: Jenniy
Arch of Constantine photo by Sarah Law
Photo: Sarah Law
Arch of Constantine photo by Thomas Hardy
Photo: Thomas Hardy
Arch of Constantine photo by Tom
Photo: Tom
Arch of Constantine photo by Sachin Kansal
Photo: Sachin Kansal
Arch of Constantine photo by jdraiders
Photo: jdraiders
 

 
Arco della Pace


Triumphal gate
Piazza Sempione
Milan, Milan 20121
With the fortifications for Castello Sforzesco destroyed in 1801 under Napoleon's instructions, a large space was created for the Piazza Sempione but a monumental construction was also required to mark the entrance to the city. The arch was begun in 1807 in honour of Napoleon and only finished in 1838 (for the occasion of the coronation of Ferdinando I as King of Lombardy-Venetia.) by the neoclassical architect Luigi Cagnola, inspired by Settimo Severo's arch in Rome. The result was a structure involving three colossal Corinthian columns with isolated customs boxes either side. The arch is made of granite from Baveno and adorned with marble from Crevola di Ossola, surmounted by the famous 'sestiga della pace' (the work of Abbondio Sangiorio) and by four statues of victorious men on horseback. On the trabeation the four rivers of Lombardy-Venetia are featured: the Po, the Ticino, the Adige and the Tagliamento) surrounded by bas-reliefs that feature episodes from the Restoration.

Review © 2007, Wcities
Arco della Pace photo by paolo sala
Photo: paolo sala
Arco della Pace photo by Silvia
Photo: Silvia
Arco della Pace photo by Marc D. Friedman
Photo: Marc D. Friedman
Arco della Pace photo by saporsum_cleaning
Photo: saporsum_cleaning
Arco della Pace photo by Filippo M. Rinaldi
Photo: Filippo M. Rinaldi
Arco della Pace photo by Alle
Photo: Alle
Arco della Pace photo by MIL22
Photo: MIL22
Arco della Pace photo by barbara migliore
Photo: barbara migliore
Arco della Pace photo by sil73
Photo: sil73
Arco della Pace photo by Daniel Blanco
Photo: Daniel Blanco
Arco della Pace photo by Zoë Wilson-Smith
Photo: Zoë Wilson-Smith
Arco della Pace photo by Elisa banfi
Photo: Elisa banfi
Arco della Pace photo by simon olmetti
Photo: simon olmetti
Arco della Pace photo by satchmoblue
Photo: satchmoblue
Arco della Pace photo by marco_ask
Photo: marco_ask
Arco della Pace photo by Mirka
Photo: Mirka
Arco della Pace photo by ice-pick
Photo: ice-pick
 

 
Asinelli Tower


The highest tower in Bologna
Piazza di Porta Ravegnana
Bologna, Emilia - Romagna 40125
Standing in the centre of the Piazza di Porta Ravenna, the highest tower in Bologna, an emblematic symbol of the 'towered city' lofts 97 meters into the sky, undisputed queen of the Bolognese rooftop panorama. Legend says that this tower was built by the Asinelli family at the beginning of the twelfth century. It has strong foundations and it is surrounded by a protective railing. At its summit it displays the Guelf battlements. The 498 steps take you to the very top, from where you can enjoy a really incredible view.

Review © 2007, Wcities
Asinelli Tower photo by Walter Ferraris
Photo: Walter Ferraris
Asinelli Tower photo by Didrik Johnck
Photo: Didrik Johnck
Asinelli Tower photo by umbbattista
Photo: umbbattista
Asinelli Tower photo by Virginia
Photo: Virginia
Asinelli Tower photo by bruno schaeublin
Photo: bruno schaeublin
Asinelli Tower photo by Dan Augood
Photo: Dan Augood
Asinelli Tower photo by ale!
Photo: ale!
Asinelli Tower photo by Marcin Gora
Photo: Marcin Gora
Asinelli Tower photo by Silvia Rezza
Photo: Silvia Rezza
Asinelli Tower photo by LorenzoN_tpkadesign
Photo: LorenzoN_tpkadesign
Asinelli Tower photo by giuliob
Photo: giuliob
Asinelli Tower photo by skizoidman
Photo: skizoidman
Asinelli Tower photo by Luca
Photo: Luca
Asinelli Tower photo by Lia Cedro
Photo: Lia Cedro
Asinelli Tower photo by Marco Marzolla
Photo: Marco Marzolla
Asinelli Tower photo by vinc85
Photo: vinc85
Asinelli Tower photo by Marina
Photo: Marina
 

 
Basovizza


Old village on the upland plain
Via Gruden
Trieste
The existence of the village of Basovizza has been documented since 1300. It is a small place on the upland plains, about ten minutes from the centre of Trieste. In the centre there is a small trattoria, in an old post office, and there are a few houses around the church of Santa Maria Maddalena, built on the remains of an old church of 1336. In the piazza, there is a cistern, whose stone dates from 1816. It is close to the border with Slovenia and the futuristic underground workshop of Elettra, where hundreds of scientists work with electronics. There is plenty of parking space in the village, which is within walking distance of the San Lorenzo area, which offers a superb view and the Draga Sant'Elia, a small agricultural area where the farmers sell their produce directly to the public. For more information, contact the tourist information office.

Review © 2007, Wcities
Basovizza photo by elisabetta2005
Photo: elisabetta2005
Basovizza photo by aletta73
Photo: aletta73
Basovizza photo by Stefano
Photo: Stefano
 

 
Bigallo Lodge


House for orphans in the 15th century
Piazza del Duomo
Florence 50122
At the start of via Calzaiouli stands this Loggia. It was named by Bigallo when he transferred his confraternity, bearing his name, and merged it with the Misericordia confraternity, the first owners of the Loggia which had been built between 1353 and 1358 by Alberto Arnoldi. The confraternity mainly gave a home to orphans who were housed in the Loggetta so they might be recognised, if by some chance they had merely been lost. The arches are carefully decorated and closed in with iron gates. High up on the side of the Piazza del Duomo, the statues in tabernacles were moved from the previous site of the Confraternity in Orsanmichele and depict the Madonna and Child, Santa Lucia and San Pietro Martire, the founder of the Confraternity in 1244.

Review © 2007, Wcities
Bigallo Lodge photo by foto daniel
Photo: foto daniel
Bigallo Lodge photo by Asel Luzarraga
Photo: Asel Luzarraga
 

 
Borgo Teresiano and Chinatown


District founded by the Austrian Empress Maria Teresa d'Austria
Chinatown
Downtown
Trieste, Trieste
In the 18th century the medieval walls were knocked down and the saltworks were reclaimed - in doing this, Maria Teresa of Austria transformed Trieste into one of the most important ports in Europe. The city centre was moved from the hills to the plain, and many modern areas, lived in by merchants, began to be developed on some land which was partially reclaimed from the sea. The new buildings were generally built in the neoclassical style. This area between Piazza dell'Unità d'Italia and the central railway station, is known as the Borgo Teresiano, from the name of the Empress. There are lots of small clothes shops in this district whose main clients are from Slovenia and Croatia. Since 1999, the traffic filled streets of the Borgo - where a walk can prove very interesting - have begun to turn into a small Chinatown with the opening of many new shops selling accessories, food, and clothing imported from the Orient and run by young Chinese people.

