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One of the Oldest Churches in Venice |
Calle San Basso Venice Italy |
Built in 1076, Ateneo di San Basso is one of the oldest churches in Venice. Restored after the fires of 1105 and 1661, the church has been privately owned, used as a marble and sculpture camp by the Fabbriceria di San Marco and finally reconstructed and furnished as a conference hall during the 1950s. Also used as a classical music venue, visitors can enjoy the sounds of Vivaldi and Mozart in this historical landmark. Review © 2007, Wcities |
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Monumental end of 12th Century Church |
3072 San Polo (Campo dei Frari) Venice 30124 Italy +39 41 522 2637 |
Built in the middle of the 13th century, this church was extended and grew until the 16th century. The church houses paintings by Tiziano, such as 'l'Assunta' and 'La Madonna di ca' Pesaro'. In the side chapel, you'll find Bellini's 'Madonna in Trono'. It also contains the tombs of Tiziano, Canova, Monteverdi, and Francesco Foscari. In spite of it's many historical and artistic treasures, the church's large dimensions make it seem empty. Services are held daily. Call ahead for details or simply walk in. Review © 2007, Wcities |
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The oldest church of the lagoon |
Via Torcello Venice 30100 Italy +39 41 73 0084 |
This church dates back to the year 1000 and includes elements from 400 years earlier. The beautiful ambo on the left comprises of certain parts of the original sixth-century church. The luminosity of the mosaics that adorn the apse and, above all, the image of 'The Last Judgement' on the west wall (which is rumoured to be a reconstruction) are incredible. Mass is held everyday at 9:30a and 4:30p. Review © 2007, Wcities |
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Precious mosaics |
Torcello Venice 30100 Italy +39 41 270 2464 |
This is the oldest cathedral of the lagoon, and evidence of the first settlement here. It was built in 639, but has undergone restoration and modification in the 9th, 11th and 14th centuries. The interior is enriched by splendid decorations, with particularly striking mosaics, which were probably made by mosaic makers from Ravenna. The bell tower, which was built in the 11th century, can only be visited by appointment. The view that can be enjoyed from the top is well worth the climb. Review © 2007, Wcities |
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16th-century architecture |
Sestiere Di Dorsoduro (Madonna della Salute) Venice 30124 Italy +39 41 522 5558 |
Designed by 20-year-old Longhena, this church is a masterpiece of 17th-century architecture. The dominating feature is its octagonal dome, which contains a lantern showing an image of the Madonna; while the smaller dome has a statue of San Marco. The interior consists of a nave, three chapels and a floor made of multicoloured marble with a design of five roses in the centre. The magnificent altar, also designed by Longhena, is particularly ornate. To its right is Tintoretto's 'Le Nozze di Cana', whilst the ceiling of the vestry is adorned with paintings by Tiziano. Mass is held daily at 9a and 11a. Review © 2007, Wcities |
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12th-century church |
Murano Venice 30100 Italy +39 41 73 9056 |
Dating back to the 12th century, this church has now been completely restored to all its ancient splendour. While the foundation dates back to the 12th century, its first restoration, when the floor was completed, dates back to the year 1100 AD. The richly decorated apse and the Byzantine mosaic on the vault and the spellbinding mosaic on the church floor are particularly beautiful. Mass is held daily at 8a, 9:30a, 11a, and 6p. On sundays, mass is held at 6p. Review © 2007, Wcities |
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Tombs of 25 magistrates |
6363 Campo San Giovanni e Paolo, Castello Venice 30122 Italy +39 41 523 7510 |
Construction of this church started at the end of the 14th century by the Dominican friars. It was completed at the beginning of the 15th century. The remains of 25 chief magistrates are buried here. The sepulchral monuments are in the care of the Lombardi family. The monuments of Nicolo Marcello, Pietro Lombardo and Pietro Mocenigo are masterpieces by the same sculptor, whose works occupy the whole left side of the entrance. Also impressive is the monument erected in the honor of Andrea Vendramin, and the paintings by Veronese and Piazzetta. Review © 2007, Wcities |
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The first Rennaissance church in Venice |
Isola di San MIchele Venice, Venice 30121 Italy +39 (0)41 729 2811 |