Review © 2007, Wcities
Borgo Teresiano and Chinatown photo by maledimiele
Photo: maledimiele
 

 
Bridge of Sighs


Bridge of Sighs
Sestiere di San Marco
Venice 30124
Some legends say that the Ponte dei Sospiri was called the Bridge of Sighs because it was a rendezvous for lovers; however, the truth tells a much sadder tale. The bridge, in fact was built to convey magistrates to the courts and prisoners to their fates. However, the baroque bridge, designed by Antonio Contino, still has a very romantic air to it, and remains an important historical landmark in Venice today.

Review © 2007, Wcities
Bridge of Sighs photo by Larry Leonard
Photo: Larry Leonard
Bridge of Sighs photo by Pattie
Photo: Pattie
Bridge of Sighs photo by ted rok
Photo: ted rok
Bridge of Sighs photo by Jelena1
Photo: Jelena1
Bridge of Sighs photo by Rachael Morgan
Photo: Rachael Morgan
Bridge of Sighs photo by Ed Chronister
Photo: Ed Chronister
Bridge of Sighs photo by Ronald Johnston
Photo: Ronald Johnston
Bridge of Sighs photo by Julie Jenkins
Photo: Julie Jenkins
Bridge of Sighs photo by Ethan R. Westmoore
Photo: Ethan R. Westmoore
Bridge of Sighs photo by Elvis Payne
Photo: Elvis Payne
Bridge of Sighs photo by bfenwick
Photo: bfenwick
Bridge of Sighs photo by Mark Morgan
Photo: Mark Morgan
Bridge of Sighs photo by Sharon Thai
Photo: Sharon Thai
Bridge of Sighs photo by rasmusthepood
Photo: rasmusthepood
Bridge of Sighs photo by David Bayliss
Photo: David Bayliss
Bridge of Sighs photo by Nils Davis
Photo: Nils Davis
Bridge of Sighs photo by Ekaterina Averina
Photo: Ekaterina Averina
Bridge of Sighs photo by gmassey0
Photo: gmassey0
Bridge of Sighs photo by M. mueller
Photo: M. mueller
 

 
Broken Bridge


Unlucky bridge
Lungotevere Pierleoni
Rome, Rome 00186
Originally named Emilius, (193 B.C.), this was the first stone bridge: it was suitable for the passage of heavily laden carts that could not cross the Sublicius bridge, which was made of timber. Its slanting position meant that it was prone to water damage, and half the bridge was destroyed by a violent flood in the late 16th century. This is why it is called Ponte Rotto (broken bridge). Today it can best be seen from the Palatino Bridge.

Review © 2007, Wcities
Broken Bridge photo by dvdadm
Photo: dvdadm
 

 
Burano


Famous for its lace making
Burano
Burano 30012
In this little town located on an island of the Venetian lagoon, the houses are painted in varied bright colours, giving a picturesque and cheerful character to the setting, which kids always love. Burano is famous for its lacemaking, a skill that has developed here since the 16th century; various shops offer lacemaking demonstrations. To admire more of this craft, head to the Scuola di Merletti which has a museum displaying all kinds of amazing lacework: tablecloths, fans, collars and shawls.

Review © 2007, Wcities
Burano photo by A. Schleifenbaum
Photo: A. Schleifenbaum
Burano photo by Yuanyuan Yu
Photo: Yuanyuan Yu
Burano photo by lizargi celaya
Photo: lizargi celaya
Burano photo by David BM
Photo: David BM
Burano photo by Artem Parshentsev
Photo: Artem Parshentsev
Burano photo by red.sandal
Photo: red.sandal
Burano photo by LarysaS
Photo: LarysaS
Burano photo by Robert Plojetz
Photo: Robert Plojetz
Burano photo by Dimit®i
Photo: Dimit®i
Burano photo by Alessio Cuccu
Photo: Alessio Cuccu
Burano photo by Michael Good
Photo: Michael Good
Burano photo by Alessandro Accossato
Photo: Alessandro Accossato
Burano photo by Christine A. Benedix
Photo: Christine A. Benedix
Burano photo by Carlo 'Inquadra'
Photo: Carlo 'Inquadra'
Burano photo by Michael Doherty
Photo: Michael Doherty
Burano photo by Amna A. Althani
Photo: Amna A. Althani
Burano photo by Greg 50
Photo: Greg 50
Burano photo by GT6Jim
Photo: GT6Jim
Burano photo by Sanish Suresh
Photo: Sanish Suresh
 

 
C.L.N. Square


A small square
Via Roma
Turin 10123
Between Piazza San Carlo and the South West end of Via Roma, behind the Churches of Santa Cristina and San Carlo, a small square called Piazza C.L.N. (Comitato di Liberazione Nazionale) can be found. It is a very narrow little square which was rebuilt during the reconstruction of Via Roma (1931-37). It is dominated by the two apses of the Churches in Piazza San Carlo. The most interesting features are the two fountains of the Dora and the Po, which represent the city's two major rivers.

Review © 2007, Wcities
C.L.N. Square photo by michael siegel
Photo: michael siegel
C.L.N. Square photo by tigerpac
Photo: tigerpac
C.L.N. Square photo by gabriele panero
Photo: gabriele panero
C.L.N. Square photo by Anna Corti
Photo: Anna Corti
 

 
Campitelli Fountain


The cumbersome fountain
Piazza Campitelli
Rome, Rome 00186
The fountain in the Piazza di Campitelli was designed by Giacomo della Porta. It was originally placed in the centre of the square, before being moved, by order of Pope Innocent XI, away from the Chiesa di Santa Maria in Campitelli following the church's restoration and enlargement. The fountain is fed by the Acqua Felice and is decorated with various friezes and large masks from which the water spurts. It bears the coats of arms of four influential local families and the effigies of the Senate and the Roman people.

Review © 2007, Wcities
Campitelli Fountain photo by Luca Zampaglione
Photo: Luca Zampaglione
Campitelli Fountain photo by Dani
Photo: Dani
 

 
Campo de' Fiori


Historical executions
Piazza Campo de' Fiori
Rome, Rome 00186
Tradition says that Campo dei Fiori was named after the woman loved by Pompey, Flora, but it is more likely to have come from something a bit less romantic: in the 14th century, Campo dei Fiori was a long-abandoned field filled with flowers. In the second half of the 19th century the square was used for a colourful market that has been held each morning since then. It was also the scene of many executions, most notably that of Giordano Bruno, the philosopher who was burned here in 1600. The statue dedicated to him replaced a fountain that was moved to the nearby Chiesa Nuova square, and a reproduction of it was moved to the side of the Campo dei Fiori.