An outsider, yet close to the heart of most Venetians, the Chiesa di San Michele is located on the island of San Michele, not 5 minutes from the city. Designed by the architect Mauro Codussi and completed sometime in the second half of the 11th century, the church is built in white Istrian stone, a complete contrast to the colors of Venice. Most of the visitors to the island are mourners of those buried in the cemetery. Not many visitors crowd the island, but if you do happen to visit the church and thecemetery, try not to get shutter-happy with your camera and leave a rose or two for the departed. Review © 2007, Wcities |
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Religiously Musical |
San Marco 2862 Venice 30124 Italy +39 41 277 0561 http://www.interpretiveneziani... |
This historic religious site, jutting from the Venice soil like an ancient palace, is now home to a year-round series of classical music concerts. Chamber music aficionados flock to this site from miles around, to hear beautifully composed music performed in the grandest of settings. See website for calendar of events. Review © 2007, Wcities |
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Benedictine church designed by Andrea Palladio |
Isola di San Giorgio Venice 30100 Italy |
There is little more than this church on the island of San Giorgio Maggiore. The Benedictine Convent Church was built at the beginning of the year 1000, and was redesigned by Andrea Palladio in 1566. Its interior, which receives plenty of natural light, is full of works of art, amongst which are 'The Last Supper' and 'The Harvest' by Manna di Tintoretto, as well as murals by Tintoretto and Carpaccio. The bell tower offers one of the most beautiful views of San Marco in Venice. Review © 2007, Wcities |
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17th Century church |
Fondamenta Zattere Venice 30124 Italy +39 41 523 0625 |
This 17th century church was built with the co-operation and the imagination of Massari, Morlaiter and Tiepolo. The interior is very bright and has only one Nave, with three chapels and sculptures by Morlaiter and a unique harmony between the architecture, sculpture, painting and wooden furniture. Beside the third altar is Tintoretto's 'Crocifissione', and in the first altar Tiepolo's 'Tre Sante'. The ceiling is divided into three parts and decorated with paintings by Tiepolo. They represent the life of San Domenico and the Institution of the Rosario. Mass: 8a, 10a, noon and 6:30p Sunday. Review © 2007, Wcities |
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Ancient Church |
4693 Campo San Zaccaria, Castello Venice 30122 Italy +39 41 522 1257 |
This very old church, commissioned by the Doge Giustiniano Partecipazio and Emperor Leone V, houses paintings by Bellini, Tintoretto, Palma il Giovane, and Alessandro Vittoria. It was started by Antonio Gambello and finished by Mauro Codussi, who was influenced by the Malatesta temple by Leon Battista Alberto. Review © 2007, Wcities |
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Palladian church |
Isola di San Giorgio Maggiore Venice 30133 Italy +39 41 528 9900 |
The only building on the San Giorgio Maggiore island, this church was built in 1566 AD. It is built inside a Benedictine monastery (that was erected in 1000 AD) in accordance with a plan by Andrea Palladio. The bright interior is covered with paintings by Carpaccio and Tintoretto, such as 'L'ultima Cena' and the 'Raccolta della Manna'. From the bell tower, there is a magnificent view of San Marco. Mass (with Gregorian chants) is held every sunday at 11a. Review © 2007, Wcities |
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Designed by Sansovino |
Campo San Zulian Venice 30124 Italy +39 41 523 5383 |
Built in the 9th century, this church has a 16th century facade by Sansovino. On the portal there is the portrait of T. Rangone, a benefactor of the church and the first ordinary man to be portrayed in a Venetian church. Due to the work of Sansovino and Alessandro Vittoria, its style today is late Renaissance. A window by Serlio adorns the front of the church, while inside there are numerous paintings by Palma il Giovane. Mass: 9:30a, 11a, 7:30p. Review © 2007, Wcities |
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Historic relics in Burano |
Piazza Baldassare Galuppi Venice 30100 Italy +39 41 73 0096 |
Subsequent restorations have changed the original architecture of this 16th-century church, which nowadays is also used as a museum for Burano's antiques. Inside there's an early painting by Tiepolo. You can see the influence of Piazzetta and Ricci. Review © 2007, Wcities |