Review © 2007, Wcities
Campo de' Fiori photo by jason canney
Photo: jason canney
Campo de' Fiori photo by Haddy Bello
Photo: Haddy Bello
Campo de' Fiori photo by hunthearin
Photo: hunthearin
Campo de' Fiori photo by Luca Graziani
Photo: Luca Graziani
Campo de' Fiori photo by Julcsi Koenig
Photo: Julcsi Koenig
Campo de' Fiori photo by Jose Parral
Photo: Jose Parral
Campo de' Fiori photo by Leah Kozak
Photo: Leah Kozak
Campo de' Fiori photo by Pavol & Katka Kukucky
Photo: Pavol & Katka Kukucky
Campo de' Fiori photo by andrea mertina
Photo: andrea mertina
Campo de' Fiori photo by Ken Perkowski
Photo: Ken Perkowski
Campo de' Fiori photo by Matteo Cavalieri
Photo: Matteo Cavalieri
Campo de' Fiori photo by Janelle Marie Samson
Photo: Janelle Marie Samson
Campo de' Fiori photo by redgun
Photo: redgun
Campo de' Fiori photo by siresim
Photo: siresim
 

 
Canevaworld - Medieval Times


A leap into the past
Via Fossalta 1
Lazise 37017
+39 45 759 0622
http://www.canevaworld.it
info@canevaworld.it
Canevaworld is not only the most beautiful Italian water park: in fact, when evening chills call a halt to plunging into the swimming pools, the fascinating spectacle of a full Medieval evening begins, set in the year 1092. You will be among the lucky 400 people who, while happily feasting on the banquest provided by King Astolfo, will witness a classic medieval tournament which offers the hand of the princess Esmerelda as a prize for the victor. The entrance ticket covers the dinner and the show put on by the knights and their horses. There is no specified dress code, but it is advisable to book places in advance. The venue is covered and air-conditioned, and the feast includes delicacies that generally satisfy everyone, including children.

Review © 2007, Wcities
Canevaworld - Medieval Times photo by sheena t. green
Photo: sheena t. green
 

 
Carlo Emanuele II Square


The people's piazza
Piazza Carlo Emanuele II
Turin 10123
In the area bordered by Via Po, Via Roma, Corso Vittorio and the Po, you will find a series of buildings and a small square very dear to the hearts of the Turin people—Piazza Carlo Emanuele II—probably the square which best represents this area. In the centre of the square, there is a monument of Cavour, which shows the famous statesman holding a sheet of paper in his hand engraved with the famous phrase "A free church in a free State."

Review © 2007, Wcities
Carlo Emanuele II Square photo by Nuvola Rossa
Photo: Nuvola Rossa
Carlo Emanuele II Square photo by Mister Brown
Photo: Mister Brown
Carlo Emanuele II Square photo by Matteo Nogarè
Photo: Matteo Nogarè
Carlo Emanuele II Square photo by Andrea Perotti
Photo: Andrea Perotti
 

 
Carlo Felice Theatre


A piazza in a theatre
Passo E. Montale, 4
Genoa 16121
+39 10 5 3811
http://www.carlofelice.it
cfrelest@tin.it
Built between 1826 and 1831, designed by the architect Carlo Barabino, it is an example of the traditional Italian horseshoe shaped, development. It has a capacity of 2,000. It was badly damaged by bombing in the Second World War, and almost completely rebuilt at the beginning of the 1990's by the architects I. Gardella and A. Rossi. The original neo-classical features of the pronaus and the portico were incorporated into the new building, whose imposing triangular tower, visible from many parts of the city, hides a sophisticated scenic mechanism which places this theatre among the most advanced in Italy. It has provoked both great amazement and furore among the Genovese on account of the internal design, including balconies, shutters and slate coverings, as if it were several houses in the historic centre facing onto a typical Ligurian piazza.

Review © 2007, Wcities
Carlo Felice Theatre photo by LulúP.
Photo: LulúP.
Carlo Felice Theatre photo by CharlieBrigante
Photo: CharlieBrigante
Carlo Felice Theatre photo by Sbratte
Photo: Sbratte
Carlo Felice Theatre photo by chiara ameri
Photo: chiara ameri
 

 
Casa degli Omenoni


19th Century house
3 Via Degli Omenoni
Milan, Milan 20121
+39 2 7252 4301 (L'ufficio Turisfico)
Built by the sculptor, Leone Leoni between 1562 and 1566 as his Milan residence, this building is famous above all for it's façade, which has eight telamons sculpted in solid stone. The rest of the decoration is highly ornamental and reflects the cultured style of its architect.

Review © 2007, Wcities
Casa degli Omenoni photo by Catharina Bonang
Photo: Catharina Bonang
Casa degli Omenoni photo by pattybruce1961
Photo: pattybruce1961
 

 
Castello Square


Turin's Main Square
Piazza Castello
Turin 10121
This is one of Turin's main squares and holds reminders of the city's long and continuing history, from a Roman gate to a modern skyscraper. It is almost entirely surrounded by historic and interesting buildings including the Palazzo Madama, Royal Palace, Regio Theatre, Galleria Subalpina, Church of San Lorenzo, Royal Library which contains works by da Vinci, and the State Archives in Piazzetta Mollino. You can take a break under the porticos to go shopping or to relax in one of the many cafés. Come winter, there is an open-air ice rink and in the summer, colorful flowerbeds.

Review © 2007, Wcities
Castello Square photo by renzus07
Photo: renzus07
Castello Square photo by Luca Vailetta
Photo: Luca Vailetta
Castello Square photo by LorelaiBlue
Photo: LorelaiBlue
 

 
Catholic University Building


Bramante and Muzio
1 Largo Fra Agostino Gemelli
Milan, Milan 20123
+39 2 7 2341
http://www.unicatt.it/
rel.internazionali@unicatt.it
In Largo Agostino Gemelli next to the Piazza Sant'Ambrogio and the Tempio della Vittoria the Università Cattolica del Sacro Cuore is housed. The building which emerged from the remains of the former Sant'Ambrogio monastery, was designed by Bramato in 1497. The two splendid cloisters of the four required by renaissance architecture were built under the direction of I due splendidi Cristoforo Solari, whilst the majestic refectory, today the main school room, dates back to the 16th century which holds the vast fresco by Callisto Piazza of the 'Weddings of Cana'. With the suppression of the monastery in 1797, this large building became a army barracks and military hospital until 1921 when the Catholic University was founded. Its current aspect is the work of Giovanni Muzio who worked on this large site between 1929 and 1949: as well as restoring the cloisters and building the entrance to the building with brick paraments, he designed the two boys' colleges on Via Necchi, with class rooms overlooking Via Lanzone, the Psychology institue and the refectory.

Review © 2007, Wcities
Catholic University Building photo by nmeriggi
Photo: nmeriggi
 

 
City Palace Square


The monument to the Green Count
Via Milano
Turin 10122
The Green Count, Amedeo VI of Savoy, the hero of the crusade of 1366, stands in the centre of this square. The 18th c. square was formerly the Piazza delle Erbe but was rebuilt by Benedetto Alfieri in the second half of the 18th c. The design was supposed to bring an architectural conformity to the street, square and surrounding buildings, including the Palazzo di Città, the City Hall, which was being enlarged.

Review © 2007, Wcities
City Palace Square photo by El Gabrio
Photo: El Gabrio
 

 
Clock Tower


Hours go by
17a Via de' Filippini
Rome, Rome 00186
This clock tower, with its alternately concave and convex sides, was designed and built by Borromini in the first half of the 17th century. It was placed at the top of the monastery of the Oratorio of San Filippo Neri. The structure is in wrought iron, and below the clock there is a lovely mosaic of the Madonna della Vallicella that was designed by Pietro da Cortona. The original clockwork mechanism is conserved in the Museum of Rome.

Review © 2007, Wcities
Clock Tower photo by Acciaio
Photo: Acciaio
 

 
Colosseum ("Coliseum")


The symbol of Rome
Piazza del Colosseo
Rome, Rome 00184
+39 6 700 4261 / +39 6 700 5469
http://www.museidiroma.com/col...
No visit to Rome is complete without having seen its magnificent Colosseum, a vast amphitheatre with seating for 55,000 that was designed as a horse racing circuit and arena for animal fighting and gladiatorial battles. Upon its completion, spectacular 100-day celebrations were organized as part of the opening ceremony in 72 AD. Its name is believed to come from Nero's enormous statue of Colossus that stood close by. The admission charges are about EUR10.

Review © 2007, Wcities
Colosseum ('Coliseum') photo by Jeffrey Hollis
Photo: Jeffrey Hollis
Colosseum ('Coliseum') photo by lesley middlemass
Photo: lesley middlemass
Colosseum ('Coliseum') photo by Daniel Blyth
Photo: Daniel Blyth
Colosseum ('Coliseum') photo by Peanut Dela Cruz
Photo: Peanut Dela Cruz
Colosseum ('Coliseum') photo by Matt
Photo: Matt
Colosseum ('Coliseum') photo by u6anka
Photo: u6anka
Colosseum ('Coliseum') photo by tomsaint11
Photo: tomsaint11
Colosseum ('Coliseum') photo by Jill Alcibar
Photo: Jill Alcibar
Colosseum ('Coliseum') photo by Iván
Photo: Iván
Colosseum ('Coliseum') photo by amWalker44
Photo: amWalker44
Colosseum ('Coliseum') photo by Joan Rubió
Photo: Joan Rubió
Colosseum ('Coliseum') photo by Cris Pierry
Photo: Cris Pierry
Colosseum ('Coliseum') photo by Amund Nedland
Photo: Amund Nedland
Colosseum ('Coliseum') photo by Stephen Cuyos
Photo: Stephen Cuyos
Colosseum ('Coliseum') photo by Brett Quinlan
Photo: Brett Quinlan
Colosseum ('Coliseum') photo by eLupo
Photo: eLupo
Colosseum ('Coliseum') photo by Nupur Bhatnagar
Photo: Nupur Bhatnagar
Colosseum ('Coliseum') photo by Triple Tri
Photo: Triple Tri
Colosseum ('Coliseum') photo by cjrodkey
Photo: cjrodkey
Colosseum ('Coliseum') photo by Joshua A. Laliberte
Photo: Joshua A. Laliberte
 

 
Column of Marcus Aurelius


The account of a victory
Piazza Colonna
Rome, Rome 00187
This large column was erected after the death of Marcus Aurelius to commemorate his victories over the barbarians. The reliefs on the column illustrate battle scenes and soldiers escorting files of prisoners. It is similar in style to Constantine's arch and it is probable that the same artist worked on both. The statue of Marcus Aurelius on the tip of the column was replaced by one of St Paul of which copies can be seen at the Museo della Civiltà Romana in the Victoria and Albert Museum in London.

Review © 2007, Wcities
Column of Marcus Aurelius photo by Praveen Emmanuel
Photo: Praveen Emmanuel
Column of Marcus Aurelius photo by Jesso Hackberry
Photo: Jesso Hackberry
Column of Marcus Aurelius photo by Duane Bailey-Castro
Photo: Duane Bailey-Castro
Column of Marcus Aurelius photo by Carli Morgenstein
Photo: Carli Morgenstein
Column of Marcus Aurelius photo by Thijs Bennebroek
Photo: Thijs Bennebroek
Column of Marcus Aurelius photo by Andrea Di Carlo
Photo: Andrea Di Carlo
Column of Marcus Aurelius photo by Lenora Carr
Photo: Lenora Carr
Column of Marcus Aurelius photo by David Travis
Photo: David Travis
Column of Marcus Aurelius photo by alish863psu
Photo: alish863psu
 

 
Column of the Immaculate Conception


Flowers for the Virgin Mary
Piazza Mignanelli
Rome, Rome 00187
The ancient Roman column became the base of a Christian monument in 1800. Pope Pius IX pronounced the creed of the Immaculate Conception and had a statue of the Madonna placed on the top of the column. Since then, the Immacolata is celebrated on 8 December, when a fireman climbs up to the statue and places a garland of flowers around her. In earlier times, Pope Pius himself would climb up to pay homage to the statue.

Review © 2007, Wcities
Column of the Immaculate Conception photo by Jacob Maurer
Photo: Jacob Maurer
Column of the Immaculate Conception photo by Marci Ikeler
Photo: Marci Ikeler
 

 
Columns of S. Lorenzo


Archaelogical Remnants
39 Corso di Porta Ticinese
Milan, Milan 20123
In front of the Basilica of San Lorenzo, there is a square with a row of columns on either side which were taken from a monumental building dating from the 2nd century B.C. and repositioned. Up until 1935, the space between the church and columns was entirely occupied by old houses abutting onto the façade of the church itself. Despite the plans to conserve this ancient urban fabric, the renovations led to the demolition of the old houses and the isolation of the monument.