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Baroque church |
Calle Tron San Marco (Campo San Moise) Venice 30124 Italy +39 41 528 5840 |
The church of S. Vittore was built during the 8th century and according to Moise' Venier, it was rebuilt in 1632 AD. The baroque interior is bursting with works of art including busts of the Fini family, Tintoretto's 'La Lavanda dei Piedi' and an image of Moses receiving the Ten Commandments, on the altar. There is also the tomb of the writer and banker John Law, which used to be in S. Geminiano. Mass begins at: 9a, 11a, noon, 7p Sunday; 7p Saturday and holidays. Review © 2007, Wcities |
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Late fifteenth century church |
Campo dei Tolentini Venice 30124 Italy |
This church was built by V. Scamozzi in the last 10 years of the 16th century. It houses paintings by Palma il Giovane and the Padovanino. Mass is held on a regular basis; call ahead for further details or drop in here for a day filled with prayers. Review © 2007, Wcities |
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Near the Frari church |
Ponte San Polo Venice, Veneto 30121 Italy +39 41 522 2637 |
This is so close to the Frari church that it almost seems like the same building. Almost nothing remains of the original 15th century construction, which was sanctioned by the Francescani dei Frari. Giovanni Scalfarotto rebuilt it in the middle of the 18th century. The church houses art by Pordenone, Ricci and Tintoretto. Review © 2007, Wcities |
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Works of art by Tintoretto |
3825 Campo Santo Stefano Venice 30124 Italy +39 41 522 2362 |
Built by the Hermits in the 13th century, this church has been restored several times; the present appearance is a result of renovations in the 15th century and works done at the beginning of the 20th century. Inside, note the tomb of the last commander in chief of the Republic and the Sepulchral monument to Bartolomeo D'Alviano, as well as the vestry and the cloisters of the old monastery. The vestry houses paintings by Tintoretto and the bell tower is one of the most renowned in Venice. Mass: 10a, 11:30a, 7p Sunday; 7p Saturday and holidays. Review © 2007, Wcities |
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7th-century church |
Campo Santa Maria Formosa Venice 30122 Italy +39 41 523 4645 |
This church was rebuilt at the end of the 15th century, in accordance with a plan by Codussi. It is believed to be one of the churches that were originally commissioned by the Bishop of Oderzo in the 7th century. It is open from 8:30a to 12:30p and 5p to 7p daily. Mass is held at 10a, 11:30a and 6:30p daily. On Saturdays and holidays, mass is held at 6:30p and 8:45p. Review © 2007, Wcities |
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11th century church |
Campo San Geremia Venice 30131 Italy +39 41 71 6181 |
First constructed during the 11th century, this church has been re-built in the 14th and 18th century. Its bell tower dates back to the 14th century. The relics of Santa Lucia, which are protected by a transparent case, are kept here as well as a painting by Palma il Giovane. The front part of the church faces the Cannaregio Canal. Review © 2007, Wcities |
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Works of Lorenzo Lotto |
Campo del Carmini Venice 30122 Italy +39 41 522 6553 |
This church, started in the 14th century, is situated in the Campo Santa Margherita area, not far from Piazza Roma and the university. At present, like many long established Venetian structures, it has a 16th-century facade, a 14th-century Gothic one, and an interior of the same peculiar mix. Paintings by Lorenzo Lotto and Cima da Conegliano adorn the walls. Review © 2007, Wcities |
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7th century church |
Campo San Salvador - S. Marco Venice 30124 Italy +39 41 523 6717 |
Built on a structure of the 7th century and rebuilt during the 12th century, the church as it stands today was completed in 1534 AD. Review © 2007, Wcities |
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Houses Tiziano's 'Il Martirio di San Lorenzo' |
4905 Calle Erizzo Cannaregio Venice 30121 Italy |
Not to be confused with the 'Gesuati', which is on the other side of the city. The baroque interior is adorned with rare white marble inlayed with green grains. The most important feature, apart from the architecture itself, is Tiziano's wonderful 'Il Martirio di San Lorenzo'. Review © 2007, Wcities |
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Palladian church |
195 Via Giudecca Venice 30100 Italy +39 41 523 1415 |