Review © 2007, Wcities
Columns of S. Lorenzo photo by Massimo
Photo: Massimo
Columns of S. Lorenzo photo by dann :*
Photo: dann :*
Columns of S. Lorenzo photo by Paul Murray
Photo: Paul Murray
Columns of S. Lorenzo photo by :Bandini's.on.fire:
Photo: :Bandini's.on.fire:
Columns of S. Lorenzo photo by Andrea Mantia
Photo: Andrea Mantia
Columns of S. Lorenzo photo by Strejiji
Photo: Strejiji
Columns of S. Lorenzo photo by AlessandroDM
Photo: AlessandroDM
 

 
Corso Francia and Tesoriera Park


Straight from Turin to Rivoli
192 Corso Francia
Turin 10139
From Piazza Statuto, one enters Corso Francia, an extremely long, straight road which leads to Rivoli from Turin through the town of Collegno. It was once the main road which lead to the Val di Susa from the city and from there to France, now it is one of the most important access roads into the city. There are some interesting buildings at the beginning of the route which were built in the art nouveau period. After Piazza Rivoli, it opens onto the Tesoriera park on the right which takes its name from the villa Sartirana or Tesoriera which is inside the park and is a typical example of an excellently preserved eighteenth century villa.

Review © 2007, Wcities
Corso Francia and Tesoriera Park photo by sergio_65_ita
Photo: sergio_65_ita
Corso Francia and Tesoriera Park photo by Marcello Karra
Photo: Marcello Karra
 

 
Corso Palestro


The market in the city centre
Corso Palestro
Via Garibaldi
Turin 10122
This is one of the few markets in the centre. To find it, go to the end of Via Garibaldi in the direction of Piazza Statuto where it crosses Viale Palestro, a large 19th c. street. The stalls selling clothing and household objects bring life each morning to one of the loveliest parts of the city. If you are fed up with looking at shop windows, you may find something original here.

Review © 2007, Wcities
Corso Palestro photo by *blulu*
Photo: *blulu*
 

 
Corso Vittorio Emanuele II


Transverses the city
Corso Vittorio Emanuele II
Turin, Turin 10121
+39 (0)11 53 5181 (Turismo Torino)
Starting at the Po, at one of the extremes of the Valentino park, this road leads to Corso Francia. It is a typical, tree lined, Turin street with three lanes, two of which are counterlanes and allow left turns which are forbidden in the central lane which is reserved for traffic proceeding along the avenue and for public transport. From the Po, the highlights of the route are the Valdese Temple, the synagogue, Palazzo Priotti, the Porta Nuova station and the monument to Vittorio Emanuele II.

Review © 2007, Wcities
Corso Vittorio Emanuele II photo by Chen_Yan
Photo: Chen_Yan
Corso Vittorio Emanuele II photo by Ana Claudia CORREA
Photo: Ana Claudia CORREA
Corso Vittorio Emanuele II photo by Chen_Yan
Photo: Chen_Yan
 

 
Cottolengo


A charitable institution
14 Via San Giuseppe Cottolengo
Turin 10152
+39 (0)11 522 5111
http://www.cottolengo.org
Cottolengo@alma.it
The "Little House of Divine Goodness," better known as Cottolengo, is an enormous charity complex in the rather rundown area of Porta Palazzo. It was founded by Canon Giuseppe Benedetto Cottolengo to provide medical help for the sick, poor, orphans and disabled. It was first established at the house 'della Volta Rossa' at no. 19, Via Palazzo, but was transferred here in 1832 and has since been enlarged.

Review © 2007, Wcities
Cottolengo photo by wordscraft
Photo: wordscraft
 

 
Courtyard of the Pinecone


The great pinecone
Viale Vaticano
Rome, Rome 00193
+39 6 48 8991 (Tourist Information)
Inside the Vatican Museums you will find the Cortile della Pigna between the Sistine Salon, the Museo Chiaramonti, the Galleria dei Candelabri, the Museo Pio-Clementino and the Museo Gregoriano Egizio. The cortile is part of Bramante's Belvedere courtyard and was given the name because of the large bronze pinecone in front of the large niche. It was actually mentioned by Dante in the Divina Commedia. It dates from the Roman era and was found in Agrippa's Baths near Piazza Navona. It was probably created by the sculptor Salvius and may have been part of a fountain. It was later placed in the atrium of St Peter's with two bronze peacocks.

Review © 2007, Wcities
Courtyard of the Pinecone photo by dsfwb
Photo: dsfwb
Courtyard of the Pinecone photo by Stacy Bruner
Photo: Stacy Bruner
 

 
Cucine Economiche


Neo-Romanesque 19th c. building
8 Viale Monte Grappa
Milan, Milan 20124
+39 2 7252 4301 (L'ufficio Turisfico)
After three temporary sites were set up offering meals at a low price, the Cucine Economiche (Cheap Meals) building was constructed in 1886 near the old Gabelle bridge over the Naviglio della Martesana. The building was designed by Luigi Broggi and is an example of Milanese Neo-Romanesque. The purpose of the building was reflected in its strict rationality and pure volumetry. Split on two floors (the kitchens and dining room on the ground floor and the offices upstairs), it is characterized by elegant decorative elements: the low arched doorways and windows, the alternating bands of ceramic and plaster, the simple motifs in staggered brick are an effective and remarkable example of architecture in a charitable building.

Review © 2007, Wcities
Cucine Economiche photo by paolo
Photo: paolo
 

 
Datchforum


Sports and concerts
Forum di Assago
Assago, Milano 20090
+39 (0)2 1 9912 8800
http://www.forumnet.it/
This sports stadium was built in 1990 and has become the premier centre in Milan for major sporting and show events. During the year, the ATP tennis championship, the Sei Giorni di ciclismo (cycling event), and basketball games. The stadium has 12,000 spectator capacity. The sports stadium allows the development of various sports at another level: skating, swimming, basketball, volleyball, bowling and squash. Two multipurpose courts. There's also a ministadium with 200 places available to hire; use of ball is included in price. There is also a sports equipment shop, a restaurant, self-service restaurant and bar. Whilst the stadium is always open the hours vary according to the sports activity.

Review © 2007, Wcities
Datchforum photo by Roberto Boggio Merlo
Photo: Roberto Boggio Merlo
Datchforum photo by Michele Di Maio
Photo: Michele Di Maio
Datchforum photo by Davide Armaroli
Photo: Davide Armaroli
Datchforum photo by tungs
Photo: tungs
Datchforum photo by Matteo Furcas
Photo: Matteo Furcas
Datchforum photo by Matteo Gentini
Photo: Matteo Gentini
Datchforum photo by Nuna Tognoni
Photo: Nuna Tognoni
 

 
Emanuele Filiberto Monument


The most famous Torinese monument
Piazza San Carlo
Turin 10121
The monument to Emanuele Filiberto is found in Piazza San Carlo, the "living room" of the city, and is affectionately called by the Torinesi the "caval d'brons", or the bronze horse. It depicts Emanuele Filiberto, the leader of the battle of San Quintino in 1557, in the act of drawing his sword and guiding his troops to victory.