Planned by A Palladio, this church was built between 1570 and 1580. In 1576, a deadly plague spread among the population. The doge then dedicated this church to the Redeemer, in return for mercy on his people. This may also explain the vast length of the church, leading to the altar. The statue of Faith rising above the façade can only be seen from the canals. During religious festivals, the church is joined to the opposite side of the Giudecca canal with a bridge of boats. Review © 2007, Wcities |
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13th century church |
Campo de la Chiesa (Sant-Elena) Venice 30100 Italy |
This church, built in the 13th century, was re-opened for worship at the beginning of the 20th century. On the left of the gothic front, the old monastery cloister is visible. The modern architecture of the bell tower differs from the church gothic style; and the interior consists of one nave with very high windows, the Apse, and the chapel of the 'Crocifisso' at the bottom. Review © 2007, Wcities |
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Venetian Political History adorned by Veronese Paintings |
Inside the Doge's Palace San Marco 1, Entrance for the public: Porta del Frumento, Piazzetta San Marco Venice 30124 Italy +39 0412 715 911 http://www.museicivicivenezian... |
The Institutional Chambers (Le Sale istituzionali) are the magnificent rooms where Venice's political and judicial organs resided for centuries. The most popular rooms include the Room of the Great Council, the Room of the Senate, the Room of the Collegio and the Room of the Council of Ten. All of them are adorned by the work of prominent artists of the late Renaissance period (15th and 16th century): Titian, Tintoretto and Veronese. Your tour begins on the second floor with the Atrium Square where you can see Veronese's Adam and Eve in the Garden of Eden as well as Tintoretto's ceilings. Then you enter the Room of Four Doors with outstanding pieces like Titian's portrait of Doge Antonio Grimani. The tour continues with the Antechamber to the Hall of the Full Council, the waiting room for ambassadors and delegations. The central fresco features Veronese's famous Rape of Europe. Continue to the Council Chamber to reach the Senate Chamber where you can admire the wall clock in addition to further masterpieces from Veronese and Tintoretto on the ceilings. Down one floor, you finally arrive to the world-renowned and majestic Chamber of The Great Council. Considered the largest room in Europe (with the largest oil painting) and dedicated to the most important political body in Venetian Republic, it emphasizes Veronese dramatic and colorful Mannerist Style in the Triumph of Venice. Admire also Tintoretto's portraits of the 76 Doges and Paradiso. At the end of your course, you'll reach the Bridge of Sighs linking the Institutional Chambers to the Prisons. Review © 2007, Wcities |
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XVI & XVII century |
2902/b Fondamenta di Cannaregio Venice 30131 Italy +39 41 71 5012 |
There are five synagogues in Venice: two of them (one Spanish and one Levantine) in the old ghetto date from 1500 AD and the other three (German, Canton and Italian) were built in the new ghetto. Longhena built the Spanish synagogue in the 17th century; he also restored the Levantine synagogue. One wall of the Canton synagogue, built in the 16th century, is adorned with paintings portraying Jewish history, including 'The Crossing of the Red Sea'. Services: 9.30a Sa Review © 2007, Wcities |
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Gothic church |
Campo dei Gesiutti Venice 30131 Italy +39 41 71 9933 |
The paving of the square is made up of bricks laid out in a fish-bone pattern. The church, a 14th-century Gothic structure, was first called San Cristoforo but the name was changed when an image of the Madonna was found nearby. Tintoretto's 'Presentazione di Maria al Tempio', 'Il Martirio di San Cristoforo', 'Giudizio Universale' and 'Il Popolo Ebraico adora il Vitello d'oro' are kept in the church along with other works of art by G Bellini, Palma il Vecchio and Palma il Giovane. Admission: L.3.000 Review © 2007, Wcities |
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Works of Armenian history |
Isola San Lazzaro degli Armeni Venice 30100 Italy +39 41 526 0104 |
At the beginning of the eighteenth century, Armenian monks arrived in Venice. These monks fled from the Moorish country after the Turkish invasion. The Serenissima (Venetians) gave them an island, which was used as a lepers' colony in other times, hence its name 'San Lazzaro'. Under the guidance of Pietro Mechitar, the monks founded a religious order and monastery for the Mechitarists, and a library that became a cultural centre for the Armenian Diaspora. Fortunate enough to be spared by Napoleon, they continued in their work of cultural rescue. They established a typography in Armenian characters and collected the most ancient manuscripts that they could find. Review © 2007, Wcities |
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Works by Palma il Giovane |
4905 Corte de le Candele (Campo dei Gesuiti) Venice 30131 Italy +39 41 521 7411 |
Built in the 12th century as a complex that included a church, a monastery and a hospital, this building was transformed into a hospice in 1400. The interior was decorated by Palma il Giovane at the end of the 16th century. The painted cycle tells the story of the crusaders and their hospital, of the Oratory as a hospital church and of the Oratory services. The Oratory is located opposite the Jesuit Church. Review © 2007, Wcities |
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Historical glass-blowing business |
16 Sest. San Marco Murano Venice 30100 Italy +33 321 95 9622 http://www.salviati.com/ |
Founded in 1866, Salviati initially produced chandeliers, decorative glass and mosaics. Today, Salviati produces decorative glass for historical buildings as well as lamps and precious glasses, some of which are truly exquisite. Review © 2007, Wcities |
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Baroque façade |
Campo Santa Maria Del Giglio O Zobenigo Venice 30124 Italy +39 41 522 1188 |
A short walk from the Fenice theatre and Gritti's residence stands this luxury hotel. The Gothic façade, recently restored to its original splendor, is adorned with 4 statues representing the Barbero family. On the lower part of the façade there are maps of fortresses and inside are paintings by Tintoretto and Rubens. Admission: L.3000 Review © 2007, Wcities |
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Oval shaped Church |
Campo della Fava Venice 30124 Italy |
On the road from Rialto to San Marco, behind San Bartolomeo Square there is this church dedicated to the Fava family. The church itself is oval and houses Tiepolo's Educazione della Vergine. Giorgio Massari designed the presbytery. Review © 2007, Wcities |
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16th-century church |
Salizzada Santi Giovanni e Paolo Venice 30123 Italy |
Due to its location adjacent to a hospital, this church is also known as the 'Ospedaleto'. Slightly obscured by the narrow street on which it stands, the beautiful building dates back to the 17th century. Designed by B. Longhena, it was paid for by B. Cagnoni. Inside are several paintings thought to be by Tiepolo. Review © 2007, Wcities |
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14th Century Church |
Campo Sant'Alvise Venice 30131 Italy +39 41 524 4664 |
Donated by Antonia Venier, this church was built at the end of the 15th century, but subsequent restorations have altered its old austerity, except for the choir stalls for the nuns and the Barbicans. Tiepolo's Passione di Gesu and the Poverta di Giobbe wrongly attributed to Vittor Carpaccio by Ruskin, adorn the interior. Review © 2007, Wcities |
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17th-century Venetian art |
Campo San Stae Venice 30135 Italy |
This museum explores 18th-century Venetian art, from Piazzetta to Tiepolo. It looks out onto the Canale Grande and its façade on the square portrays 'La Scoletta dei Battiloro', dedicated to the goldsmiths who made gold leaf. Admission: L.3000 (EUR 1.54) Review © 2007, Wcities |
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The oldest church in Venice |
Campo San Polo Venice 30123 Italy |
If you get lost in the Rialto market, ask someone from San Giacometo for directions. Above the tribunal, near the main entrance, is an extraordinary 24-hour clock and the original porch. Review © 2007, Wcities |
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IX-century Church |
Campo San Giacomo da l'Orio Venice 30135 Italy +39 41 524 0672 |
For a long time it was thought that the Orio referred to the Orient, but in fact it refers to the laurel plant, which used to grow in the area. The church, which dates back to the 9th century, has its original Gothic ceiling and contains works by Palmo il Giovane and Veronese. It has been restored several times. Admission: L.3000 Review © 2007, Wcities |
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Early 15th Century |
Campo San Giovanni Crisostomo Venice 30131 Italy +39 41 522 7155 |