Review © 2007, Wcities
Emanuele Filiberto Monument photo by Alice Twain
Photo: Alice Twain
Emanuele Filiberto Monument photo by Andrea Parisse
Photo: Andrea Parisse
Emanuele Filiberto Monument photo by Badnightcafè
Photo: Badnightcafè
Emanuele Filiberto Monument photo by Victor Kishor Ferri
Photo: Victor Kishor Ferri
Emanuele Filiberto Monument photo by Alessandro Sandrucci
Photo: Alessandro Sandrucci
 

 
Florence American Cemetery and Memorial


War Memorial
West of Via Cassia
Florence, Florence 50144
+39 55 230 2033 (tourism office)
http://www.abmc.gov/
info@abmc.gov
The memorial is a beautiful spot amidst wooded slopes, near the Greve River. Green courts with white crosses, on either side of a pylon, consist of 4402 graves of soldiers who died for their country. The names soldiers is written upon the Tablets of the Missing, which serves as a reminder of sacrifice and loyalty. A staff member is on site at all times to answer questions and assist relatives to the graves. Achievements of the American Armed Forces in this region can be viewed in the north atrium of the memorial.

Review © 2007, Wcities
Florence American Cemetery and Memorial photo by rachel j. k. grace
Photo: rachel j. k. grace
Florence American Cemetery and Memorial photo by Lee Bullock
Photo: Lee Bullock
Florence American Cemetery and Memorial photo by Francesca Birini
Photo: Francesca Birini
Florence American Cemetery and Memorial photo by 8 perf
Photo: 8 perf
Florence American Cemetery and Memorial photo by Elisa Edefonti
Photo: Elisa Edefonti
 

 
Former Baraccano Conservatory


Once used to house orphan girls
Via Santo stefano 119
Bologna, Emilia - Romagna 40125
The façade, portico and quadriportico were built for the Bentivoglio family at the end of the 15th century. The capitals are worth taking a look at. Today the building is the administrative base for the Santo Stefano district. It was used to house pilgrims during the 15th century, and was later turned into an orphanage for young girls - a sort of conservatory to keep them "honest". It could house up to 75 girls who were then expected to work up to 12 hours per day, sewing, embroidering, and making fabrics. They generally stayed here for around seven years. They used the proceeds from their work as a dowry to get married or to take vows. The husband would be given a part payment and would only receive the rest when he had demonstrated that he was in a good position to marry. The façade was redone in 1779. The interiors have recently been rennovated and display some frescoes by Bagnacavallo.

Review © 2007, Wcities
Former Baraccano Conservatory photo by Francesco Monetti
Photo: Francesco Monetti
 

 
Fountain of Triton and Fountain of the Bees


See the Sea God
Piazza Barberini
Rome, Rome 00187
In the middle of the congested Piazza Barberini stands the Fountain of Triton, one of Bernini's finest. It shows the sea-god Triton carved into the centre of a shell. It was ordered by Pope Urban VIII Barberini, as was the other fountain in the square, the Fountain of the Bees. It takes its name from the bees of the Barberini coat of arms, sculpted into the fountain.

Review © 2007, Wcities
Fountain of Triton and Fountain of the Bees photo by papillion_1
Photo: papillion_1
 

 
Fountain of the Four Rivers


The iniquity of the people
Piazza Navona
Rome, Rome 00186
The Fountain of the Four Rivers is in the centre of Piazza Navona. It was built between 1648 and 1651 from marble and travertine by Bernini. The fountain represents a large rock, which seems to emerge from the water on which an Egyptian obelisk from the Roman era stands. The rock is inhabited by allegorical animals and plants and decorated with the coat of arms of the Pamphili family. Four large statues represent rivers of the then-known areas of the world: the Danube for Europe, the Ganges for Asia, the Rio de la Plata for America, and the Nile for Africa. The last is covering its eyes so as not to see the iniquities taking place before it in the square, the commerce practised by merchants and tradesmen.

Review © 2007, Wcities
Fountain of the Four Rivers photo by Boril Bogoev
Photo: Boril Bogoev
Fountain of the Four Rivers photo by Rick Abel
Photo: Rick Abel
Fountain of the Four Rivers photo by Rien Bakker
Photo: Rien Bakker
Fountain of the Four Rivers photo by justtorchit
Photo: justtorchit
Fountain of the Four Rivers photo by Colie Parks
Photo: Colie Parks
Fountain of the Four Rivers photo by Daniel Hoult
Photo: Daniel Hoult
Fountain of the Four Rivers photo by Tommaso R. Donnarumma
Photo: Tommaso R. Donnarumma
Fountain of the Four Rivers photo by nspainter
Photo: nspainter
Fountain of the Four Rivers photo by JeffToronto
Photo: JeffToronto
Fountain of the Four Rivers photo by Phil Norton
Photo: Phil Norton
Fountain of the Four Rivers photo by Daniel Zeilstra
Photo: Daniel Zeilstra
Fountain of the Four Rivers photo by Kerri Bastin
Photo: Kerri Bastin
Fountain of the Four Rivers photo by Skip Myers
Photo: Skip Myers
Fountain of the Four Rivers photo by melanie_freeman721
Photo: melanie_freeman721
Fountain of the Four Rivers photo by Hanee Designs, LLC
Photo: Hanee Designs, LLC
 

 
Fountain of the Turtles


One of the Renaissance's little gems
Piazza Mattei
Rome, Rome 00186
+39 6 48 8991 (Tourist Information)
This lovely fountain from the late 16th century was ordered by the Mattei family to Giacomo della Porta's design. The statues, on the other hand, are by Taddeo Landini. The turtles that gave their name to the fountain, the work of an anonymous sculptor, were added only a century later. Some think that their creator may even be Bernini, but the evidence is thin; it was perhaps one of his pupils, which would justify any similarities between this work and the work of the illustrious sculptor.

Review © 2007, Wcities
Fountain of the Turtles photo by iKangaroo.com
Photo: iKangaroo.com
Fountain of the Turtles photo by Palinkas Tamara
Photo: Palinkas Tamara
Fountain of the Turtles photo by Yakov Miretski
Photo: Yakov Miretski
 

 
Fountain of the Twelve Months


Elegant sprays of water
Viale Matteo Maria Boiardo
Parco del Valentino
Turin 10126
If you go to Valentino park and take a walk behind the Turin Exhibition Centre, you will come across the superb "Fountain of the Months". An example of technological development during the Belle Epoque, it was designed and built by Carlo Ceppi for the 1898 national Exhibition and for the 50th anniversary of the Albertine Statute.