It is a shame that tables, chairs and food stalls block the view of San Giovanni Cristostomo. Built by M. Codussi at the beginning of the 16th century, it was bombed by the Austrians in 1918. It is in the shape of a cross and several pillars hold 4 arches and a dome. The remarkable altarpiece by Bellini is dedicated to San Cristoforo, San Girolamo and Sant'Agostino, not less remarkable is the one dedicated to San Giovanni Battista Liberale, Maria Maddalena, Agnese, Caterina, by S.del Piombo. Review © 2007, Wcities |
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Home to the 'Battesimo di Cristo' by Cima da Conegliano |
Bragora (Castello) Venice 30123 Italy |
The meaning of Bragora is still debated. Some say it goes back to the Greek 'Agora', the square where the sovereign people used to make decisions, or 'Bragola', meaning market place. Though the old name is still used, today the place is called Bandiera and Moro. Built in the 8th century, subsequent additions and restorations (up to the 18th century) have mixed up the architectural styles, and now there are only glimpses of its past glory. Inside is the magnificent 'Battesimo di Cristo' by Cima da Conegliano. Review © 2007, Wcities |
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Famous Basilicas |
San Marco 328 Piazza San Marco Venice 30124 Italy +39 41 522 5205 / +39 41 522 5697 http://www.basilicasanmarco.it/ |
Started in the 9th Century, this church's architecture shows an eastern and Byzantine influence: note the golden altarpiece and the 13th and 14th-century mosaics that illustrate the cycles of the Bible. The magnificent domes date from the 12th Century. The Basilica houses the Marciano Museum, which contains the original bronze horses, copies of which are now on the terrace. Admission to Basilica: Free. Review © 2007, Wcities |
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VII century |
Sestiere Di Dorsoduro Venice 30122 Italy |
A short walk from the 'Rio Tera dei Pensieri' prison, a lone priest has been fighting for years to save this parish church. The fine interior woodwork dates back to the seventh century when the first settlers started coming here. A few decades ago, the fifteenth-century porch was rebuilt using, as far as possible, original materials. Review © 2007, Wcities |
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One of the most famous squares in Venice |
Campo San Polo Venice 30123 Italy |
San Polo and Santa Margherita are the largest piazzas in Venice. Coming from San Toma the church is barely visible and the bell tower, detached from the building, is visible from the other side of the 3m-wide street. In the oratory hangs 'Via Crucis' by Tiepolo. Admission: L.3000 Review © 2007, Wcities |
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Seventh-century church |
Castello Venice 30100 Italy +39 41 523 8950 |
The main structure of this church dates back to the 7th century, as does the fortress that gives this whole area its name. The church was re-built and enlarged in the 16th century, by the addition to the chapels by Longhena for the Lando and Vendramin families. The front, as we see it today, was designed by Palladio. Peter's throne, made from an Arab sepulchral sculpture, is very interesting. Review © 2007, Wcities |
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Near the University |
Campo San Sebastiano Venice 30122 Italy |
The humanities section of Ca'Foscari is lodged in what was once the annexed monastery. Built at the beginning of the 16th century to a design by Scarpagnino, it houses valuable paintings by Paolo Caliari. Admission: L.3000 Review © 2007, Wcities |
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Palladian Facade |
Campo San Francesco Della Vigna (Castello) Venice 30123 Italy |
According to tradition, toward the middle of the 13th century, the son of the Doge Pietro, Marco Ziani, donated a vineyard to the Friars and the church was built here by Jacopo Sansovino 300 years later. The façade, commissioned by the patriarch of Aquileia, was later restored by Palladio. It seems that long before, on the same site, there was the church of San Marco, to commemorate the place where San Marco was met by an angel on his way back from Aquileia. The sober interior houses paintings by Veronesi and Bellini. Review © 2007, Wcities |
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I3th Century Mosiacs and Stray Cats |
Via Torcello Venice Italy |
Venice's main attractions are swamped with tourists in the late summer, but there are plenty of places to go to in order to avoid the crowds. Take a boat trip to the islands from Fondamente Nove or San Zaccharia and make sure you spend some time wandering around Torcello. This peaceful and green place was established between the 5th and 6th centuries and boasts of the oldest building in the lagoon. The Cathedral of Santa Maria Dell'Assunta was founded in AD 639 and contains some intriguing mosaics. Review © 2007, Wcities |