Review © 2007, Wcities
Fountain of the Twelve Months photo by Carlo Nicolotti
Photo: Carlo Nicolotti
Fountain of the Twelve Months photo by Carlo Nicolotti
Photo: Carlo Nicolotti
Fountain of the Twelve Months photo by Jenna Marie Rohm
Photo: Jenna Marie Rohm
Fountain of the Twelve Months photo by Marta Favro
Photo: Marta Favro
 

 
Four Fountains


Protected corners
Via delle Quattro Fontane
Rome, Rome 00187
These four baroque fountains, situated at each of the four corners of the crossroads of Via delle Quattro Fontane, Via del Quirinale and Via XX Settembre, depict the Tiber, recognisable by the presence of the Wolf; the Arno: the two male figures; and Diana and Juno: the females. The statues were erected at the end of the 16th century under Pope Sisto V during a period of reconstruction and embellishment of the city.

Review © 2007, Wcities
Four Fountains photo by Paige Lawrence
Photo: Paige Lawrence
Four Fountains photo by St. John Moore
Photo: St. John Moore
Four Fountains photo by John Brelstaff
Photo: John Brelstaff
 

 
Frejus Tunnel Monument


A special monument
Piazza Statuto
Turin 10122
In the garden in the centre of Piazza Statuto is the commemorative monument to the Frejus Tunnel, the tunnel that links Italy and France. The work is by the sculptor Belli and dates from 1879.

Review © 2007, Wcities
Frejus Tunnel Monument photo by edward bertozzi
Photo: edward bertozzi
Frejus Tunnel Monument photo by Giovanni Cassano
Photo: Giovanni Cassano
Frejus Tunnel Monument photo by TorinoBikeFriend
Photo: TorinoBikeFriend
Frejus Tunnel Monument photo by Palikao
Photo: Palikao
 

 
Galleria Borghese


Dreaming of Paolina
5 Piazzale Scipione Borghese
Rome, Rome 00197
+39 6 841 3979
http://www.galleriaborghese.it/
info.servizimusei@libero.it
This collection is housed in a building constructed in 1613 for Cardinal Scipione Borghese, one of Bernini's greatest patrons. In fact, this great sculptor has exhibited some of his most famous sculptures here; amongst them is the renowned 'Apollo and Daphne.' When one thinks of the Museo Borghese, the sculpture that immediately springs to mind is Canova's 'Pauline Borghese,' in which she poses as Venus, wearing just a drape around her midriff. There are six major pieces by Caravaggio in the Galleria, including 'The boy with a basket of fruit' and the 'Madonna della Serpe.' Titian is also represented with 'Sacred and Profane Love,' Rafael with 'The Deposition,' and there are important works by Correggio. The gallery can only hold 300 visitors at a time, so it is advisable to book in advance.

Review © 2007, Wcities
Galleria Borghese photo by Adan Gallardo
Photo: Adan Gallardo
Galleria Borghese photo by alfiogreen
Photo: alfiogreen
Galleria Borghese photo by Stefano Fiore
Photo: Stefano Fiore
Galleria Borghese photo by Cat Pitts-Tucker
Photo: Cat Pitts-Tucker
Galleria Borghese photo by Roberto Anglani
Photo: Roberto Anglani
Galleria Borghese photo by mcdowell crook
Photo: mcdowell crook
Galleria Borghese photo by Olga Lebedeva
Photo: Olga Lebedeva
Galleria Borghese photo by librarymaven
Photo: librarymaven
Galleria Borghese photo by Alessandro Bachini
Photo: Alessandro Bachini
Galleria Borghese photo by Elena
Photo: Elena
Galleria Borghese photo by mac`s
Photo: mac`s
Galleria Borghese photo by Jared, Rad Campaign
Photo: Jared, Rad Campaign
Galleria Borghese photo by Ashley Pagnotta
Photo: Ashley Pagnotta
Galleria Borghese photo by Charles Yoo
Photo: Charles Yoo
Galleria Borghese photo by alesstar
Photo: alesstar
 

 
Galleria Nazionale dell'Arte Moderna


A dive into the present
131 Via delle Belle Arti
Rome, Rome 00196
+39 6 32 2981
http://www.gnam.arti.benicultu...
comunicazione.gnam@beniculturali.it
The collection housed in this Neo-classical building includes works from the 19th and 20th centuries. The 19th century works are mostly those of the macchiaioli (Florentine impressionist painters), a similar movement to puntinismo (pointillism), a style based on the use of spots of colour to create paintings whose subjects were distinguishable only from a certain distance. Among the 20th century artists are works from De Chirico, Carrà, Sironi, Casorati, Marini and many others. The museum often organises temporary exhibitions and has its own shop. Disabled access from via Gramsci, 71.

Review © 2007, Wcities
Galleria Nazionale dell'Arte Moderna photo by Moniek Holtermann
Photo: Moniek Holtermann
Galleria Nazionale dell'Arte Moderna photo by Carlo Franceschini
Photo: Carlo Franceschini
 

 
Gardaland


Between fiction and reality
Gardesana Orientale
Castelnuovo del Garda 37014
+39 45 644 9777
http://www.gardaland.it/
Gardaland is the best and largest theme park in Italy. There are many rides which have contributed to its success including: a journey amongst the pharaohs in 'Valley of Kings' and a trip round a pirate village in 'The Buccaneers'. You can also visit the 'Village of the Elves' and venture through the uncultivated jungle. However, the best rides are aimed at the bravest visitors: start with a terrifying freefall from a height of 40 metres in 'Space Vertigo', then wander through a Russian mountain range (the first of its kind ever constructed in Italy) in 'Blue Tornado' and finally explore some more traditional mountains in 'Magic Mountain'. After all this, when the heat is beginning to get to you, why not try an aqueous descent in a carved out tree trunk ('Colorado Boat') or a journey through the rapids in 'Jungle Rapids?' There are hundreds of other attractions as well as live shows. The park - which has been carefully put together, right down to the finishing touches - is also host to a number of restaurants and gift shops. It would be a crime to miss it.

Review © 2007, Wcities
Gardaland photo by Malaffo Enrico
Photo: Malaffo Enrico
Gardaland photo by manuel comis
Photo: manuel comis
Gardaland photo by Christine Al-Qattan
Photo: Christine Al-Qattan
Gardaland photo by Riccardo
Photo: Riccardo
Gardaland photo by Carmen Cristina Rizz
Photo: Carmen Cristina Rizz
 

 
Garisenda Tower


The famous leaning tower of Bologna
Piazza di Porta Ravegnana
Bologna 40125
Built around the twelfth century, probably at the same time as the Asinelli tower was built, the leaning Garisenda tower is about 48m high. It is also called the Mozzata (Docked) tower, because it is said to have been hight than it now is. Dante Alighieri supports this hypothesis in the 31st canto of his 'Inferno' (v136-138) when he said: '..Qual pare a riguardar la Garisenda sotto 'l chinato, quando un nuvol vada sovr'essa sì, che ella incontro penda' (It seems that I am looking at the Garisenda tower under its incline, and when a cloud passes over, it leans a little). We can also deduce that the tower aquired its lean quite quickly, perhaps due to a subsidance in the ground. There is a plaque inscribed with Dante's verses on the leaning side of the tower.

Review © 2007, Wcities
Garisenda Tower photo by Fernanda Alarcón
Photo: Fernanda Alarcón
Garisenda Tower photo by manuel da ros
Photo: manuel da ros
Garisenda Tower photo by Demetrio Filocamo
Photo: Demetrio Filocamo
Garisenda Tower photo by Liesbeth & Frédéric
Photo: Liesbeth & Frédéric
Garisenda Tower photo by gremetti
Photo: gremetti
Garisenda Tower photo by Andrea Bassi
Photo: Andrea Bassi
Garisenda Tower photo by dEb[free burma]
Photo: dEb[free burma]
Garisenda Tower photo by Valeria Migliaccio
Photo: Valeria Migliaccio
Garisenda Tower photo by Antonio Latela
Photo: Antonio Latela
Garisenda Tower photo by marco prete
Photo: marco prete
Garisenda Tower photo by Ornella Gerbino
Photo: Ornella Gerbino
Garisenda Tower photo by Kevin Welker
Photo: Kevin Welker
Garisenda Tower photo by Apu Kapadia
Photo: Apu Kapadia
Garisenda Tower photo by Michele Pedrolli
Photo: Michele Pedrolli
Garisenda Tower photo by Anders Lanzen
Photo: Anders Lanzen
Garisenda Tower photo by Caterina Salvador
Photo: Caterina Salvador
Garisenda Tower photo by Eleonora
Photo: Eleonora
 

 
Ghetto


Remains of the day
Via del Portico d'Ottavia
Sant'Angelo (Area 1)
Rome, Rome 00186
+39 (0)6 48 8991 (Romaturismo)
This area has been frequented by the Jewish community since the year 1000, thus the name "ghetto." It is full of archeological remains, dating to the medieval period and earlier. The significant monuments that can be seen include Octavia's Portico, built by Augustus for his sister, now incorporating the church of Sant'Angelo in Pescheria. Cola di Rienzo was born in this area, and a plaque marks his birthplace in what was once Via della Fiumara. The Synagogue, with its square dome, is very different from the surrounding Roman city architecture, and on the wall of the riverside street there are slabs with inscriptions commemorating the death of the Jews in the Nazi concentration camps and at the Fosse Ardeatine.

Review © 2007, Wcities
Ghetto photo by Rebecca Rosen
Photo: Rebecca Rosen
Ghetto photo by Neil 'Kiwi' McCabe
Photo: Neil 'Kiwi' McCabe
Ghetto photo by shara shisheboran
Photo: shara shisheboran
Ghetto photo by Steve G. Hoffman
Photo: Steve G. Hoffman
Ghetto photo by Craig Cunningham
Photo: Craig Cunningham
Ghetto photo by Darren Gittins
Photo: Darren Gittins
Ghetto photo by stefano varano
Photo: stefano varano
Ghetto photo by union forever
Photo: union forever
Ghetto photo by Mary Quinlivan
Photo: Mary Quinlivan
Ghetto photo by Derek Gianfresco
Photo: Derek Gianfresco
Ghetto photo by partigianirimini
Photo: partigianirimini
Ghetto photo by Michiel Dros
Photo: Michiel Dros
Ghetto photo by natalie810
Photo: natalie810
Ghetto photo by JudyJack1960
Photo: JudyJack1960
Ghetto photo by Rosa Pugliese
Photo: Rosa Pugliese
 

 
Goethe Statue


A gift from Germany to Rome
Viale Goethe
Rome, Rome 00197
At the Porta Pinciana entrance to Villa Borghese there stands an enormous statue that commemorates the German writer and poet Wolfgang Goethe. The avenue on which it stands is also named after him. The statue was given as a sign of friendship by Emperor William II of Germany to the city of Rome and was inaugurated in June 1904 in the presence of King Vittorio Emanuele III. It symbolised the deep bond between Rome and Germany. Goethe was chosen because he was influenced the time he had spent in the city as a youth. At the base of the pedestal there are three groups that represent the artistic fields in which he was active: philosophy, drama and opera.

Review © 2007, Wcities
Goethe Statue photo by Mark Furstner
Photo: Mark Furstner
Goethe Statue photo by ryan david jahn
Photo: ryan david jahn
 

 
Grotta Gigante


Natural cave in the Guinness book of records as the largest touristic cave in the world!
Borgo Grotta Gigante 42/a
Sgonico 34100
+39 40 32 7312
This enormous cave, first opened to the public in 1908, is large enough to contain the entire basilica of Saint Peter. Because of its special characteristics and constant temperature of 12°C, it is the site of scientific experiments of world interest. The oldest speleological society in Europe runs the caves and organizes guided tours all year round. A series of routes, some of which have only been opened recently, allow visitors to admire the cave (illuminated by spotlights) from different angles. You can also visit the small museum of archeological and paleontological materials from the area. Museum admission is free.

Review © 2007, Wcities
Grotta Gigante photo by Fede Ranghino
Photo: Fede Ranghino
Grotta Gigante photo by rainerspl
Photo: rainerspl
Grotta Gigante photo by clopette
Photo: clopette
Grotta Gigante photo by Fabio & Danilo
Photo: Fabio & Danilo
 

 
Hadrian's Villa


Emperor's dream
204 Via di Villa Adriana
Tivoli, Rome 00019
+39 6 3996 7900
This extraordinary villa was built for Emperor Hadrian in 118 A.D. It was vast and included full-scale reproductions of Egyptian and Greek buildings, much loved by Hadrian. The palace had a series of rooms for guests, banqueting halls and libraries. Hadrian had theatres built, as well as libraries with many Greek and Latin texts, and baths, fountains and pools. Teatro Marittimo must have also been an incredible sight, a pool with an island in the centre reached by a drawbridge: apparently it was one of the emperor's favourite spots in which to indulge in his favourite pastimes, painting and architecture. Amongst the reproduced buildings, Hadrian had a Canopus made, a temple to the god Serapis, and statues were imported from Egypt for decoration. The villa fell into ruin after 700 A.D, when tribes of barbarians used it as a campsite. The art work reappeared much later in private collections, and in various European museums. The restored remains can be viewed amongst the trees, along with fragments of mosaics from the imperial palace. You can get there by bus to Tivoli, or by train to Tivoli station and from there, local bus 4.

Review © 2007, Wcities
Hadrian's Villa photo by Mike Strother
Photo: Mike Strother
Hadrian's Villa photo by Andrew Stock
Photo: Andrew Stock
Hadrian's Villa photo by Luke Stearns
Photo: Luke Stearns